naviarhaiku436:
lightning thunder
and rain
all speaking at once

haiku: Elancharan Gunasekaran https://elancharan.com/
image: Victor Chartin https://unsplash.com/@vicuts
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

Thunder and Rain [NaviarHaiku436]

This was my contribution for Disquiet Junto Project 0697: First Third. The Assignment: Record the first third of a trio.

Here’s a copy of my post on the Disquiet Junto 0697 discussion thread on Lines:

Decided to go with rhythmic/percussive samples for the first stage of the project. The three samples, variations of the same patch, were created using Lorre-Mill Double Knot V3 processed through a Comb Room delay. The audio was recorded into Ableton Live and exported without any effects. Have fun! 

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Double Knotted and Comb Roomed Trio [disquiet0697]

I chose the brilliant track by https://soundcloud.com/torstengoerke for this Disquiet Junto brief; to add a second part in an eventual trio ... https://soundcloud.com/torstengoerke/plastiq-disquiet0697?si=e511e161b08d44e789d92e107816d030&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Looking forward to hearing any additions to complete the triangle of collaboration! ❤️

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

more halF unusuaL

halF plastiQ [disquiet0698] with Torsten Goerke

As usual, there is an abundance of fantastic pieces to collaborate with. I finally decided on Aaron Hofman's work, because there was something about its slightly off kilter ambience that seemed to suit the later spring rain that is settling in for a few days. I added just a bit of gritty drone, augmented with a bit of reverb to further set the mood. 

disquiet0698

A bass track over @half-unusual 's groove.
I played electric bass guitar (maple fender jazz bass with a pick and mute and a crunchy amp) with an overdrive pedal and a “skidder” effect tweaked in real time.

Original: https://soundcloud.com/half-unusual/half-third-disquiet0697-80-bpm

for this challenge:
llllllll.co/t/disquiet-junto-pr…-0698-second-third/

The Ghost of Bolsover Castle (with half unusuaL) - disquiet0698

Fake Genius on the left, Torpid Scorpion on the RIght. 

Added a rhythm played on the TR8S with a second pass to hand-crank filter and delay effects.

This pie is waiting for a third to fill in the missing piece.

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/



Second Third (disquiet0698) Fake Genius x Torpid Scorpion

A guitar part added to CJ McGregor's modular rhythm part, for the second of three phases of a collaboration.

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

Second Third on the RIght! (disquiet0698) CJ McGregor x Torpid Scorpion

This was my second contribution for Disquiet Junto Project 0698: Second Third. The Assignment: Record the second third of a trio.

Here’s a copy of my post on the Disquiet Junto 0698 discussion thread on Lines:

For the second track, I went with “Mr. Bowed Jangles” by @tristan_louth_robins. I extended the length of it by looping the piece 2.5 times. Then created the right channel track using Dillon Bastan’s Max For Live granular looper device Iota in Ableton Live.  

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

Bowed And Jangled Farther [disquiet0698]

My first junto project- disquiet0698. Adding the 2nd part of a trio (right channel), to Alan Blip's- B-Drone starter (left channel) .  
You are hearing some shortwave recording of military weather reports, and what is (allegedly) a Russian diplomatic service transmission (time-stretched), bad violin playing and the sound of wind in the trees of my garden. Kinda concerned I've packed too much in here, but hope there's space for someone to add something more in part 3. It's been fun- thanks Alan Blip & Junto crew for the provocation :)

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at disquiet.com/0698/

disquiet0698_

Melodic Dark and Luminous Drones - disquiet0699 (with Ray Cobley and Alanblip)
This one’s quite experimental yet melodic and with a positive, luminous vibe (but with moments of darkness when Ray’s drone takes the foreground). 

Took this duo: https://soundcloud.com/ray_cobley/drone-double-with-alanblipdisquiet0698 by @ray_cobley 
who worked on this solo by  @alanblip https://soundcloud.com/alanblip/b-drone-disquiet0697 

Added a solo lead on my Oberheim OB-X and some noise washes on the same sytnh to channel the mighty Vangelis…

For this collaboration project:
https://llllllll.co/t/disquiet-junto-project-0699-third-third/

Melodic Dark and Luminous Drones (w/ray cobley & alanblip) - disquiet0699

Disquiet Junto Project 0699: Third Third
The Assignment: Record the final third of a trio.

I just wanted to play bass on something because it felt like it had been a while since I picked up my bass.  The third part of this project always felt like the right time for basslines too.  I don't really like when the low end is panned hard left or right to be honest.  It feels unbalanced to me.  Anyway, Torpid and Coraline's beautiful piece from last week really stuck out to me so it was an easy choice.  I liked writing counter point to Torpid's fills at the end of the measure.  Hope I didn't funk it up too much

You're not a Burden Either (disquiet0699)

mikey_a is an ambient and soundscape artist living in Melbourne, Australia.
Though now producing mainly in the box with a mix of VST and field recordings he still likes to occasionally crank out some of the physical treasures he's owned since the '80s: a Korg MonoPoly, a Roland TR-606, TB-303, S-10 and D-110 along with a TEAC 3440 reel-to-reel.
He is a frequent contributor to the Naviar Records' Haiku Challenge and Disquiet Junto projects.