"Mini" Album "Partially Complete" RELEASE 22.12.2017
 LABEL:
@fuchsklang
www.fuchsklang.de

Das Butterschnitzel.
He playes classical and electronic guitar since hes 6 years old and uses this knowledge to produce some astonishing beautiful soundscapes. The sounds of his brothers first Djing experiments (the learning phase AT HOME) gave him his first impressions of Techno music (schranz). After some time he aquired the taste of Drum and Bass. With the age of 12 he started to mess around with a software sequencer (the songs were terrible!) but after some time he earned his experience. He studied Sound and Music Production at the University of applied sciences Darmstadt.

Founded in 2004 by Dirt Crew, Based in Berlin. Operated by https://soundcloud.com/break-3000
Break 3000 Booking: elia@pulsatingforms.com
Licensing: Info@dirtcrew.net
Press: press@dirtcrew.net
Demos: demo@dirtcrew.net (Please private SC links only to this email, all other demos will not be listened to)

Peder Mannerfelt splits the difference between playful immediacy and daring experimentation. You’re as likely to find him premiering a live show at Berlin’s Atonal festival as pulling apart fabled techno meccas from Berghain to Fabric with synapse-frying precision. One minute he’s being asked to remix Björk, and the next he’s dropping EPs of non-conformist techno for Karenn’s Voam label. 

As a prolific collaborator throughout his career, Mannerfelt has veered from the orchestral tension of Roll The Dice (with Malcolm Pardon) to the anything-goes maximalism of Aasthma (with Pär Grindvik). As a producer, he’s worked on every one of Fever Ray’s acclaimed albums and live shows, as well as projects from alt music heavyweights such as Smerz, Blonde Redhead and Glasser. His Peder Mannerfelt Produktions label has become another outlet for his singular approach, presenting his work alongside similarly experimental operators like Sissel Wincent, Machine Woman, Klara Lewis and Hodge. 

More recently, his PM+ series celebrates the immediacy of club-focused tracks, and Mannerfelt thrives on the energy and community of contemporary club music. What makes him different is his response to that energy, as he pushes the music’s possibilities in wild, unpredictable directions.

a whole bunch of old stuff 
new page: Jimmer Millions

Sets & Mixes + love for the Art of Music +

I got my first Turntables as a 16 year old, now I am double that age and love DJing more than ever. At first I just had fun scratching and listening to vinyl goodness. Hip Hop, Funk and Soul Music... nothing more needed back then ;D After a few years of practice I made some mixtapes for myself and my best friends. Electronic music was not a big part of my already huge music collection. This changed since 2008 as I had a lot of good fun partying with friends in Electro clubs and outdoor Festivals, where Djs could make EVERYBODY dance and go nuts! While I lived 1.5 years in Madrid, starting in 2010, I got in touch with electronic music on a deeper level, searching the net and collecting sound. I just love good beats, so I discovered a great new world of music for myself in the electronic genre (happened to others... so I heard).  Also I was very inspired by the good vibes in the Clubs and the amazing nightlife of Madrid. Back in Munich I had more action as a Hip Hop / Funk DJ in clubs and bars such as Backstage, Cafe am Hochhaus, X-Cess, Pimpernel and Milla. 

My ambition is to show my love for music in my mixes and on parties I play. Please listen, download, share, comment and repost if you like the sound! 

... 

“They teach you there’s a boundary line to music. But, man, there’s no boundary line to art.”
by Charlie Parker

mJay is following