Heavy Metal and Electronic Music (approved by Corporate) to get you through your work day.

I love music of all kinds, and I want to write songs that resonate with people, and songs that they will enjoy. Thanks for listening and thanks for the likes!

Electro Beats, Drum & Bass, Jazz, Experimental, Classical, SynthPop, Breakbeat, House, Electronic, Synthwave, fusion, eclectic, piano, guitar

 ● ₵ΉΛПƬIПG ЩIƬΉ ₵ӨDΣƧ ●

My method is no rules. 
experimental, eclectic, fusion. 
Enjoy my art. 

there is no time like the present. 
unless its the past and you're seeing it in the future. 

New Album: Panacea Out Now

Music video for You Will Never Know the Machine on our instagram and youtube

https://www.instagram.com/reel/C_J-fCiOimR/?igsh=MXMydGhjZ3o5ZHgzdw==

All Original Art & Music by The Mercury Sounds - Jason Stauffer & Josh Krechmer - Baltimore, USA

Copyright 2024

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Production/Disc Jockey 🎹 Dance Music

Galactic Bamboo/Sub Sync Syndicate/Amber Day
Affiliate Labels - G-Mafia/Mustache Crew Records 
São Paulo Brazil @gmafiarecords

Kik Science is a bass-driven music project blending elements of drum and bass, progressive and electronic experimentation. Known for its deep, immersive soundscapes and heavy beats, Kik Science takes listeners on an auditory journey through atmospheric textures and cutting-edge rhythms. Each track showcases a balance of intensity and precision, capturing the essence of the underground electronic scene.

Our story continues...

The Vantoth ship loomed like a specter against the stars, its dark hull a stark reminder of the iron grip they held over Neon’s fate. The Vantoth didn’t negotiate; they took what they wanted, and left devastation in their wake.

“Can we outrun them?” Neon’s voice was steady, masking the hammering of her heart.

Thorne shot her a look, his fingers continuing to dance over the controls. “Not likely. Their drives are faster. They knew exactly when and where to intercept us.”

“So they planned this?” The realization sent a chill through her. Thorne was supposed to be her way out, but maybe he was just leading her into another trap.

Thorne’s expression hardened as he pulled back from the console. “The Vantoth don’t need to plan. They own the routes near the Helios Expanse. This was always a risk.”

“Some risk.” Her tone was sharp, but there was no time for blame. She searched his face, looking for any hint of betrayal—but all she found was grim determination.

Before either of them could say more, the comm system crackled to life. A low, resonant voice filled the cabin. “Thorne. We know you have the Coranthium. Surrender it, and we may spare you.”

Neon felt her stomach twist. The Vantoth were offering mercy? That alone sent warning bells ringing through her mind. Thorne tapped the comms. “I don’t remember asking for mercy.”

Silence stretched across the line before the voice returned, colder this time. “You owe us a debt, Thorne. Don’t make this difficult. The Coranthium… or both of you.”

Thorne looked over at her, his jaw tight. “They want to scare us. Stay calm.”

But Neon saw something shift in his gaze, something darker. They were running out of options.

“Fine,” she said, forcing her voice to steady. “What’s our play?”

For a moment, he looked as though he might tell her to run, to abandon the Coranthium and save herself. But then, in a low, measured tone, he replied, “We make them think we’ll hand it over. I’ll buy us a little time.”

“And then?”

“And then we do what we do best.” His gaze met hers, a flicker of that old defiance. “We survive.”

LORE is on all platforms
Free unreleased session recordings on Patreon ⬇️
I’ll release new songs in January ❤︎︎

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