Splendid song and singing, well done Kevin !

Lovely stuff!! Just been listening to Abbey Road and this track has a similar vibe :))))))

God bless your wife!!! These lyrics are too funny though

So good Cagey. Love everything about this. And bit sad but uplifting at the same time..

got everything here, keeps the interest from start to finish , another great track man

Delightful -  love that banjo-- lovely vocals and harmonies !!

Shooobeedoobie... yess! Makes me smile, thank you! 🌸

words and music K Gennery

For my darling wife who, at the best of times, does a difficult job within our National Health Service. Throw in a pandemic and that very same job becomes almost impossible.

Lyrics:
I don't know how you do the job you do,
the responsibility of seeing it through.
Pressure from all sides,
looking out for the welfare of buildings and lives.

If I were to spend one day in your shoes,
(shoebie doobies, ooh shoebie doobies)
by mid afternoon Im sure I would have blown my fuse.
(Bang, Bang, Pop, Pop, BOOM!)
There'll be blood and guts everywhere,
as I explode and take them all out.

Ooh, ooh, ooh, ooh,Take them all out.

There'll be blood and guts everywhere,
as I explode and take them all out.

This songs to say Im so very proud of you,
and to confirm the fact I never want to borrow your shoes.
Cause I don't wanna do any time,
reflecting on my crime, of taking them out.

Ooh, ooh, ooh, ooh,
Take them all out
(gotta get away, gotta get away)

Take them all out

take em all out

It started with a groove from Paul Claxton, then Roger Cloutier gave him a concept.
Lisa Saunders had the idea for the first verse from her real life touring experience; "the man in blue says I think you better move along"..
It's a harsh world out there but the Trisektorians believe you have to reach out and choose not to be lonely.

All parts written and recorded by Paul Claxton, Shael Wrinch, James Zickmantel, with vocalist Lisa Saunders.


Track Artwork at RedBubble
https://www.redbubble.com/people/trisektor/works/89594322-another-lonely-night-propeller-trisektor-projekt?asc=u

Propeller

Another Lonely Night

This is a fun song dedicated to.........Well we  all know at least one...enjoy 

Just for fun not based on anybody that I know ...if you see yourself here it is just a coincidence ...ha ha 

Johnny

Look at me ( The Narcissist's anthem )

Blues For Billie - Solo Guitar by Earnest Woodall

Mellow Heart

Aftrethoughts

Afterthoughts

Thanks to Andre for his open collab project [noxpox(page10)] the brilliant 'German Beats'.

https://soundcloud.com/noxpox-page10/sets/noxpox-german-beats-open?si=dbefcfa91d1f4627bab63e1fae97650f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I've gone for sax trio / flute duo accompaniments:
0-2 mins flutes
2-4 mins saxes
4-6 mins flutes
6-8 mins saxes
8-13 mins sax/flute quintet

Photo - Stein am Rhein (good for busking?) c/o Pinterest.

German Street Beats [Busker Mix] - noxpox | WBE

Vocals and Lyrics: @kaerian-1

Music:  Laar @https://soundcloud.com/user-325797522 (Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

Photograph: by Eric Pitteloud (all rights reserved)

Lyrics
------

Ne t'approche pas trop près de moi
(les dramas c'est pas pour moi)
Je n'aime pas
Je n'aime pas être entourée
par tous ces gens bien intentionnés
qui cherchent à me corriger
me conformer à leurs normes
modifier ma vraie forme
(j'essaie de m'échapper, mais je me fais toujours rattrapper)
les vieux réflexes me laissent perplexe

La vérité c'est que j'aime être entourée
par des gens apaisés
sans combats de guerriers
non je peux plus digérer (gérer)
cette atmosphère de guerre
constante
idiote compétition
envahissante
incessante et persistante
Ne t'approche pas de moi
pour initier un combat
non je ne veux pas
que mon temps serve à ça
fatiguée de lutter
il y'en a si peu
il est si précieux
dépitée de gaspiller

rien ne sert de faire un drame
inutile est ce vacarme
l'expérience est faite
même si c'est une défaite
rien ne sert d'abimer le passé
inutile de vouloir l'effacer
juste avancer

------------------------

Don't get too close to me
(dramas are not for me)
I don't like
I don't like being surrounded
by all these well-meaning people
who try to correct me
to conform to their standards
change my true form
(I try to escape, but I always get caught)
the old reflexes leave me confused

The truth is that I like to be surrounded
by peaceful people
without warrior fights
no I can't digest (manage)
this atmosphere of war
constant
silly competition
invasive
incessant and persistent
Do not approach me
to initiate a fight
no I don't want
my time to be used for that
tired of fighting
there's so little of it
it is so precious
sorry to be wasteful

there's no point in making a mess
it's useless to make a fuss
the experiment is done
even if it is a defeat
there is no point in damaging the past
no point in trying to erase it
just move on

Ne t'approche pas

Ne T'approche Pas (Kaerian & Laar)

Remix of 
https://soundcloud.com/kaerian-1/is-it

Original track by
@kaerian-1
and
@muterial

(Is It) Now Or Never  [Laar Remix]

The Earth Love

Mysterious Forest Spirits

Method: It‘s complex. 
Narration: Just think of Paris, millenia later.
Image: Another (altered) section of the original Tiny Inclusions illustration. Yes, I guess 'blue' might have been seen in ancient Greece as well.

poem / copyright jo richter:
(as published in: Tiny Inclusions, in: Auslegpapier)

Out of the blue
he is back, has returned.
It is the Klein kind of blue,
to be precise. He must have
stared at the picture for hours.
.
The walls reek of bliss.
His own smell carries that stink.
Long before he had realized it,
his senses had learned
to abhor beauty.
.
.
It is now that
he remembers his name.
He was the one who courted,
beguiled Helen, took her to Troy.
His name, the gods took him here to remember his name.
.
.
.
All his life, he had fought his way along
the Hausmann lines of perfection
that used to encircle his palace. Armies of strangers.
This is where they end, in a blue
square on a gallery wall
reeking of bliss,

blue

Blue

Musique EmmaJack
Paroles : Vincent Rothenburger
https://youtu.be/LLzR5PntlXM
Les pluies acides 
-Les parricides  Sont à plaindre Car ils sont orphelins -L'extralucide ne peut craindre les plis de son destin -Par temps humide Les noyés Lèvent les yeux au ciel -Les pluies acides Font pousser Les fleurs artificielles  Les catastrophes  Atténuent  La surpopulation -On a l’étoffe Décousue Des héros en cal’çon -L’amour trucide Sans pitié  Les marguerites si belles -Les pluies acides  Font pousser  Les fleurs artificielles  -Les W-C sont Sans issue Dans les débits d’ boisson -En avril on A pendu Haut et court les poissons -On se suicide par gaieté Car l’amour donne des ailes -Les pluies acides  Font pousser Les fleurs artificielles  -L’air se voit quand Il fait jour Les cibles sont plus belles -L’air nonchalant Des vautours A dévoré le ciel -Masques du vide Tes baisers Font des trous dans mes ailes -Les pluies acides  Font pousser Les fleurs artificielles

Les pluies acides 🌸

Message to the cloud community: The techy soundcloud people think I am a robot, so for large parts of my sc visits it wont allow me to comment or reply to comments. I do have metal in my body but am still mostly water. They however, are morons......

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio. (Image of the cheeky little unit under my name)


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound


Podcast:  interview and 3 song performance
www.secretsymphonies.com/2006650/11710158

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
Epiphone EJ 200 acoustic guitar
Martin performance acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

take em all out

Mr Cagey

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