Lexx has a worked in record shops for close to twenty years, produced records since the late 90’s and played in clubs on a regular basis. He run’s his own label and is a passionate music enthusiast to this very day. Known for some of the most exquisite mixes for Test Pressing he’s delivered us a mix very much in the vein of those seminal Renaissance Mixes. Tune in and bliss out to this perfect Idle soundtrack.  soundtrack.https://soundcloud.com/lexx72

Lexx Bon Voyage

Delighted to host @multiculti influence mix on Oddity Radio.

@vonparty & @dreemsdreems : Charting Multi Culti’s myriad influences is an exhaustive task, one which can’t be squeezed into a short mix, but we attempted to highlight some of the key strains present in our musical DNA. From Jon Hassell’s fourth world through fragments of Kraut and Afro groove, glimmers of Aphex and KLF mastery, a tough of Goa trance, Bollywood, Dancehall, manic 80s dance balladry to some classic warriors house. This mix is a cult crash course for the uninitiated, and perhaps a too-obvious 'greatest hits’ for the aficionado… either way, hope you enjoy!

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Thomas Von Party & Dreems - Oddity Influence Mix

Mix of the Week #443 is "The Voice of Twilight"  by Dawn to Dawn

Follow and include @dawntodawn in your track ID requests

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Dream Chimney 'Mix of the Week'

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Mix of the Week #443: Dawn to Dawn - The Voice of Twilight

Nach nur einem knappen Monat können wir uns bereits mit der 16. Ausgabe unseres geliebten und sorgfältig gepflegten Furikasts zurückmelden.

Diesmal begleitet uns kein Geringerer als der legendäre und fantastische @Menqui !

Den in Berlin lebenden Tausendsassa zu beschreiben ist ebenso schwierig wie ihn musikalisch eindeutig zu verorten.
Dieses Vorhaben würde ihm auch gar nicht gerecht werden, denn genau das zeichnet sein musikalisches Schaffen erst aus.
Egal ob mit seinem @Riolabel , seiner Supergroup Dolphins, bestehend aus ihm, @Daloworks und @FreyBenedikt, oder @Pastforward, seiner Radioshow bei Cashmere Radio, die er zusammen mit @Hendrik_Stein und dem @Kryptic_dj betreibt. Es bleibt immer unkonventionell, frisch und spannend!

Aber auch wenn er sich alleine hinter die Turntables stellt, kommt stets etwas überraschendes und neues heraus. Menqui ist eben ein wahrer Meister seiner Künste und ein grosser Zauberer.

Mit Stolz und Freude präsentieren wir euch dieses ganz besondere und einzigartige Set und hoffen, dass es die Geister des Winters ein letztes Mal besingt, damit auch sie den Sommer durch ihre Ruhe finden können.

Manege frei.

Furikast #16 Menqui

Guest Mix #032 - Soela - HHV Records Radio

Good Skills radioshow on Radio Vilnius by @deserted_island

Deserted Island / Radio Vilnius - November 15h 2024

Hola Amigos, this week our friend Diego aka Caffè Galaxy - dj, musician and producer from Argentina - will take you to a psychedelic trip into the world of modern & classic cumbia. 
Vamos!!

"HEY AMIGO!" GUEST MIX by CAFFE' GALAXY

LEGGERISSIMO

selezione mps #006 – Una Notte Di Musica Con «Mr. Fantasy»
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Mr. Fantasy wants to thank in particular for your support and help. 
Thanks:  Mattoni Pazzi and Marco Donada and Andri Conrad for this opportunity, Maestro Carlo Simula & Disco Segreta, Otto Kraanen & Bordello A Parigi, Chico Simon & La Spaziale Records, Mikey Gee, Rafel Burgos, Flemming Dalum, George Hysteric, Simon J Hartley, Mackan Lindström, Albion, Jussi Kantonen, Antonello Fasano, Daniele Zonza & Glove Club Barcelona, Carmen Prisco, Gio Bu & Sand Cosmic, Florian Schandelmaier, Tom Bolas, Kinzo Chrome, Guglielmo Masco, Céline Ammeux ,Veronica Carenfelt, Weronika Banaszek, Olga Luka, Elizabeth Farías, Giulia GuttererFranz, Scala slowmotionmusic, Martin Folkesson, Johan Solo, Coco Claver, Guillermo Zlachevsky, and my love Kristina.
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@claudio-fantasy

selezione mps #006 – Una Notte Di Musica Con «Mr. Fantasy»

https://mixmag.net/feature/downtime-red-axes

The duo put together a vintage session of their favourite records

Full feature

Downtime: Red Axes' new wave and post punk mix

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

Downtime: Red Axes' new wave and post punk mix

Mixmag