this is a great great band..every song a new experience..awesome vocals both of you Gary and Terry...thanks for sharing this..!

Heartfelt divinity, channeled into sound 🫶🏼

brilliant song Terry, I haven’t seen you and Gal on my feed for ages , great to hear, hope yous are all good👍

loving it thank you, Gary! productions, lyrics and all of it are neat, Well done.

Nowt wrong with your voice mate beautiful lyrics and performance 👏🏼✌🏽😎❤️🫡

oh my god, this is so beautiful, it made me cry... 🥲 it reminded me of my father who died at the age of 65 in 2003... all my music is for him as well

George Formby goes epic, and it's fabulous. I love your vocal, Gary, it's a good reminder to give RP a pass every now and then.

Related tracks: Thought I Was Dreaming

Caballos sobre cuerdas

Alex Ventura (Arrangements, drums, timbal and keyboard)
https://on.soundcloud.com/UCS2K
Andy McLean (Tenor saxophone and EWI)
https://on.soundcloud.com/EfX7N
Pep Pérez (Bass)
Sergio Párraga (Congas, quinto and bell)

Also on video:
https://youtu.be/1r1VW_1dptk

Caravan (cover). Alex Ventura/Andy McLean/Pep Pérez/Sergio Párraga

This song was inspired by "The Cold Heart" (German: Das kalte Herz), a fairy tale written by Wilhelm Hauff. It was published in 1827 in a collection of fairy tales that take place within the narrative of The Spessart Inn.
Although written almost 200 years ago, the described conflicts of mankind are still up-to-date, maybe even more than before. Preferring status und prosperity over humanity is something which has become socially acceptable.

Special thanks for prelistening and precious ideas to my dear friend Gary Reeves!

Lyrics
Peter was in the charcoal business
never in peace with the live he was living
made a deal with the forest spirit
Three wishes and a new life given

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity
 
Inside your stone cold heart
You‘ve built a world of disregard

It did not play out like you were whishing for
glassworks went down and you needed much more
sold your heart to Dutch Mike to keep living
a heart of stone and the fortune you were given

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity

Inside your stone cold heart
You‘ve built a world of disregard

Flourishing business kept you going
but your smile was eternally frozen
when your drivers faded and you had murdered love
nothing left there but an empty heart

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity

Inside your stone cold heart
You‘ve built a world of disregard

Stone Cold Heart

This song is a bit campy. The core of this thing is pure Isley Brothers' formula from the 70s -- they had these no nonsense, hard slamming funk songs that just went on forever (and you want them to). And there's also a healthy dose of 80s/90s slinky funk guilty pleasures like Grace Jones, Sade, & Seal.

is it finally living this feeling inside
I waited for hours with a slow burning fire
now is not the time to evade in the face of desire

but that's how it goes when you hold the control does it feel right
you're letting it go and I know that you know are you satisfied

the rules of the game are so easily changed
let's be honest about it lonely hearts will stray
I am still willing but your love is failing me every night

oh but that's how it goes when you're running the show  how you feel it
you're letting it go and I know that you know I can't steal it

out in the city new hearts align   
but tonight I am only alive for yours and mine

Control

Dedicated to my  Friend Carl of The Beautiful Dark here on soundcloud. We were discussing old tracks and he said he has a man drawer full of old demos. I found this one the other day..   I did manage to tweak it in garageband.

 life is good

Lyrics
copyright Bill Liggett 19..long time ago.. back when I was in a good mood..

come monday morning I’m on vacation
and if I don’t return your call
I left my phone in the kitchen
leave a message with you bitchin and complain
all day long

but rest assured now.. I’m feeling guilty
and it is with a heavy heart
that I recline with my ray bans
freeing up my hands to raise my glass
heres to you

I know the rent is due on tuesday
I can hear the landlord sayin
Where is that rat
she’ll have to wait and hold her horses
cause Im on vacation
on vacation..thats where I’m at

