great track, love the playing, very impressive.

Well structured. Lovely acoustic guitar sounds. It was tuned a little bit high, I think, but great matches this song.

this is great, love the arrangement and the lyrics

Lyrics

In the darkest hue
With the curtains drawn,
Suddenly my lights flickered,
And I heard her song,
Hey! You in the dark,
In the darkening hue,
This is the banshee,
I’ve come for you. 

I am the banshee
The banshee you know,
You have had your time,
Now It’s time for you to go. 

I know you’re way too cheap
To hitch a ride,
So I’ve personally come,
But I’m too young I cried
I don’t want to go,
But it was too late,
We were already down the road. 

And she picked up those who’d strayed,
And she picked up those who were strong, 
And she picked up those who’d blessed us,
And she picked up those who were wrong.
And she picked up those who had lost their voice,
And taught them how to scream this song. 

I am the banshee
The banshee you know,
You have had your time,
Now It’s time for you to go. 

I am the banshee
The banshee you know,
When the young ones come,
The old’s got to go
If you’ve heard me,
It’s already too late. 

I am the banshee
The banshee you know,
You have had your time,
Now It’s time for you to go. 

And she picked up by those who’d prayed,
And she picked up those who were good, 
And she picked up those who’d confessed,
And she picked anyone she could,
And she picked up those who had lost their voice,
Taught them how to scream this song. 

I am the banshee
The banshee you know,
You have had your time,
Now It’s time for you to go. 


A Banshee is a death-spirit native to Celtic mythology and was regarded either as a type of fairy or a ghost, regardless of origin a Banshee was always seen as an omen of death and her screaming was said to be heard by those destined to die

Mike Krath: Lyrics
Finn Eces: Production, Arrangement, Melody, Vocals, Octave Mandolin, Banjo, Mandolin

Finn Eces - @finn_eces
Mike Krath - @mike-krath

The Banshee Of The Darkest Hue (feat. Finn Eces)

Greetings my Soundcloud friends. I'm very excited to share this remix of my latest solo effort, 'I Disbelieve'. Neons Gone Mad (https://soundcloud.com/prof-oddfellow, https://www.youtube.com/channel/UCda8pJTvzwH3-Towb1AHhEw) does a wonderful job of adding quirky clockworky elements to the mix. And they create charming videos to support their efforts. Both are very worthy of your time. I hope you'll give em a spin. (Here is a link to the video: https://www.youtube.com/watch?v=plYeA0pEfx0) :)

I Disbelieve (Neons Gone Mad 'Clockwork' Remix)

SOTTOFONDO ALLA STUPENDA COMETA NEOWISE 2020 (LUGLIO 2020) RIPRESA DAGLI ASTROFILI MANTOVANI DELL OSSERVATORIO DI SAN BENEDETTO PO.,CERCATE IL VIDEO SU YOUTUBE
https://youtu.be/AK38DHvkzwA

STAR TAKE  NEOWISE 2020    Taking The Stars

Soundsplorations (2017-2019)

The Really Central Kafka Joke

This is actually the first track I recorded by myself since early 4-track recordings decades ago. Recorded at the start of lockdown on an iPad before I discovered Ableton; cleaned up in 2023 for a new airing. Always saw it as a sonic future-scape that is a little rough around the edges but worth sharing again.
Image: AI via Lexica.

El Futuro Es...

Voltaic 2. Rascalaty

Tea-Snuggery Show #49 with Wilfried Hanrath (Threads*Wuppertal)-27-jun-23
https://threadsradio.com/
https://www.mixcloud.com/ThreadsRadio/tea-snuggery-show-49-w-wilfried-hanrath-_wuppertal-27-jun-23/

With Wilfried Hanrath we present a very versatile artist whose music celebrates the moment. Wilfried draws on collaborations with friends from all over the world.
They work on the tracks on an equal footing, at the same time the creative process plays an important role. According to Wilfried, this open-ended way of working produces the most surprising results, the creative process leads to unexpected twists and turns, spontaneity is the key to creating a world of sound all his own - for the artist, the freest and most honest kind of music. Improvisation is the core and starting point for his compositions.  

