Always so captivating, notwithstanding the sloness and the "economy of means". A magical way to anchor the sound... I'm a bit curious to know how you realise your tracks. What is the balance between improvisation and composition, the manner you use the "living electronic" ?

wonderful and for me successful experiments. Sounds like a slowly unfolding conversation. all the best for the new year!

Thisi is really impressive. Love it! Bass tones are perfect to me.

it's an idea that has been in my head for a couple of days even if only last night I started a draft of the Piano part .. I spent almost all day trying to record.  Just a little editing on the fly.  For a first version I find it exceptional.  impossible not to share it here with you.

Work in progress
version update on 30 10 '22

 voyelles © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

Voyelles

EveryDayWreck (A118)

The Shaggymane Work

Planck Time Equation Exercises  -  Until Shiva Blinks

oto113

Wrong Spell For Crimson Divinations My Dear Runny Angel Eye

NO.A#002

This is a collaboration with Stan Magendanz https://soundcloud.com/stan_magendanz
Hear the original track at https://soundcloud.com/stan_magendanz/eumarisen
K726 Orchester

The Bad Side [Stan Magendanz & Robert Knote]

live at endless elektrosounds at 35blumen

improvisation no2

improvisation no.2

Autonomous Sensory

Some while ago I read about Luigi Nono's later works involving live electronics, in particular "A Pierre. Dell'Azzurro silenzio, inquietum". I found detailed descriptions of the electronic setup on the homepage of Hans Peter Haller who worked with Nono on this pieces in the Freiburg studio.
I wondered whether I can use these techniques in an improvisational setup and emulated (in puredata) two tape loops sampling whatever is played and playing it back at (almost) half speed, with some slight differences in speed to create microtonal inflections.
My experiments with this setup never worked out - the electronics' reactions were too predictable and slowed down my own playing; results were pretty boring.
Last week I gave it another try, adding two more emulated tape loops which sample and transpose down what I played 16 seconds ago. Suddenly this worked for me; I improvised to this on bass recorder, alternating sections with long and with short notes, trying to react to the electronics' answers. I liked the thick clouds of subbass recorders sounds answering me and the resulting sound halfway between compositional rigor and improvisational expression (well, that's at least how it feels for me).

"Restless Appropriation" for bass recorder and live electronics

Improvisations for recorders and electronics
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Releases:

Markus Reineke: "Was soll schon passieren" (pan y rosas discos)
http://www.panyrosasdiscos.net/pyr271-markus-reineke-was-soll-schon-passieren/

Ashwood/Bourne/Holtz/Hoogeboom/Reineke: "We Trust You"
https://martinhoogeboom.bandcamp.com/album/we-trust-you

Reineke / Wilke: "Sun Chief Moccas" (Muteant Sounds)
https://muteantsoundsnetlabel.bandcamp.com/album/sun-chief-moccas

Reineke / Wilke: "Born in Nature (Graftings)" (arborescence records)
https://arborescencerecords.bandcamp.com/album/born-in-nature-graftings

Reineke & Matthies: "waves on shore" (darkpebble-bluewave)
https://darkpebble-bluewave.bandcamp.com/

Hoogeboom/Reineke/Sanna: "Okapi"
https://martinhoogeboom.bandcamp.com/album/okapi

Markus Reineke & Paulo Chagas: "Machado Sketches" (Zpoluras)
https://zpoluras.bandcamp.com/album/machado-sketches

Reineke / Wilke: "KURGES" (Petroglyph)
https://archive.org/details/petroglyph381Reineke_Wilke-KURGES

Markus Reineke, Frank Wilke: "Dream Incorporation" (Haze)
https://hazenetlabel.bandcamp.com/album/markus-reineke-frank-wilke-dream-incorporation

"Restless Appropriation" for bass recorder and live electronics

Markus Reineke

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