a track by Marco Lucchi reworked by Mean Flow

Mean Flow & Marco Lucchi - piccolo studio in modo misolidio

Ambient,Progressive,Techno,Classical,Folk,Organic house.
Formerly music producer and historic garden restoration.
Eco tourism operator.

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



*Thank you all for your kind support*

Happy 2025

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'random sidequest restarted' is now out under Woodland Tape Exchange. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Unbelieving, you may try it here … and now. 
... just start unbelieving all, it instinctively Voids every institution, convention and law Instantly when applied by one. 
Well,  ... !   Who Then Are The godDamn Light  ?
Welcome [ Invisible witch and denizen of the void ] i hope you are listening to this [ unprovoked microkinetic assault ] over Headphones [ please know unbelieving All is the fucking best ]
Really ... That Is All There Is, and ...  now you too can see it ... when you look inwards you are blinded by light, look outwards and you see the never-ending void of blank nothingness ... Sooooo ... figure it out (no disrespect) :):):) you Know
 what you are Sparky ... You Are the goddamn light

Matziz's work is an attempt to translate images into music, to sculpt sound material and play with its textures to extract an emotional essence.

This is about working alchemical formulas through sound, to:
- treat, accompany, heal, inspire...
The sensitive world according to its various needs, which fluctuate at full speed, according to the context of the extremely changing and tumultuous news.

It is one of the facets of the musical work of Mathieu TORRES who is active in several projects (M'Z - Zhorhann - The Diogenes - UBBS - No Skeletons...), inspired by the origins of Techno and the English effervescence of electronic music in the 90's

Mean Flow & Marco Lucchi - piccolo studio in modo misolidio

Orchestra Eclettica Sincretista