About this mix: 
This approach is also reflected in every part of Hanrath's mix. Calm and dreamy passages, krautrock nuances that suddenly discharge themselves, freely after Jaco Pastorius: "keeping your mind open".
Change is possible, soul music for advanced listeners, sometimes stirring, then again soothing and calming - in any case always recorded with a lot of heart and soul - come along on a journey into the fantastic sound worlds of Wilfried Hanrath and friends. Listen with care q:
https://wilfriedhanrath.bandcamp.com/
https://www.instagram.com/wilfriedhanrath/?hl=de
https://soundcloud.com/flyingtonefish
https://www.youtube.com/channel/UChy-UmF-m0FiRGkW33-w5aw?view_as=subscriber

Track list:

1.	Wilfried Hanrath - In-sel
2.	Wilfried Hanrath - Today feat. xiiixxi
3.	Wilfried Hanrath - Yonder (edit) feat. Marco Lucchi
4.	Wilfried Hanrath – Amber
5.	Wilfried Hanrath - The Man who smiled and waved Good-Bye (edit)
6.	Wilfried Hanrath - Ongit (edit)
7.	Wilfried Hanrath - Dub (Dub Dub)
8.	Wilfried Hanrath - In through the Outdoor (edit)
9.	Wilfried Hanrath - Where has my Love gone
10.	Wilfried Hanrath & I, Eternal - Starcitizen, Oddities in Space 
11.	Wilfried Hanrath - One for Manies
12.	FutureLight (Wilfried Hanrath & Thomas Jackson Park) - Gathering Sticks,  ____Whistling down the Wind (edit)
13.	Wilfried Hanrath: - Secrets Unfold
14.	Wilfried Hanrath - Ich singe Dir vom Glücke (für Selma)
15.	Wilfried Hanrath & Shoza - Re-imagining September by Marco Lucchi (edit)
16.	Wilfried Hanrath & Roger Hatfield (R.I.P.) - Quiet in the Disquiet
17.	Wilfried Hanrath - The Portland Grand Sud
18.	Wilfried Hanrath – Dreaming
19.	Wilfried Hanrath - Timeless Astral Beauty (edit)

credits: 
heartfelt thanks go out to:
Tom Bossert, Mr. TeaSnuggery, for inviting me to his show
the following musicians for wonderful collaborations:
xiiixxii: https://soundcloud.com/xiiixxii
Marco Lucchi: https://soundcloud.com/marcolucchi
Shoza: https://soundcloud.com/shoza-454002623
Thomas Jackson Park: https://archive.org/search?query=thomas+jackson+park
Roger Hatfield (R.I.P.): https://soundcloud.com/roger-hatfield
https://soundcloud.com/wilwilwil/wil-and-roger-hatfield-quiet-in-the-disquiet
(such a beautiful photo of Roger here)
Susanne Stepbach: for inspiration for the artwork
https://www.kunstnet.de/SusanneStepbach

Wielfried Hanrath & friends

Tea-Snuggery Show #49w_Wilfried Hanrath (Threads*Wuppertal)-27-jun-23

DOOWINIT (music: Mark Paton / words: Justin Paton)
Recorded on 4-track tape, London 1997
* Justin Paton: voice, guitar, keyboard & percussion
* Mark Paton: keyboard & percussion

an introduction to The Fear Of Muzak

Doowinit (1997)

Song With Lousy Ending 2

I composed this song with my boyfriend's brother Carlos Bergmann! but in reality we didn't compose with much equipment! We only use a 16 channel console, also a synthesizer, electronic drums and finally an electric guitar! The list of instruments are as follows! synth melodic Yamaha dx7 ! Fender Stratocaster electric guitar Alesis HR-16 electronic percussion! just this and nothing more! In fact we recorded everything outside of my boyfriend's studio! It was a great experience. I dedicated myself to playing the electric guitar, which almost sounds like an electric bass. In fact, I don't understand anything about guitars, but well, ultimately this came out and it was a great experience sharing compositions with my boyfriend's brother!

Božena Jurkovic  & NN & Johann Friedhof Bs.as  -Alegorija  Session 1

Date de publication: 30/04/2024

Musique, arrangements, claviers, mixage, mastering:
Damien MAUREL & Cyril MENDEZ 

Synthétiseurs utilisés en + des VST:
Roland JUPITER XM
Korg VOLCA FM

© Damien MAUREL & Cyril MENDEZ 2024, All Rights Reserved.

Dementia (Collaboration avec Visions of Dystopia)

I'm a keyboardist with a love for layering sounds to create ambient, ethereal atmospheres and composing simple piano pieces to embellish. I love all genres of music, and find myself composing different types depending on my mood of the day.

I’ve never had formal training. As a teen, my parents wouldn’t let a piano in our house in Egypt, so I studied piece-meal at friends’ homes. When I got to college, I learned by going to university piano practice rooms. In my 40’s, I met my birth-mom who turned out to be a child prodigy, winning a Van Cliburn competition by playing Rachmaninoff at age 11. Most of what I play today, I learned from the techniques she taught me. 

I’m an American who has lived abroad for a good part of my life in Egypt, Turkey, Japan, South Korea, Saudi Arabia, Italy, Taiwan, and now back to Texas.

The Banshee Of The Darkest Hue (feat. Finn Eces)

Mike Krath

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