Bookings / Enquiries - resetsafari[at]gmail.com

Label @VagueObjective

A music diet of pirate radio and rave tape packs consumed from a young age is inherent in the texture of Reset Safari’s work. Skipping lunch at school to save the money for buying vinyl at the weekend, the dedication was always there. With no desire to be restricted to one particular sound, essences of his love for Garage music filter through to his enigmatic take on House & Techno.

In nearly 15 years of utilizing dance as a healing modality, Scott Houston has come to believe in the inherent wisdom of the body and the power of sound to move it. Scott produces & facilitates events that are an open path to healing through a communion with the embodied self.

Scott is classically-trained musician & trumpet player of 35+ years, accredited 5Rhythms teacher, devoted Husband & Father, performance artist, as well as Co-Founder, Director, & Resident DJ of Sol Dance in Atlanta.

Musically, Scott boasts a uniquely diverse range that spans across all musical genres, masterfully being able to weave any dance-floor from a point of stillness to climax & all the way back down into the deepest states of bliss + contemplation. Because of this skillset, Scott is known regionally as a go-to sonic-curator for intentional movement-spaces of all kinds as well as truly unique, high-vibrational community experiences.

As an Atlanta based artist & DJ – Scott is known for his collaborative mindset & appearances at regional festivals, as well as local events, parties, rooftops, warehouses, and gatherings all over the city - specifically through his residency with the chic underground music collective Project B. As such, Scott has had the privilege of vibe-setting for a variety of artists including: Acid Pauli, Mihigh, Gescu, Arapu, Viken Arman, Varhat, Janaret, Bobi Stevkovski & Yoko0. Most recently having joined Tambor Party & Stan Zeff on Afro-House adventures around ATL & abroad in Egypt.

Additionally, through collaborative efforts with Reciprocity Music, Scott has had the pleasure to perform alongside Porangui, Mose, Deya Dova, Liquid Bloom, & Savej.

chicken soup for uncultured youth

label dad @seanceaudio

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
Info, Remixes, Licensing: 
www.geocities.ws/futurefeelings
Eskimo Recordings
My Favorite Robot
Electrique Music
File Under Disco
Nang
Tickle Sound
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
inquiries: future.feelings.music @ gmail

Shayla Torres
Designer. Stylist. Artist. 
Boogie on the dancefloor

Discovering the best new music, curated by Annie Mac

as usual.music / Golden Gate Club Rec. / Lauter / Selectro / Sagmen / Innocent / Lazerslut / Heimatliebe / Möhre Rekorder / Sibil-la Music / Monday Morning Rec. / and many more...

Next Dates
08-23 TechnoZähne X PartiKlub / Schaumburg
08-31 Trig / AVA
09-06 Kante Neukölln
09-07 Jonny Knüppel
09-11 Golden Gate
09-12 Bloop London Radio
09-20 Drifters Freiburg
09-27 Kante Neukölln
09-28 Trig / Ava
10-10 Bloop London
10-18 3plus1 meets as usual.
10-19 Trig Ava
10-25 Enorm in Form / Kater Blau
10-31 Maze Steinen
11-14 Bloop London
11-15 23 Years Golden Gate
11-22 Hoppetosse Betriebsfeier
11-30 Trig Ava
12-06 Lost Club Leipzig
12-12 Bloop London
12-13 Station Endlos Halle
12-19 Golden Gate Berlin
12-26 Drifters Club Freiburg




Bee Lincoln has several faces in the underground scene and expresses his love for music as a passionate DJ, producer, label owner, event manager or writer. With a scientific approach and an artistic perspective, electronic music has become a mission in his life. While DJing since more than two decades, he is now based in Berlin and established his own imprint ‚as usual.music’ since 2017 with a bunch of forward-thinking artists in Techhouse and Minimal. With releases on labels like Innocent Music, Sagmen, Golden Gate Club Rec., Datagroove Rec., Antura, Hardcutz Rec., Tonkind, Lazerslut, Sibil.la Music, eMBi Music, japanese-based vinyl label Transit Rec., Questo Music or on the ADE sampler of Pure Enjoyment Recording. Easily he breaks the borders between House, Techno and Minimal and created a distinctive and innovative way of melting these. Groove is essential in his tracks as well as in his sets, which he performs regularly in many of Berlin’s underground clubs, festivals and appearances in countries above.


Growing up in the southwest Germany near Switzerland and France, raves in the woods and fields are the roots before his first club in the year 2000. Quickly an exceptional standing as DJ behind the turntables has evolved and made him play nearly each club and venue in the electronic music scene in this area. As resident of the infamous Exodus Parkhaus, he warmed up for lots of heavy weights like Sven Väth, Richie Hawtin, Chris Liebling, Marco Carola and many more. 

Another chapter began with the move to Berlin in 2009. Always operating in the underground scene, he co-organized diverse event series in the following years. After the weekly thursday slot called „Foreplay“ in +4Bar at the legendary Tresor Club, he came through „Hummmpday“ (Arena Club, Wilde Renate) to the birth of „as usual.“ in 2013, which is his own music label up to now. Since 2017, the „as usual.music“ concentrates on releasing a deeply groovin’ cutting-edge sound in various facets, delivered by some fabulous artists of the labels surrounding, as well as several other renowned acts with a contemporary sense for underground club music. Influenced by multiform ranges in Techno and House music, the label unites his long-standing experiences of clubbing, performing and diggin’ music for years, as well as his far-reaching networks.

After earlier releases/remixes on labels like Neverending Rec. and Heatflow Rec., 2015 had been an intense studio year and boosted up the studio skills. Besides doing remixes for the Swiss vinyl-only label Questo?! Music, he started new collaborations with producers like Miro Pajic and Jacob Phono on friends’ labels like Tonkind Rec., Klangwild Rec., Schallbox Rec., Compute Music or Zoned-Recordings. On Transit Records Kyoto he was signed for the „Transition EP“ together with his japanese friend Ryoma Sasaki, which was released on vinyl in 2016. Subtly developing a unique style of sound, he landed on labels like Datagroove, Antura Rec., Innocent Music, eMBi Music, Pure Enjoyment Rec. and Golden Gate Club Rec., where he performs reguarly. Moreover he played gigs at festivals like Fusion or Wilde Möhre, as well as in clubs in London, Moscow, Vienna, Zürich, Ljubljana or Stockholm, and in countries like Japan, Mexico, Thailand, Indonesia, Malaysia and Morocco.

Track 23 - Music for the Internet currently represents 3 projects produced by one person.

We are one person with no formal musical training and no actual equipment. Everything we produce is composed via VSTs and Reaper.  The only actual equipment we have are 2 Hard Drives and a Microphone, but it's a really nice microphone.

We are:
Beat Fuzz - Deconstructed Mashup Remixes. Sample Heavy, but we try to make these remixes our own and create a new sound while keeping the original themes.

F. Allyal and the Ball Breakers - Dirty Country Blues Road House Rock n Roll.  This is a faux ensemble with only me as a member, but I try to visualize each track as a band with members, venue, talent and I manually add mistakes for a more real sound.  These track have no samples, this is all me and only me, every sound is me and with no actual instruments.
 
The Marthasville Terminal Underground - Experimental & Industrial, Gothic Electronica. Can be sample heavy, but very eclectic and wide ranging in sound.

johnshallcross is following