I must remember to send a postcard
oh how I wish that you were here
but now its time for my nap
and I forgot to give a crap about obligations
and pressing affairs

I know the rent is due on tuesday
I can hear the landlord sayin
Where is that rat
she’ll have to wait and hold her horses
cause Im on vacation
on vacation..thats where I’m at

On Vacation

(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

Brand NEW track "Thought I Was Dreaming", taken from the "Ultraviolet Cosmos" upcoming full length STA album (2025). Enjoy y'all #share, #like, #follow and comment of course. :D

Youtube: https://youtu.be/5TOaRZxQbGs?si=tAH31Rz_1uPP6dEn

lyrics:
I've been dreaming for so long
and never woke up back to reality
i never thought it could take so long
to learn such a solid morality

Thought i was screaming, nightmares dreaming
and it's time not to hide away
It's time for breathing, 
forget about those golden years so fly away

And then i opened my eyes and realize
that neon lights blinded my side
and it's time to get up my feet again
and regain what's mine and never let it again.

(p) & (c) STA, 2025.

Thought I Was Dreaming

A dark song in a jazz style, revolution and all that stuff

Against The Wall

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

Lookin' At Me Now

The track is inspired by the rise of AI in the ARTS.....which I see as coming from the "dark side". I don't condone it and am very much opposed to it. We can already see the confusion it has caused regarding copyright etc. I have no doubt that in the short term it will prevail, however "real" art will survive as long as all artists (musical and otherwise), continue to create. Not having a crystal ball, prevents one, maybe for the better, seeing how the future pans out.  
Meanwhile from a musician's/composer's aspect, I shall endeavour to play and create without the use of AI. Neither will I listen to it in any shape or form.
Alan



Don't Deal With The Devil

It’s a Vision

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

this one pretty much wrote itself when i found myself staring at a blank sheet of paper for ages,
tapping my pen annoyingly and waiting for something to happen........a live take with a bit of piano........cheers for having a listen......



           PEN TO PAPER 
 
my pen can write a letter of love
describe to you the stars above
congratulate you on your gain
comfort you when your in pain

console you in your time of need
tell you that you're loved indeed
but if i told you how i feel today
my pen would be cruel

my pen can sign my life away
to own a house i'll never pay
then write it in a thank you note
for the monstrous debt that i now owe

my pen has got me in trouble deep
sometimes so much i cannot sleep
if i were to write about myself
my pen would be cruel

i don't pretend to understand
what's going on upstairs
i just try to keep it to myself
sometimes it's better, to hide it all away
i know to you that that don't make much sense

my pen can tell you how and why
my love for you could never die
write the words with even flow
so you would never have to know

my pen is guarded at the gate
it hides my secrets can't escape
and if they did then you would know
my pen can be so cruel

misanthropy, philanthropy, 
evilness and empathy    
my pen belongs in their mirrored halls
it's inky eye looks through them all

there's nothing it can't see right through
the things you thought that no one knew
now written there right in front of you
the pen can be so cruel

my pen can talk what i can't speak
and go where i don't want to be
from a prison cell to a sunburst sky
turn the truth against a lie

write a wrong into a right
turn a long day into night
the burden can be so heavy
when the pen can be so cruel

Pen To Paper

Cast of Characters:

Cgmaness – https://on.soundcloud.com/4a2IWOT8tUQL3pbqdc – Chris – acoustic guitar, composition, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify: https://open.spotify.com/artist/0RmKLMyiXe4eVeXa032MDV?
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say....

Better Not Say (Eclectic Collective with Nyla K)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Mountain Songs is a project dedicated to my brother Brian Reeves (aka Rocky Mountain, 1948–2012), an accomplished songwriter, guitarist and arranger.  He was the creative force behind so many of the songs on this page.  If you have time, please click for lyrics and track history. 
This is for you Bri, with love and thanks from us all.   We miss you. (Gary Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

Mountain Songs

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