lovely atmosphere! calming yet mysterious at the same time

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.


Naviar Records store: www.naviarrecords.bandcamp.com

All submissions

haiku #548:The sound of silence / is all the instruction / you’ll get

Youtube: https://youtu.be/3AgQbm_r71s

Image generated with Midjourney AI.

That Which Persists

Stronger Than Fog

Enjoy the accompanying visuals at https://youtu.be/Bh-qlCM85Es

The sound of silence
is all the instruction
you’ll get

Like other “Beat Poets”, Jack Kerouac was attracted to Eastern philosophy, perception, and poetry. Together with Ginsberg and Whalen, he helped “Americanise” the haiku form and introduce it to a wider audience outside of Japan.

“The American Haiku is not exactly the Japanese Haiku. The Japanese Haiku is strictly disciplined to seventeen syllables but since the language structure is different I don’t think American Haikus (short three-line poems intended to be completely packed with Void of Whole) should worry about syllables because American speech is something again…bursting to pop.

Above all, a Haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi Pastorella.”

(Kerouac)

Haiku by Jack Kerouac: https://livinghaikuanthology.com/index-of-poets/livinglegacies/2650-jack-kerouac.html

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF instructioN [naviarhaiku548]

Recorded, mixed & mastered 30 Nov 2023, 01 Dec 2023 & 03 Jul 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

Process notes

This started life in Nov 2023 along with Disquiet Junto 0622, which is to say a recording of acoustic guitar I made in 1988. (https://ift.tt/MwTqgeO)

Tools used - Ableton Live, a handful of Max for Live devices, K-Devices Shaper, AudioDamage Fluid, AudioDamage Ratshack Reverb, AudioDamage AdVerb, Monolake PitchLoop89 & Ableton native devices, along with iZotope Ozone 9 for mastering.

This original version of "The Distorted People That I Know" was submitted as part of Naviar Haiku 548, The Sound Of Silence

The sound of silence
is all the instruction
you’ll get

by: Jack Kerouac

Like other “Beat Poets”, Jack Kerouac was attracted to Eastern philosophy, perception, and poetry. Together with Ginsberg and Whalen, he helped “Americanise” the haiku form and introduce it to a wider audience outside of Japan.

“The American Haiku is not exactly the Japanese Haiku. The Japanese Haiku is strictly disciplined to seventeen syllables but since the language structure is different I don’t think American Haikus (short three-line poems intended to be completely packed with Void of Whole) should worry about syllables because American speech is something again…bursting to pop.
Above all, a Haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi Pastorella.”
(Kerouac)

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

The Distorted People That I Know (naviarhaiku548)

Guitar improvisation without touching the strings, only the volume poti. The prerequisite is high volume, Marshall JCM 800 and 4x12 Cabinet, line six delay, Overlord overdrive and Ibanez tube screamer, and the willingness to destroy one's ears. And,of course, a Fender Contemporary Strat, white.

Silent Breakers Naviarhaiku 548

This track was created for the Naviar Haiku group.
548
https://www.naviarrecords.com/naviarhaiku548-the-sound-of-silence/

2024-07-04

The Sound Of Silence ¨(Naviarhaiku 548  )

Electronic piano tracks with a little reverb.

The Silence of Sound (naviarhaiku548)

Unpaired And Unrepaid

A Cosmic Rudder Makes All Space And Time True

My Cosmic Rudder

They Whisper in the Cold Wind

pict free wallpaper

I'm starting another book in the "black ice" series by Yrsa Sígurdardóttir:-) . Then there will be some darker things.

call for another "book soundtrack" - accepted :-)

2024-10-27

A Story From Grindavík

2024-11-16

I Am Sitting On A Cloud.

Atmo Spectral 1

Music where words fail. In memory of a friend 🖤🐾

Farewell My Friend

For the Willow Wept… (Sunrise Edition)
Release Date: June 24, 2017
© 2017 Keith Richie

For the Willow Wept… (Sunrise Edition) holds a deeply personal place in my heart. While the original version was released in 2012, the journey toward its completion began four years earlier—and it was anything but easy.

During that time, I was navigating an emotional storm. Sitting down to compose felt nearly impossible. When I could gather the energy, I might play a few notes, sketch an idea, or tweak a voice—but more often than not, I’d walk away. Days turned into weeks, weeks into months. The weight of everything I was experiencing made it difficult to focus, and each return to the project often pulled me deeper into a place I was trying to escape.

In retrospect, it’s no surprise that the album drifts between emotional highs and lows—it mirrors the state of my life during those years.

By late 2011 and early 2012, something changed. I began to reclaim my passion for music, bolstered by the support and encouragement of those close to me. I took the six tracks I had and began shaping them into something complete. I didn’t want to release an EP, so I included a reprise of Sea Dragon—essentially the same track with a new intro and outro—to bring balance to the album.

Then, something unexpected happened: I found inspiration.

A piece I’d been struggling with suddenly came together. That track became For the Willow Weeps Underneath the Stormy Skies, and it resonated with me so deeply that I named the entire album after it. Through the presence of someone very close to my heart, I found the strength to finish what I had started.

Although the original album released in June 2012, I always knew I’d return to it. Years later, with new perspective and growth as a composer, I revisited the project. I remastered the original tracks, removed the two earlier versions of Sea Dragon, and kept only the Reprise. I also wrote three new pieces to fully realize the album as a complete emotional arc—one that finally reflects the depth I had envisioned from the beginning.

For the Willow Wept… (Sunrise Edition) is a story of emotional resilience—of navigating darkness and finding the courage to move toward the light. It’s about owning your story, embracing your pain, and realizing that only you have the power to shape your future.

We all face sorrow—but even the longest night eventually gives way to dawn.

This edition is dedicated to my wife, who showed me what true happiness is.
She is my sunrise.
She is my Willow.

🎧 Listen on your favorite platform:
🔗 links.krichie.com/ftww  

For The Willow Weeps Underneath the Stormy Skies

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

The Sound Of Silence ¨(Naviarhaiku 548 )

Night Note

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