Marco Lucchi : analog synthesizer and samples

with Zuunzug
https://soundcloud.com/zuunzug-field-recording/waves-over-seashells-vagues-sur-les-coquillages

28 aprile 2021

"Il gesto mitico è un'onda che, nell'infrangersi, disegna un profilo, come i dadi gettati formano un numero. Ma ritirandosi accresce nella risacca la complicazione indominata, e alla fine la commistione, il disordine, da cui nasce un ulteriore gesto mitico. Perciò il mito non ammette sistema.“ 

Roberto Calasso

Undertow (w/ Zuunzug)

Still a work in progress but here is an extended 5 minute version of Dawn On Europa. I'm combining influences from industrial bands like Nurse With Wound and drone rock like Sunn :0)))

Day time on Europa:

"The data show that midday temperatures at Europa's equator reach about -225 degrees Fahrenheit (130 degrees Kelvin). The surface is even colder toward the poles and before or after midday. Small patches of different colors on Europa's disk show regions that are warmer or cooler than their immediate surroundings: the warm patches are generally relatively dark, and thus absorb more sunlight, than neighboring regions, while the cool patches are relatively bright. In the lower left corner, heat radiation from Jupiter itself, can be seen peeking out from behind Europa's disk."

Dawn On Europa (Petrochemical Ocean Album Version)

SAKURA 2 (JAPANESE)

Circles Of Heather

(changed from Good Morning Good People out of reverence for Mark 10:17-22)

Good - Morning - Beloved

UND WENN... I

This track is the result of an asynchronous collaboration with @daniel-diaz for the Disquiet Junto Projects (details below): I tried to embellish his wonderful track https://soundcloud.com/daniel-diaz/2022wcgroove-disquiet0572 mainly with the addition of piano and harmonium.
According to my wife this is music for letting the world pass by...

More on this 573rd weekly Disquiet Junto project – Float Mode (The Assignment: Add material atop a pre-existing beat to form a complete track) – at: https://disquiet.com/0573/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0573-float-mode/

Letting The World Pass By [with Daniel Diaz] (Disquiet0573)

Land of Dreams

SMUSHED-UP REMIX OF "LES INVISIBLES" BY @JUSTGUITAR31 
ORIGINAL TRACK HERE: https://on.soundcloud.com/wAfCR

LOOPDIGGERS CHALLENGES

CHANT D'OISEAU ALÉATOIRE (LOOPDIGGERS SUNDAY ROULETTE #122)

Track from my 2012 album "Exit Keys," available at Bandcamp:

https://michaelplater.bandcamp.com/album/exit-keys

Michael Plater: voice, acoustic and electric guitars
Caz Gannell: cello

Recorded and mixed by Brooke Penrose at Captain B

Mastered by Adam Dempsey

This Leaving Time

Michael Plater is a U.K-based Australian experimental/folk/psych/indie/noir musician and multi-instrumentalist. His first two solo albums “Exit Keys” (2012) and “Mythologies” (2016) received world-wide critical acclaim, with “Mythologies” being re-released in expanded form in the U.K in 2018 through cult British folk/psyche/drone label Reverb Worship. In recent years, he has also released music on such labels as Hypostatic Union (U.K), Dub Cthonic (U.K), Woodford Halse (U.K), Hibernate (U.K), Laily Recordings (U.K), and More Than Folk Records (France).

Michael has also played in the U.K-based dark folk ensemble GhostShips, the ambient project Ghosts of Electricity, the Gothic soundscapes act The Northern Lighthouse Board, Melbourne garage rockers The Exit Keys, and folkloric collective Cornish Wreckers. 

His acclaimed new solo album, “Ghost Music,” is out now on Hypostatic Union. 

Selected Press:

"Beautiful and timeless...Music that breaks your heart." (Peek-a-Boo Magazine, Belgium)

"Dark folk (via destabilised post-punk) and epic mind-bending pieces which leave you gasping for air" (I-94 Bar, Sydney)

"Multifaceted and very emotional...bewitching" (Gezeitenstrom Musik Magazine, Germany)

"Mythologies is an album made of that sweet melancholy that we know so well…at once familiar and reassuring, like an old friend who comes to visit you when a rainy horizon weighs on your soul." (Mithra Templezine, France) 

“Late-night indie rock 'n' roll, woozy dreampop atmospherics, and a generous helping of Gothic Americana,” (Bliss Aquamarine, U.K) 

"His seemingly sweet music approaches you almost tenderly, then comes the deep, deep voice... A voice that carries a real melancholy...exciting, rock and roll and lyrical," (New Box Magazine, France) 

"Michael is an Australian musician who has a deep baritone voice, a voice that he uses to great effect...There are some nice touches in the playing with slide guitar, Leslie harmonica, violin, organ accordion, bass and drums...The album ends with ‘The Dreamer’s Dream’, mostly instrumental, it’s also my favourite, with some fine ensemble playing, tremolo guitar, martial drums and heavily amped harmonica," (Terrascope, U.K)

"Michaels warm, very melodious and deep voice exudes a draft of a special kind and creates goosebumps." (Independent Sounds, Germany)

"Listening to Michael Plater's music, the names that come to mind are Nick Cave, Nikki Sudden (in his 'solo works'), Lou Reed... Intimate folk-blues ballads, with an underground taste...a songwriter with talent...Heartfelt music from a sensitive soul, surely. Very good work." (Sudden Art Music Magazine, Italy)

"Fantastic and melancholic songs, sung with his strong and expressive voice." (At Sea Compilations, Germany)

"Mythologies is vocal-driven, Plater’s deep voice laying down a trail into the forest, the guitars and occasional harmonica and piano are the dark unknown around us…we’re lucky to have him,” (Robert Brokenmouth, I-94-Bar)



Bandcamp: http://michaelplater.bandcamp.com

Website: 
www.michaelaplater.wixsite.com/michaelplater
 
Youtube: https://www.youtube.com/playlist?list=PLmecIpsw-N0GnEFmoESiZuOcUnYiy0U2C

This Leaving Time

Michael Plater

Recent comments

Emily Loves Snow

Max T.Lollier

Max T.Lollier

EDM Worldwide Yesterday

Related tracks