This is "Vein", a song from my new album "Prepared Bass C102", which will be released at the Comic Market 102 event in Tokyo this summer. Please listen to it.

Aoki Satoru - Vein - (Prepared Bass C102)
Prepared bass: Aoki Satoru
August 13, 2023 [ TOD 268 ] [ TODA 23 ]

[jp] 夏の コミックマーケット 102 で 頒布する 新しいアルバム『Prepared Bass C102』からの一曲『Vein』です。どうぞよろしく。

□ コミックマーケット 102 日曜日 東 カ-15b「tototod」
（8月13日 日曜日 東京ビッグサイト）

https://tototod.blogspot.com/2023/08/prepared-bass-c102.html

The link for streaming distribution is here.
https://tr.ee/HZzelA0sJ6

Apple Music

[C102] Vein

Skutiger & Man in the shadow - Messe Noire

little jam with myself : Poly D and Drumkit

Funnylane

More on this 631st weekly Disquiet Junto project, In a Silent Waveform — The Assignment: Take one held tone and make it dance slowly — at: https://disquiet.com/0631/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0631-in-a-silent-waveform/

Hell Sink Eye (disquiet0631)

Turning around,
I see my shadow
in the moonlight

by: Sumitaku Kenshin (Tr. Nakaoka Naomi & Kurose Hiroko)

The deadline for this challenge will coincide with the anniversary of Sumitaku Kenshin’s death, so I thought it’d be appropriate to commemorate this remarkable poet with music from Naviar’s community.

Sumitaku Kenshin was a haiku poet who practiced free-form haiku. He started writing poety after being diagnosed with acute myeloid leukemia, and dedicated the last 2 years of his life to haiku, leaving 281 poems, mostly published by the free-form haiku magazine Kaishi.

turning around [naviarhaiku526]

This track was created in answer to the Naviar Haiku challenge 526.
Details of the challenge can be forun at: https://www.naviarrecords.com/haiku-music-challenge

The main texture of the track wad made with a combination of the probabilistic synth Ongaku along with a drone layer created using Points And Lines. The various percussive sounds were added by passing contact recorded sound to Substrata for physical modelling. 

All three are from Giorgio Sancristoforo, informaiton can be found here: https://www.giorgiosancristoforo.net/softwares

Additional swooshes were added via a small virtual modular patch created with VCV Rack.

The owls are all from Freesound; https://freesound.org

owl_hooting_000102_0145S3 002-070 000-002 007-015,
owl_hooting_000102_0145S3 002-070 000-002 037-044 and 
owl_hooting_000102_0145S3 002-070 000-002 068-074
by Gerent
owl by Anthousai
TAWNY OWL in calm Environment-natural reverb by BlueDelta
Tawny Owl in Molkom, Sweden. by Marcuspepsi and
Owl Hoot by Breviceps
All are released under the CC0 license.

Moonlight Shadow - (NaviarHaiku-526)

Deep Dreaming

2024-05-19

NLS - 2024 - 05 - 19

AndLeanNotOnYourOwnUnderstanding

It's such a waste of time bleeding these memories
They cover me with rust 
And drag me down
I feel all the love I lost
And the regret settled into my bones
Familiar numbness
That has turned to residue
I'm not sure what to do
I don't know how I'm supposed to feel
I guess I'll turn to glue
And stick to solitude 

I dont want you to care
I just wish you'd respond
There's nothing worse than a pregnant pause
And silence 

Spread the ashes of our shared mistake
The careless accident we were forced to make
It almost killed you, and it did erase
Her DNA
I'm glad you were able to move on
and forget me 
and escape 

As long as you're happy 
I'm happy 
to disintegrate 

But there is no closure
So I can't let it go 
I just want it to be over
I can't let it go 
There's no closure 
I can't let it go

I will go away 
Forever

=>Lydia

This piece of music has been haunting me on the piano. I took it to the mellotron flute and cello and it told me a different story. Strange how my images always go back to Snowdonia

prelude one paths

I'm primarily a visual artist both 2D and 3D, for the last decade I've operated almost exclusively in the digital 3D realm.   since the late 80s I've made periodic forays into the sonic world, MIDI sequencing, minimalism, musique concrète, found sounds  and improvisation. I am seldom happy with anything and seldom consider a piece finished.

Moonlight Shadow - (NaviarHaiku-526)

Mr_Lamppost