I resampled Ankhtifi's mastertrack "Tibetan Monastery". I had some fun with wordplay as there seemed to be some allergic reaction to Tibetan money at one time. The former Tibetan Srang being replaced by the Chinese Yuan. Besides adding some traditional percussion samples for effect no other sounds were used, everything you hear is somekind of resample of the original master track. Hope you enjoy it. 
original track: https://soundcloud.com/ankhtifi/modular-30

Tibetan money's scary [Ankhtifi reworked]

With over two decades actively searching for music and with a bunch of legendary dj sets behind his back, [d.y] is one of the most experienced and significant figures of Hungarian electronic underground. To date he is a restless selector, and makes no compromise when it comes to style – his sets are characterized by musical versatility and unmached mixing skills.


Két évtizednyi aktív zenegyűjtéssel és legendás fellépésekkel a háta mögött [d.y] a hazai színtér egyik legelőremutatóbb és legtapasztaltabb alakja. Mindmáig megalkuvás nélkül, fáradhatatlanul kutatja a zenét, szettjeit a sokszínűség és a csalhatatlan mixeléstechnikai rutin jellemzi.


https://www.instagram.com/jjjhhgguiikj?igsh=bW9mYTF1bXQ5eXVx

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

I’ve got cats.
When I’m not here, I’m there → https://soundcloud.com/cubik-lab/tracks

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Songs from the edge of somewhere. Bluesy, soulful rock with roots in folk and blues, shaped by years of traveling and chasing sound.

My debut album Strange Part of the Country earned ★★★★ from Q Magazine, a Blues Matters cover feature, and reached #3 on the U.S. Alternative Radio Chart, with airplay on BBC Radio 2, WWOZ New Orleans, and KROQ Los Angeles. Peter Green (Fleetwood Mac), Marc Ribot, and Danny Thompson have all been part of the journey.

I’m now finishing a new album with Marc Ribot, Tchad Blake, and Danny Thompson — music that digs deep, raw and real.

My bio does not matter at all.
Just listen. 
Be the sound. Be music.
Just be.

There was a great underground music scene during the ‘90s in Youngstown, OH. Being only 20 minutes or so from my hometown of New Castle, PA, I was fortunate enough to get to hear a lot of those great bands. I felt even luckier when I got to play a few shows there during it’s heyday too. 

Since the turn of the century, with many musicians from that era moving on to new aspects of life, I’ve had trouble keeping a band together. I still had way too much I needed to get out though. So I started recording on my own under the names "Significant Nothing" and "Unending Bane".

I also recorded an all instrumental project under the name "Plunder Swarm" which Vibrio Cholerae Records printed & released in 2023 and distributed by Depressive Illusions Records. https://depressiveillusions.com/items/cd-r/punk-hardcore-rac-oi-other/plunder-swarm-ones-hour
Then, in 2024, Vibrio Cholerae Records printed & released my second "Plunder Swarm" CD, once again distributed by Depressive Illusions Records.
https://depressiveillusions.com/items/cd-r/punk-hardcore-rac-oi-other/plunder-swarm-scorched-earth-policy
In 2025, Vibrio Cholerae Records also printed & released my other band "Raiding Horde". Of course, this  CD was distributed by Depressive Illusions Records too.
https://depressiveillusions.com/items/cd-r/doom-metal-heavy-metal-shoegaze-sludge/raiding-horde-some-things-taken-amongst-ruins%E2%80%9D

Incidental Music For Eyelid Movies (IMforEM). That's the style of music I write and record. It's music to be watched with your eyes closed.

When I was 14 and trying to learn to play guitar no one told me about A440 tuning. I knew how to tune the guitar string to string, but wasn't aware that records and what I heard on the radio had a standard. I soon became frustrated trying to play along with what I heard and began making up my own music. Still at it.

More of my work can be found at https://incidentalmusicforeyelidmovies.bandcamp.com/ and everything (the good, the bad and the ugly) is at https://archive.org/details/@keith_q.

Welcome to my little musical garden of sounds, photos and ideas.

All the visual artwork here is made by me.

You can also visit my YouTube channel, where you can find much more of my music and audiovisual experiments:
https://youtu.be/GpVxuemyL4o

Thank you and happy existing to you all!