alavux-woodwork.bandcamp.com/album/radio-astronomy

01. Sun Burns
02. Cosmic Rays
03. MicroWaves
04. Radio Astronomy
05. Radio Astronomy (Pablo Splice reach the stars revision)
06. Radio Astronomy (LectrO cOd_E remix)

With infamous raw power and sonic mayhem, Alavux brings a monster 4-track banger to the Woodwork agenda, enlisting two of the label's electro vanguard for remixes. 'Radio Astronomy' kicks off at full throttle and never lets up.

Buzzing and slicing from the off, 'Sun Burns' pounds its way through a relentless sequence of explosive percussion with an interjecting morse code style synth motif...hard breaks techno with incessant groove. 'Cosmic Rays' keeps right on going, leading directly into some repetitive FM distortion riffs and a pounding 909 snare assault. 'Micro Waves' continues in the same fashion, favouring an electro beat reviled by an onslaught of modulated noise hits and squealing fx. The title track puntuates the set with an unusual layer of vicious guitar work that doubles a scathing distorted synth drone.

Having also provided the guitar layer for 'Radio Astronomy', first up with its 'reach the stars revision' is Pablo Splice, whose melodic bleeps, clanks, and frantic bass patterns serve a cut out of Alavux's drones and beats for another electro context. Next up, it's LectrO cOd_E with a funkier rendition that sees some of the original parts subjected to vocoder treatments under cOd_E's familiar frantic breaks and electro chatter.

Woodwork Recordings: www.woodworkrecordings.com
Facebook: www.facebook.com/woodworkrecordings
Soundcloud: @woodworkrecordings

Alavux: alavux-woodwork.bandcamp.com
www.facebook.com/alavuks
alavux.blogspot.com
@alavux
0ktag0nrec.bandcamp.com

Pablo Splice: pablosplice.bandcamp.com
LectrO cOd_E: lectrocodeww.bandcamp.com

radio astronomy

PREMIERE: Alavux - Radio Astronomy (LectrO cOd_E remix) [Woodwork Recordings]

All Music I self release will always be free download either here or my bandcamp page

Electro all night long.

Coming from the early Techno and Rave scene in the center of Germany is Jan a passionate but not a profesional Electro DJ and a music lover in general.

He builds robots for the German car industry to pay the bills. After his work day he likes to go down the rabbit hole to the universe of electronic music.

This Soundcloud account is for sharing his favourite Electro sounds.

Hailing from Serbia, Alavux is one of the purveyors of the Electro-Techno sound in his region of Eastern Europe, where together with his E75 crew, our music has been represented with passion and dedication for well over 20 years. Having recently released the massive "Octagon EP" on the infamous Bass Agenda Recordings with support from the likes of Dave Clarke, Alavux continues his quest to annihilate the complacent masses with his unique flavor of fast paced, tenacious Electro sounds that have gained him notoriety all over the world as one of the true Knights of The Roundtable of the music. 

 

Born Goran Alavuk in the city of Belgrade, Serbia, and growing up in a region in many ways removed from the global underground Electro Bass scene, yet no stranger to Electronic music in general, he would eventually find himself gravitating towards the sounds of Mid '90s Acid, Techno and House music; soon enough beginning his own adventure in music production leading to a top 5 spot on his country's national charts with one of his first tracks called "San". Alavuk recalls of his humble beginnings, saying: "I start in '95 on friend's Roland XP 50. Then some experimentations with Fast Tracker 2, and Rebirth 1.5 until '99 when I got my first gear: Roland MC 505, Roland A33 MIDI keyboard and PC (celeron 300 mhz)." 

 

As the new century set in, Alavux continued to be one of the heavy supporters of the then nascent "3rd wave" of Electro Bass and Funk music, though it would be quite some time before he would begin a consistent output of releases, starting off with his signing to legendary Detroit imprint Twilight 76 back in 2008; bringing us "Munze Konza", as well as "E75 Vol. 1" with Kalson, on his collaborative effort with imprint E75. Since then, the artist has enjoyed a plethora of digital releases on labels like Binalog Productions, Toyfriend Music, Vocode, Battery Park Studio, and the list goes on. A busy man without question, and one with a very keen sense for staying ahead of the curve, and without chance of being "put in a box" in regards to any specific style. He is as much a visionary, as much as he is a devout lover of our music and the foundation laid before him by his predecessors. 

 

As for the future, when asked about what he envisions, he replies: "More gear, and of course, more releases!". Which, if his latest monster of a 12" release (his first) on iconic imprint Bass Agenda Recordings is sign of anything, then perhaps it is safe to say that not only is his career maturing gracefully, but he is also getting the respect that he deserves and finally getting his work on vinyl. A veteran of our music in his own right, and an ardent fighter who is helping to spread the sounds of our music to the rest of the world and beyond, Alavux is a machine with no sign of slowing down. Stay tuned, as he is just getting his turbines warmed up, and has much more in store for us. Support!

How to submit music: http://bit.ly/How2SubmitMusic

My name is Moskalus and i run a YouTube channel and upload music regularly.
Booking/Contact/Promo/Submissions
moskalusxoxo@gmail.com

The Impostors are Leo J and DJ Tyrone.

They started producing  breakbeat hardcore and jungle in the early 1990s with an Amiga 500, a copy of OctaMED and an Akai S3000 sampler.

In the mid-1990s, the Impostors promoted their 'Philosophy' jungle/DnB events in Essex, with DJs such as Grooverider, Randall, Hype, Rap, Andy C, Zinc, Jumping Jack Frost, Fabio, and more.

Some Philosophy DJ sets can be found in link:

https://www.youtube.com/playlist?list=PLw6PPdcH4Ld-EplVCcZfO8lS3zIrIuj1U

Here you will find tracks produced from 1994 onwards.

2019 - Tracks made in the 90s start being released via Bandcamp

2022 - Now producing music with the Renoise tracker

2023 - Collaboration EP on Future Retro London with Tim Reaper
https://futureretrolondon.bandcamp.com/album/fr017

.
International Vermin Conspiracy

 ...

The vermin will outlive your grand children's grand children.
The vermin is eternal.
: )

Is it 1984 already?!?!

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

niCkB:
I started DJing in the mid 80s playing Electro and Rap at B Boy - Break-dance / Hip Hop events and then discovered early Chicago House,  which progressed through all the different genres that have been created since , and still to this day still plays a massive mixture of Electronica and Hop Hop. Over the years has played alongside some of the greatest DJs in the world from Carl Cox to Afrika Bambaataa. And over the years has had many residencies at various House and D&B night around the country a long time resident for DJ Ease from Nightmares on Wax.