Parallelle - Maxa - Burning Man 2022

This month’s Get Physical radio show features a mix from renowned German artist and DJ Tom Breu. Tom’s musical journey has seen him traversing the globe, settling in Ibiza at 19 and now calling Los Angeles home. He has been a constant presence on the global music scene playing the world’s most iconic clubs and festivals and releasing music on crucial labels. This month, he joined the Get Physical family for the latest single ‘Murungu’ alongside Peruvian-American artist Sintra. The mix for the show features this super Afro-House melodic fusion, along with a host of other recent gems from the world of Get Physical and Friends. We have tracks from Climbers, Cioz, Chelonis R. Jones and Djuma Soundsystem amongst others as Tom Breu takes us through a highly melodic and dance floor focused selection. The mix closes with a remastered Get Physical Classic as co-founders M.A.N.D.Y and Booka Shade work with Laurie Anderson on the excellent ‘O Superman’.

Tracklist:

01 Climbers - Equal Responsibility
02 Valer den Bit - Kiss 
03 Cioz feat. Eleonora -  Dancing in the Night (Lucky Shot Extended Mix) 
04 Chelonis R. Jones - I Don't Know
05 West & Hill, Soulroots, Soul Star - The World Goes Round
06 Djuma Soundsystem & Westerby -  Koma Kombache
07 Tom Breu, Sintra - Murungu 
08 Boogie Vice & Deep Aztec - Promises (N-You-Up Dub Extended Mix)
09 Minoas Cirillo & Timothée ToussainT - Love Yourself Accept Yourself
10 M.A.N.D.Y. vs Booka Shade, Laurie Anderson - O Superman (Remaster)

https://getphysicalmusic.com/

Get Physical Radio by Tom Breu

Tom Breu - Murungu

Desert Hearts 2yr Anniversary

Cosmic Frequencies - 01.03.25

@cosma_wav

Saturday, 1 March
11:00am – 1:00pm

www.blooplondon.com
www.facebook.com/blooplondon
www.youtube.com/blooplondon
www.mixcloud.com/blooplondon
www.twitch.tv/blooplondon
@blooplondon

Cosmic Frequencies - 01.03.25

ROMA - Nacht der Blumen 2025 @ Hive Club

afrohouse beat (free download)

sipping.gyoza

For more info visit: http://bit.ly/2hwP7sd

https://soundcloud.com/oonadahl

Mix info

EG.657 Öona Dahl

We all evolve,we all grow. What resonates with me has evolved as well - an ebb and flow of emotion and groove.

It was time to be true to myself, and embrace the sound which moves me. Fractured from my path thus far; what emerged was a deep, emotional, minimal trip.

This is what moves me. My ethos.



Bedroom Session XI

Ethos [Session XI]

HANNES BIEGER on:
- Facebook: www.facebook.com/hannesbieger
- SoundCloud: @hannesbieger

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass
- Spotify: spoti.fi/2KipBo7

3 QUESTIONS to HANNES BIEGER:

Q: Talking about your mix: How did these super early tracks shape your career and how did you find your way into Electronic Music once?

A: Of course you are not aware of this at the moment, but in hindsight you begin to see the common thread. I think there is a straight line in my mix, leading from the first track into the last one. Like probably anyone, I had to leave out a lot of stuff – the dead end streets and side roads. But I think my mix reflects very well my musical journey from my younger self, sitting whole afternoons in front of the record player at six years old, flipping my father’s Pink Floyd and Beatles vinyls over and over again – until today, looking back on a long career as a musician, mix engineer and producer already. Take „Cirrus Minor“ by Pink Floyd, the first track of my mix. At first glance it’s an acoustic guitar ballad, but then you notice the several layers of bird sound tape loops in the intro, how they open up the reverb send on the first line of the chorus, and the way they used the organ, which later seamlessly transitioned into using synthesizers. To me, in a way, this is electronic music already – and although I could not put my finger on all the details yet when I was 6, I definitely noticed there was something special about the sound of these records. At 10 I started playing electric guitar, and from the beginning I was just as interested in the way it sounded, as I was into what I was playing. This was inseparable for me practically since day one. [read full answer on our Facebook page]

Q: Besides playing as a live-act you are mastering and mix enginieer, producer, teacher. A musician all over. How would you describe your place in the electronic music world?

A: Well, this sums it up nicely already. And ultimately I think it’s up to others to answer this question. I have been wearing so many different hats in the 20 years I am doing this now that I’d like to think I have adopted a fairly holistic view of things. I think ultimately my goal is to try and make music that can stand the test of time. The wheel is turning so fast these days. Maybe I’m not so much the guy to produce DJ tools, I always aim for something that is more of a song, a story, a journey. It is important for me to point out that I am still learning and searching, trying to develop. The more you know, the more you know what you don’t know. There still is a universe out there waiting to be explored. For years I have tried to avoid becoming part of a certain scene, being pinned down to a narrow section of what I was doing. I guess I can say that I am really feeling at home now with the labels I am affiliated with, with the artist I collaborate with etc. – and I am proud to be part of a scene that is open, inclusive and international, happy to feel the unifying force of music every day.

Q: Which exciting projects are you currently working on?

A: I am further developing my live set, and I have just completed a couple releases slated for 2020, including my first full album I am releasing as „Hannes Bieger“ – it’s coming in spring on Awesome Soundwave, a fairly new label run by Carl Cox and Christopher Coe. It’s a bit more experimental than my latest releases, and I can’t wait to share it. The only vocalist featured on the album is Ursula Rucker. I have been admiring her for many, many years, and the first track where I ever heard her voice is also included in this mix: „Loveless“ by 4hero. There is a story coming full circle here, over 20 years after this record came out I am fortunate enough to finally also work with her!

Hannes Bieger - HOW I MET THE BASS #163

Hey there, this episode of Lazpod is something of a journey into the unknown and therefore I felt it uneccessary to post up the tracklisting. Some pieces of music you will recognise, others you won't; for this trip, all you need is an inquisitive mind and an open heart. Enjoy!

Ethos [Session XI]

Mike Haddad