Danceable Soundscapes.
Alien Club Music.
Abstract Textures.

I have so many followers due to an old music project that is now deleted: http://i.imgur.com/CRThoUX.png

I follow artists based on what I like and want in my SC feed, no more no less- no follow backs or promotional deals or any of that nonsense.


Facebook:
https://www.facebook.com/MrMarkieinger
Twitter:
https://twitter.com/MrMarkieinger
Youtube:
https://www.youtube.com/user/MrMarkieinger
Email:
markanthonygrundy@gmail.com

Welcome to my Soundcloud!
Regular content posted from my Electronic Live House band 'Oz Moses' as well as individual Electronic tracks I work on in my spare time.
Be prepared for some quite different sounds!

to book heist
Chris@uaagency.co.uk

Heist, also known as Strider if you’re looking to go way back into his discography, has been dominating, innovating and revolutionising speaker bins for 20 years now. No matter the year, his tunes always felt relevant, yet discernibly his, and in many cases were integral in pushing the limits of the Drum and Bass spectrum a bit further and a bit deeper than the status quo. His sound has travelled the ins and outs of the Drum and Bass super-highway many times, maturing as it grew from its humble yet bad and bashy beginnings found on classics like ‘Company 7’, ‘Beetle juice’, ‘Philly Styler’ and ‘Iron Hide’.

Also a badboy DJ for just as long (longer than heist in fact - he was dj’ing in the early 90’s under a different synonym). It’s tunes like ‘Go to work’, Sleep in ya eyes and ‘Don’t hold back’ as well as his high-octane DJ sets, that propelled him into super-stardom way-back-when. And in the minds of many, solidified Heist as a bonafide legend resulting in too many collaborations, endorsements and appearances to list. 
Having graced the catalogues of many iconic, foundational labels like Playaz, Charge, Ganja, V, Digital Soundboy, Frontline, Full Cycle, Philly Blunt, Low down deep and Metalheadz! All one needs to do to understand why Drum and Bass royalty like Dillinja, Hype, and Goldie, took notice so early on is…listen. Listen to any of it! It’s as though Heist had the foresight to be as fastidious about what he released to others as he has been about what he releases on his own signature imprints, Sumo Beatz, Calypso and Co-Lab.

Receiving previous critical acclaim whilst engineering for DNB forefather and legend, Goldie, as well as on his own celebrated productions, Heist has found a home for most of his current output on two-time award-winning label, Low Down Deep Recordings. Big things are coming on the label from Heist, like the cheeky ‘Bug Patrol’ and also ‘Felt Rich’ both doing dance floor damage from a host of DJ’s and support on BBC Radio 1, Kiss FM amongst other radio stations for both of these tracks and most likely more Heist bangers! Some exciting future projects are also in the works for a few labels that have yet to see the likes of Heist...The return of Sumo Beatz is also in store, with a bunch of ‘select cuts’ he has been just waiting to get out there on his own label. If history serves, there’s truly no telling what Heist will cook up next or how hard his freshly-brewed baselines will hit, but the future does look bright for the now DNB legend, to say the very least. With a plethora of music in the works as well as tour dates across Europe and the globe actively brewing in the cauldron, 2025 is looking deadly.

Sonic Alchemist
Bridging the spirit with the science

“If you’re looking for trendy music, turn away. If you’re looking to embark on a journey, come with me.”

Management: Nate@WarpathGroup.com
Booking: Alex@abtouring.com

dubb science ~ bass music ~ modular monsters ~ analog ~ xenharmonic

Hey, gang! I'm JP and welcome to The Egotastic FunTime Podcast! For those of you who watch the show on YouTube, this is JP's unfiltered and uncut stream of consciousness in audio form. We're gonna have a great time!

xenharmonic bass music

Sevish (aka Sean Archibald) is an electronic musician from London, UK. His music is fast and atmospheric. The style mainly gravitates around drum & bass and other electronic dance music varieties, although even ambient and chilled works have been released under this moniker. Sevish sidesteps pop structures and familiar "EDM" tropes, instead trying to capture the essence of something flowing and meandering. It's the perfect music for blocking mind-altering radiation.

Since his album Golden Hour, Sevish's technique has included a dark art known as microtonality/xenharmonics. For short, we can call this xen. Simply put, the xen aesthetic tries to achieve new musical ideas by making things more or less in-tune than normal music. For something that is so easy to describe, you would think that every musician was doing it. Sadly, the technicalities of (ab)using musical tunings to create xen music are too much for most musicians to muster at this point in time. Perhaps 3D printing will change that in the future, allowing new instruments with crazy tunings to be developed quickly and cheaply. Until then, it's the domain of a few tinkerers and madmen scattered across the globe. One of those being Sevish, who blends xen with his own brand of experimental dance music.

The xen movement is still small but growing rapidly. It has a lively facebook group, its own wiki (deeply incomprehensible to all but the initiated), and about as many dedicated record labels as you could count on one hand.

In 2010, Sevish launched his own netlabel to get together the scattered artists composing xen music. Called split-notes, this label is known for its focus on xen-with-a-beat, and most of its releases are free to download with Creative Commons licensing. While the output of the label has slowed down due to other commitments, it's still alive with new releases showing up from time to time.

Sevish's music has been put out by the Dutch label Dubbhism Deluxe. In 2011, Sevish, Tony Dubshot and Jacky Ligon released an album called Subversio to online music shops and popular streaming services. This project lies somewhere between being a band album and being a compilation, as each of the 3 artists provided 3 solo tracks each. So it's more of a musical triptych than either of those things. Certainly a form of collaborative album that can (and will) be explored further. Each of the musicians on Subversio combine xen with beats and bass, but their individual styles contrast and compliment. Tony Dubshot excels at trippy electro dub with lots of analog processing. Jacky Ligon's style is often described as oceanic or panoramic, with fluid and rotating beats and deeply moving atmospheres and melodies. And Sevish's style... well, you already know by now.

In 2014 Sevish, Tony Dubshot and Jacky Ligon followed with 23, something of a mini-album in the same stylistic ballpark as 2011's Subversio. Numerology, conspiracy and ancient knowledge is something that the trio is attracted to, and 23 is inspired from that.

'Crisp, fresh, tingling music, bang on the money... Just plain wonderful!' - Tom
Robinson, BBC 6 Music
‘We need more music like this for sure!’ - Laurent Garnier
‘Total musical genius' - Nick Luscombe (BBC Radio 3)


Laszlo (aka Aaron Wheeler) is a composer / producer, multi-instrumentalist and
founder of the 4-piece jazz funk fusion band, Lydian Collective.

Aaron has released three albums under the name Laszlo: Radial Nerve
(2011), Level Five Stage One(2013), and Cartoon Hero(2015). These releases have created an international following and have generated over 1.4 million Spotify streams, as well as hundreds of thousands of YouTube views and plays on BBC Radio 1, 6 Music, and Radio 3 - with support from tastemakers such as Giles Peterson, Nick Luscombe, Oliver Jones, and Tom Robinson.

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