This track was created in answer to the Naviar Haiku challenge 526.
Details of the challenge can be forun at: https://www.naviarrecords.com/haiku-music-challenge

The main texture of the track wad made with a combination of the probabilistic synth Ongaku along with a drone layer created using Points And Lines. The various percussive sounds were added by passing contact recorded sound to Substrata for physical modelling. 

All three are from Giorgio Sancristoforo, informaiton can be found here: https://www.giorgiosancristoforo.net/softwares

Additional swooshes were added via a small virtual modular patch created with VCV Rack.

The owls are all from Freesound; https://freesound.org

owl_hooting_000102_0145S3 002-070 000-002 007-015,
owl_hooting_000102_0145S3 002-070 000-002 037-044 and 
owl_hooting_000102_0145S3 002-070 000-002 068-074
by Gerent
owl by Anthousai
TAWNY OWL in calm Environment-natural reverb by BlueDelta
Tawny Owl in Molkom, Sweden. by Marcuspepsi and
Owl Hoot by Breviceps
All are released under the CC0 license.

Moonlight Shadow - (NaviarHaiku-526)

I'm primarily a visual artist both 2D and 3D, for the last decade I've operated almost exclusively in the digital 3D realm.   since the late 80s I've made periodic forays into the sonic world, MIDI sequencing, minimalism, musique concrète, found sounds  and improvisation. I am seldom happy with anything and seldom consider a piece finished.

Moonlight Shadow - (NaviarHaiku-526)

Mr_Lamppost