Eddy Mango 1

Utanför mitt fönster. ( 1994 ) Eddy Mango - Margareta Theorin ( Eddy )

Primitive

New original song, may have been inspired by rereading the novel Jane Eyre.

Come So Far

turn off your phone and take off your clothes
change your perception,
open the door...
everything's infinite
feel the connection
reach up and write your name on the sun

i'll show you colours that noone has seen
you'll be my king
and i'll be your queen...

lose yourself, find yourself
stop time, forget yourself
you hold the world in the palm of your hand...

[break]

i'll show you colours that noone has seen
you'll be my king
and i'll be your queen...

lose yourself, find yourself
stop time, forget yourself
you hold the world in the palm of your hand...

[break]

turn on the radio of your subconscious
you'll thank me for shaking your very existence...
intoxication...
amplification...
heartbeat to heartbeat
your feet in the ground

i'll take you somewhere 'tween Heaven & Hell
you'll drink the beauty from my wishing well...

lose yourself, find yourself
make time to love yourself
you hold the world in the palm of your hand...

[break - and some words from Terence McKenna]

i'll take you somewhere 'tween Heaven & Hell
you'll drink the beauty from my wishing well...

lose yourself, find yourself
make time to love yourself
you hold the world in the palm of your hand...


Words & Music : Miaow McDonald

Vocals, Bass, Guitars, Synths : Miaow McDonald
Drums : Joshua Jamieson (CyberneticZ)
Percussion & Synths : Robert Davidson (Aged Choir Boy)

Produced & Mastered : Robert Davidson (Aged Choir Boy)

Landscape I.

Long Way To Glasgow

Long Road To Glasgow

Yellow In The Rain (Inspired by my daughter)

encore

Beyond The Veil

words and music K Gennery
sunset photo taken from my back garden, a view across the Romney Marshes.

Bring me a fully functioning brain,
a spine that can move freely from pain.
But I'll keep this old heart, if it's all the same,
It's the best part of me.

Though it's been wounded many a time,
I shall never exhange for a draconian kind.
Always open given totally free,
it's the best part of me.

Oh forebode won't you tell me so,
for the peace that I seek inside my soul.
Comfort me now in this hour of need,
tether my raw and benevolent seed.

Still beating strong after all it's been through,
I could tell you my woes unbelievably true.
But I'll leave it for now, maybe later you'll see,
It's the best part of me.

Oh forebode won't you tell me so,
for the peace that I seek inside my soul.
Comfort me now in this hour of need,
tether my raw and benevolent seed.

oh forebode

oh forebode (best part of me)

Tomorrow
December 27, 2020  All Rights Reserved

Shadows stretch upon the avenue in time
And echo chambers pass the time away...in rhyme 
With repetition by design...
Right before our eyes
One more time

When the mourning comes before the dawn
Underneath electric skies 
There’s a place where we can run and hide
A place for you and I...

Tomorrow holds the second hands...of time 
The past will leave itself behind...this time
The wheels of change will turn from yesterday 
Roll on down the line 
One more time...

The forest lies somewhere beyond the trees 
If we could get there that’d be fine...
Reason’s just another casualty
of a truth so undefined...

Shadows stretch upon the avenue in time
And echo chambers pass the time away...in rhyme 
With repetition by design...
Right before our eyes
One more time

Tomorrow

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

oh forebode (best part of me)

Mr Cagey