from The Hope of Better Weather EP

piano - Michael Price

recorded July 17th, 2012 at Snap Studios, London


1. Breaking The Horizon

Solo Piano.  Created LIVE in Real-time at St. Wenceslaus Church, St. Louis MO.

Photo by Darren Lovecchio, DarrensImages5754@yahoo.com.

Year of Music: June 19, 2025

This is a remaster/remix of the original song(s) I published. Very experimental and made by reusing my stems and tracks with Riffusion after multiple passes through other AI. May contain hallucinations/errors.

Hydra's Anthem (link) (3) (remix-remaster)

first steps 6.18.25

I have contributed in this CD compilation [released by the Canadian Label Les Enregistraments Variables] with this piece for piano solo called "The movement of the grass II"
Also participated Library Tapes, Machinefabriek, Danny Norbury, Ex Confusion, Évo Lüthi, Fjordne … among others. Les Enregistrements Variables & Autres mélodrames is a 59 minute collection of sweet tales and introspective drones. Delicate, sometimes intricate, sometimes powerfull, these little tragedies are brought to you by a slew of captivating artists from across the world. You can get it here: http://variables.bandcamp.com/music

 
-- --

If you then want to be informed, when I release new titles or concerts, you are welcome to join my newsletter. You can do this at www.bruno-sanfilippo.com 
Or if you prefer, follow me on twitter: https://twitter.com/BrunoSanfilippo

The movement of the grass II

bit.ly/2iyCn3I

"Evolution" is a collection of blurry reflections, an emotional journey through memories of love, and loss.

▒ CREDITS ▒

Enthusiastically written, painstakingly recorded, carefully mixed and diligently mastered by Francesco Berta

▒ Flute: Luke Howells

▒ Bassoon: Mike Summers

▒ Violin: Liam Raw

▒ Cello: Aríanna Hönnudóttir

░ SPECIAL THANKS ░

My family, Sara, Kieron, Isaac and my prehistoric friends.

Additional thanks to Piero and Simone for their late night last minute mixing advice: I hope all the kick drums sound louder now.

Evolution

Download on Bandcamp

Adagio

https://ftmots.bandcamp.com/album/sleep-stations

From the Mouth of the Sun (aka Aaron Martin & Dag Rosenqvist) return with ‘Sleep Stations,’ an EP of six new songs, out May 18th, 2018 on Lost Tribe Sound. ’Sleep Stations’ rests comfortably alongside 2017’s ‘Hymn Binding’ their third full-length album and their original score for Joshua Z. Weinstein’s feature film, ‘Menashe.’ With ‘Sleep Stations’ the duo assures us that their exquisite palette of classical leaning, electro-acoustics reaped from their previous albums still leaves much to be explored.

In fact, the pieces of ‘Sleep Stations’ were composed during many of the same sessions as ‘Hymn Binding’ and ‘Menashe,’ yet they feel like a natural continuation of From the Mouth of the Sun’s sound, a stepping stone towards the next chapter, if you will. The core sound will be instantly recognizable for those who’ve followed their previous endeavors, comprised of cello, piano, acoustic guitars, lap steel, banjo, ukulele, pump organ, soft humming electronics and warm layer of static.

The title track ‘Sleep Stations’ was originally meant to be included on the album ‘Hymn Binding.’ It acted as a centerpiece and starting point for the music that From the Mouth of the Sun recorded later during the process of scoring the ‘Menashe’ film. The film ended up requiring an extremely spare palette, thus the ‘Sleep Stations’ EP represents a longing for a fuller and more controlled sound that exhibits the dynamic range that From the Mouth of the Sun strive for with their work.

There is a softness and detachment to ‘Sleep Stations’ more so, that seems to give the album an of aerial view of the landscape below. Where ‘Hymn Binding’ felt more grounded in the earth and soil, ‘Sleep Stations’ floats high above, feeling weightless, suspended in slow motion flight.

Arranging ‘Sleep Stations’ as an EP, has allowed Aaron and Dag to tell a shorter story, one that doesn’t have to be such a grand gesture, which is something they’ve wanted to explore for a while now. It’s a beautiful reminder, that a collection of music can still be simple yet deeply affecting, without being overwrought and excessive.
___________________________________________

CASSETTE DETAILS
‘Sleep Stations,’ our 3rd installment in the Dead West Tape Series, arrives on a limited pro-dubbed hi-bias tape cassette, housed in a reverse printed 300gsm heavy stock outer case. The edition (limited to 100) also comes with a download card offering a choice of formats including FLAC, 320K MP3, etc. Mastering was performed by Matthew Collings (aka one half of the duo Graveyard Tapes).
___________________________________________

DEAD WEST TAPE SERIES
Dead West is a series of limited cassette tape releases from the Lost Tribe Sound record label, inspired by the relocation of the LTS headquarters from the dry desert of Arizona to the lowland plains of Wisconsin’s farm country. The Dead West focuses on music built for exploring and soundtracking your environment, whether you're deep in the middle of lush woodlands, or just laying back at home with rested eyes. ‘Sleep Stations’ is the third release in the series. The first two releases in the series come from the composer William Ryan Fritch (Ill Tides) and experimental guitarist Seabuckthorn (I Could See The Smoke).
___________________________________________ 
credits
releases May 18, 2018

Music & Arrangements by Dag Rosenqvist & Aaron Martin
Mastering by Matthew Collings
Cover Image: NASA/JPL/U of Arizona
Layout & Design by Ryan Keane
© Dag Rosenqvist / Aaron Martin / Lost Tribe Sound LLC
Published by Settled Scores LLC (ASCAP) 2018

About the Birth of Stars

French pianist / composer Emilie Levienaise-Farrouch returns with the stunning 'Époques', her sophomore album for FatCat's pioneering 130701 imprint. Witnessing an increased assurance and dynamism in both Emilie's playing and composing, 'Époques' marks a big step forward for the London-based artist. A bold and adventurous album that alternates between passages of emotive, sinuous solo piano; stirring compositions for viola and cello and some beautifully sprawling electronics, it has been masterfully pieced together to further reveal a unique and intelligent sense of artistry, and a composer who really does deserve your full attention. 

'Époques' is a deep, forceful, at times difficult, listen - a true shifting through the various registers of emotion, from dark to light. Whilst fans of artists like Max Richter, Dustin O'Halloran and Jóhann's Jóhannsson ought to surely find much to love in this album, and parallels may be found to a progressive new breed of female peers like Claire M Singer, Lucy Railton and labelmate Resina, it is a record that genuinely sees its maker finding her own space, fully formed and conclusively set aside from peers and influences. No mere background listen, 'Époques' is a proper journey of an album – a  record to immerse yourself into; that stands up to and rewards repeat listening, revealing itself more and more over time.

Époques

Fracture Points

Pre-order

Emilie Levienaise-Farrouch - Fracture Points

First upload of a track I composed during a winter sleepless night. It's a bit short but I hope you'll like it.
For Piano Day 2019

Alternate Sight - Piano Day 2019

For Piano Day 2019 | www.medardfischer.com |
medardfischer.bandcamp.com | Instagram: @medardfischer

Borrowed

A piano-only song I composed for piano day 2020 (www.pianoday.org/)
#pianoday2020

The Wind

Official Soundcloud page for composer & pianist Michael Price.

1. Breaking The Horizon

Michael Price

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