Drummax, Sytrus, Fender Squire Mini guitar , Yamaha Tenor Saxophone

Artwork-photo of some homegrown olives curing in the kitchen.

Yep, Sure, 100%

The piano is not just an instrument; it is a storyteller. My lifelong companion. Each piece holds the memory of a moment in time, of a period in life. Here, I share my personal journey—one miniature, one experiment, one story at a time.

I’m Konrad Spittelberg, 52 years old. Though I’ve always called Vienna my home, I have pursued various interests, building an interdisciplinary background that spans education in Latin and Greek, studies of Mathematics, Physics and Economics and a carreer in Consulting and Risk Management. Sometimes, you might also find me immersed in games of Go, Chess or D&D. 

But only when I’m not making music. Of course. Still then, all of my interests have shaped the way I think — and, in turn, the way I compose.

The instrument of my life is the piano. I play it since the age of six, the first 16 in music school with my dedicated teacher Margarete Gerlach (and also thanks to the city of Vienna to the incredible publicly funded music schools!). My piano playing saw multiyear interruptions due to travel and workload. But in recent years I’ve found the time to pursue my passion again—with renewed joy. I devote many of my evenings to developing, refining and rehearsing my piano miniatures. 

I inhale music wherever I find it. In the echoes of Renaissance motets or contemporary cluster music with my local choir, which I joined 30 years ago. In music running in the background of a fashion store which I Shazaam for later enjoyment. Or live concerts - there are so many gifted artists in the world! 

My music is a dialogue between tradition and exploration. Rooted in classical and romantic traditions, it ventures into jazz, rock, and pop.  I love to experiment—playing with unexpected tonalities, syncopated rhythms, and dynamic contrasts. My compositions often evolve through shifts in tension, rhythmic complexity, and harmonic modulations, sometimes venturing across the circle of fifths. I’m also diving deeper into the art of mastering, an area where I still have much to explore.

If my music speaks to you, I’d love for you to follow my journey. Follow along, share your thoughts—whether in appreciation or in challenge. Music, after all, is meant to be a conversation—and I’d love to hear your voice in it.
Enjoy your time with my music! 
Contact: konrad.spittelberg@gmail.com
Spotify and Youtube: https:\\konrad-spittelberg.carrd.co

Father (38) and Son (6) combining and offering up two generations of Dimorphic soundscOpes for the holes on the side of your head, any of them... we are not picky. We present to the general public our musical stylings.

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

Amateur recording artist. Gear, Vox AC30, Vox AD60VT Valvetronix, Vox mini superbeetle. Rickenbacker 360/12, 325, 330 and 660. Gibson Les Paul Traditional, Fender Stratocaster American series. Maton EM325C acoustic. Viola bass.Yamaha keyboard. Boss DD2 delay, Boss Heavy Metal, Boss RC 1 looper, JangleBox JB2 compressor, Mr Black Eterna Gold modified shimmer reverb, Vox Valvetronix Tonelab EX. iMac with Pro tools 12.

Welcome, everybody.

Follow me as I explore the many genres of electronica.

Sanity’s boring, harmony's a joke,
I built my throne out of everything broke.

This is blues exorcism for cursed souls. Heavy psych riffs dragged through ash. Basement doom jams that sound like they’re melting from the inside.

This is not good music. It’s honest noise. 
These sounds are built for the broken, 
... not for the sober.
Unlovable, unmarketable, undeniable.

If you get it, welcome.
If not, you were never meant to...   Haha, guitar go Brrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr

 My musical background is varied. I started studies in music theory and violin at the age of 8. At the age of eleven, I started with  guitar. I 'm a self-taught guitarist. One year later I started in  a school to study harmony and modern piano for six years. In 2006 I moved to Madrid to study visual production and sound.

I'm part of several bands which plays different styles: Rock, pop, heavy ...

My favourite music style  is classical music and rock. I do not think that both worlds need to be exclusionary.

My musical instrument is the piano. I spend my time playing it with complete devotion.

Some samples that can be heard on SoundCloud serve to show the variety that I can cover. I give special priority to  symphonic samples.

Main DAW :  Studio one pro 7    Mixcraft pro 10 studio    Ability pro 5

Since 1969, I have been playing music as a semi-professional reeds player in England and France.
I am a self taught composer and arranger, writing principally for various small instrumental groups, both classical and jazz. Find out more at : https://tmalcock.wixsite.com/mysite .

These songs are from the heart.  A human heart.  I love this platform for finding new experimental work. So much awesome work here and wonderful people. My songs can be downloaded at https://jeffreygeorge.bandcamp.com/

Yep, Sure, 100%

Mikey McFaffington and his Saxophonic Adventures