PRE-ORDER OUR UPCOMING ALBUM "IV" HERE: 
iTunes: http://hyperurl.co/BBNGIV
Vinyl/CDs/Digital (Global): https://badbadnotgoodil.bandcamp.com/album/iv
Vinyl/CDs/Digital (Canada): http://craft-shop.ca/artists/badbadnotgood/badbadnotgood-iv

Management:
matt@peopleschampmgt.com 

Booking:
CANADA
furman@feldman-agency.com 
EUROPE
julesdelattre@theagencygroup.com
USA
josh@montereyinternational.net 


bookings.carolmattos@gmail.com

Resident DJ at @mamba_negra / Producer and DJ Resident at @masterplano

Cosmic synths, grooves, industrial textures and intense dark beats. Carol Mattos seeks her references in 80’s synth pop, dark wave and disco, detroit acid and many of the new Latin American productions. With strong kicks and heavy basslines combined with groovy elements and futuristic sounds she builds an immersive atmosphere that engage the dance floor in a cosmic journey. 

Resident DJ at Mamba Negra, member of MASTERplano label and creator of Flumma.

MASTERplano / MAMBA NEGRA

Next dates:
27.07 _ Sisyphos | Berlin
18.07 _ Kater | Berlin
28.06 _ Flumma | Belo Horizonte
28.06 _ Sensacional Festival | Belo Horizonte
20.06 _ Rawfatale - La Machine du Moulin Rouge | Paris
04.04 _ Subterrânea | Rio de Janeiro
26.04 _ Gilda Haus | Madrid
30.04 _ HÖR | Berlin
10.05 _ D-Edge | Rio de Janeiro
22.05 _ Soga Beach | Rio de Janeiro

aondaerrada.bandcamp.com

mixes em :
https://www.mixcloud.com/cassiusaugusto/

Broadcasting live from Hamburg-Hammerbrook!
started in 2019

www.halloradio.net

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

mschole is following