Very interesting composition from just that feeling of continuous tension in which we find ourselves today. Gerhard voiced our fears and discomforts that we face today in this world gone mad

Great experience working with the extremely talented Pascal Hennig https://soundcloud.com/user-650933542
a.k.a https://soundcloud.com/kallypso-65180009
artwork by comfreak

The Gravity Of It All

Pascal Hennig & Jeremy J. Saks - The Gravity Of It All

Sunday morning and the minstrel plays his uplifting music for the villagers. A happy soul, or so it would seem, jauntily dancing and playing for the people. As they all filter into the church for the Sunday service, the minstrel sadly reflects on his life, and the mask drops for a short while.....until the villagers emerge. Once more, he cavorts and plays for the people - nobody could guess what lies beneath the mask he wears ♥

Shout out to https://soundcloud.com/alabafruit for the original melody

How Fare Ye, Minstrel?

Last Day On Earth (feat. Plagia)

CULT BURY RIOT・太陽の王国
24 April -4Track EP Release-
https://open.spotify.com/intl-ja/album/1modHdXkE8cotn2qjxmGNY

噎せ返る香り、鉄の味の
夜は屍の山に
赤き月が昇り照らし出す
羅針盤は黄泉を示して

かごめ かごめ
後ろの正面、誰
かごめ かごめ
鬼は誰

裏切りが孤独を囁いて
狂いそうな亡者が嘆く
救いの手は何処にあるのだろう
僕を見詰め釈迦が笑った

かごめ かごめ
後ろの正面、誰
かごめ かごめ
鬼は誰
かごめ かごめ
後ろめたくてアーメン
かごめ かごめ
鬼は誰

かごめ かごめ
籠の中の僕は
いついつ出会う
夜明けの晩に
鶴と亀が淫らに狂いて
嘘と金が滑った
首吊り正面、誰

かごめ かごめ かごめ かごめ

鬼は誰

羅針盤【madness】28 April -4Track EP Release-

This is an instrumental made throughout the sound processing of one single vocal sample. All the sounds elements in the song are created by me, starting from the same single sample. Because of it, the song is called "Atomo"

Atomo

WITH SAX by ERIC 57
Percussion by ERIC 57
BASS by Midnight Pies .  
 .. head fucker !! .. another  remix #2 .. Jan 2023

transcend from the TRASH !!

painting by R.J.Walker 2021

TRANSCEND FROM THE TRASH .. SITAR

With this musical track, I wanted to express the tensions that are currently present throughout the world. The structure of the song, which starts over and evolves in different ways, serves to reflect the cyclical and unpredictable nature of these tensions. My hope is that the music can provide a moment of reflection and contemplation, and perhaps even offer a sense of comfort or release in the face of these challenges

PhoeniX

WHAT'S THIS TUNE CALLED work in progress

Passing Show 2

葉月(August)

Art work: https://commons.wikimedia.org/wiki/File:N%C5%8D_mask_-_Deigan_Type.JPG

flute-like voices: Vocaloid Yukari

窓の外　凶暴に夏　立ち騒ぐ

Outside my window, the blustery summer is in full swing.

葉月(Hazuki)

葉月 (Hazuki)

Live Guitar by Jan Grünfeld

Image by Piyapong Saydaung from Pixabay
https://pixabay.com/users/saydung89-18713596/?utm_source=link-attribution&utm_medium=referral&utm_campaign=image&utm_content=5846064

Live Guitar 1

mr.coon, in real Gerhard Martini was born in Bolzano/Bozen, South Tyrol in 1972. While growing up in Terlan, he attended the Academy of Painting Art in Florence but found his true passion in music. After releasing his first music projects through TV and radio spots, Gerhard suffered a traumatic brain injury in an accident just two weeks after his first live performance in 1998. Despite being heavily medicated, he fought his way back to life and decided to pursue a career in music using his technical capabilities. In 2004, he produced his first album "Die Träumer" in cooperation with Martin Troger. In 2010, he was awarded a scholarship at the Music and Media Academy of Hamburg and completed his studies to become a Musicdesigner. Today, Gerhard aims to live solely through his music and creative projects in collaboration with other artists, various offices, or fine arts. 
mr.coon presented himself at the Live Audition 2022 with a DJ set of his own production. His sound is truly interesting and original, and the sought-after sounds, along with the vocals, create unique atmospheres. He uses percussive elements brilliantly, but I would have chosen more pressing rhythms and a slightly higher BPM, without of course distorting his own sound. This already mature artist certainly still has a lot to say, and I recommend that he continues to believe in himself but also tries to break out of his own musical patterns, allowing external influences to present a product that is listenable to many, especially when participating in a competition of this type. I don't mean to say "commercialize" yourself, but to be more ear-catching depending on the occasion. That being said, his passion is what emerges first and foremost. His desire to continue making music despite the unexpected events that life throws our way is truly exemplary. Don't be afraid to express yourself and don't be afraid of your own abilities.

PhoeniX

mr.coon

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