KEITH WEEK 36

Bonus track from sophomore album "Live From The Other Side".

Live From The Other Side - Extended LP

free download

Castles - Intermission

Pre-Order Vinyl https://danielcasimirandtesshirst.bandcamp.com/album/these-days

These Days

1st November 2019

07 What Did I Do?

Available on vinyl, CD or digital formats: orcd.co/lillygoodparty2

Swiss DJ Alex Attias returns to BBE with a second helping of uptempo cuts, perfectly encapsulating his LillyGood Party! sound.

Founder of the recently revived Visions imprint, a long-time collector and a revered selector, Alex Attias is, before everything, a refined producer whose musical craft has seen him travel the globe, most notably with an extended stint in the birthplace of the bruk sound, London.

The tracks you’ll find on this compilation are all current favourites, or proven classics that have never left Alex's record box at the LillyGood Parties, a gathering Alex and his brother Stephane run in their hometown of Lausanne, Switzerland.

LillyGood Party! Vol.2 is another testament to Attias’ unswerving taste for smooth yet intricate, subtly layered yet deeply rooted dance compositions; some subtly edited for maximum dance-floor effect.

Featuring instantly recognisable names such as Louie Vega's Elements Of Life, Peven Everett and even Pharoah Sanders, LillyGood Party 2 also sheds light on some lesser-known artists, digging out some gems, buried deep across the jazz, disco and electronic musical strata.

Alex Attias presents LillyGood Party Vol. 2

12 Senses - Touch

For our first premiere of the week, MIMS presents “Spellbound”, lead single from UK-based producer King Knut’s forthcoming “XL” EP, due for release Aug 21. “Spellbound” is a hypnotic, heavy affair, putting us in mind of gritty 90s NY hip hop, dub, 90s trip hop and early Theo Parrish productions. 

We’re also very glad to share a video for the track, produced by Drive Me Home (Barkley Bandon, Later, CASisDEAD) and made using footage shot in the Costa Rican jungle by migratory naturalist, photographer, and small-scale coffee farmer Seth Beaudreault.

The EP comes on the back of 2018's cassette release Unreleased Beats Vol. 3 that received support and airplay from NTS, Wire Magazine and Trevor Jackson, and last year's remix for Lunch Money Life's Unlimited Ice Cream Palace on Kaya Records. The EP is mastered by Amir Shoat (Dean Blunt, Klein, Brother May).

A remix EP will follow later this fall with remixes from Cherrystones (Twisted Nerve, Touch Sensitive), Capitol K (Faith And Industry), Double Geography (Invisible Inc) and A'Bear.

Pre-order on the link below the player.

Pre-Order

Exclusive Premiere: King Knut "Spellbound" (Forthcoming Self-Release)

Antonio Neves - Forte Apache (feat. Hamilton de Holanda)

Multi-instrumentalist, singer and producer, @ddr Dave De Rose dips his creative feet into delicate alt-electro pop waters with ‘Proof’. Read more @ https://wp.me/p471L0-bzi.

Dave De Rose - Proof (TS Premiere)

We are very pleased to premiere "A Macieira", the uplifting and graceful lead single and first track on 'Orla', the debut LP from London-based Lusophone-influenced jazz ensemble, Caravela, due out February 26 on None More Records. 

The London-based ensemble explores musical traditions from Portuguese speaking cultures, encapsulating influences from Brazil, Cape Vert in West Africa and Portugal. 

Their debut full length LP ‘Orla’ is an intoxicating mix of Afro-Brazilian rhythms and contemporary London jazz drenched in modern psychedelic and progressive textures. 

The band’s deep and infectious grooves form the basis from which they can showcase their beautiful and mature songwriting craft. Lyrics touching on social and environmental issues in both Brazil and Cape Verde, as well as reflections on modern life, weave between the songs in Loubet’s native Portuguese.

Initially inspired by a recent period of living in Bahia, Brazil, interacting and working with local musicians there, Caravela took that experience and melded it alongside their wide range of influences to deliver a stunning set of contemporary songs.

Hypnotic and groove-laden percussion ties together all the different elements Caravela are bringing to the table, from Afro-Brazilian influences like Candomblè music or the tropicalia of Gilberto Gil and Caetano Veloso with some darker, electronic elements reminiscent of Radiohead, electric era Miles Davis and Herbie Hancock. ICaravela have opened for Gilberto Gil, and their ranks include members of Waaju and Bahla. 

There’s also a grittiness from the band’s music evolving from within London’s contemporary jazz scene that makes Caravela’s music uniquely their own.  The African and Brazilian rhythms and jazz approach remain at the core of the group's sound, but the development and growth of their own songwriting, diverse range of textures and influences and their soaring vocals and spiritual lyrics make their sound so distinct. 

‘Orla’ showcases Caravela’s growth from their debut EP in 2017, building on their digging into Brazilian and Cape Verdian music to develop their songwriting and sound. It represents the growing sense of identity of Loubet and Sousa’s songwriting partnership, organically developing the songs through spontaneously singing lyrics and melodies over Sousa’s ideas on guitar, the music came together very naturally.

Lead single "A Maciera" builds on a clipped and funky guitar line, strong percussion and tight, syncopated drums as Loubet’s incredible vocals soar above the band, reflecting on the folk themes of maturity and innocence, as with the eyes of an old woman, strong and steady, like the old apple tree.

"A Macieira" is released on November 27 on all streaming platforms, whilst 'Orla' is out on vinyl and digital on February 26. Available to preview and pre-order as of now on Bandcamp direct from the label, None More Records, also home to released by Jouis, Monzanto Sound, ProjectKarnak and Lunch Money Life.

Orla

Exclusive Premiere: Caravela "A Macieira" (Forthcoming on None More Records)

We are very excited to premiere “Black Lives Matter”, a blazing hot and extremely timely Afrobeat song by brand new London-based supergroup, Eparapo. Due for release this Friday on the unstoppable Wah Wah 45s.

Eparapo came together during the unprecedented events of this year. Despite being a project born from the privations of lockdown, with their music they sought to create an expression of hope, resilience & resurgence. With a white supremacist still in the White House and far right rhetoric being normalised by governments across the world, Eparapo see Afrobeat, highly political from its inception, as a tool to fight injustice and corruption. 

In the current global political climate and especially under the spectre of lethal police brutality in the U.S., the B.L.M. movement is the most important since the civil rights era and attempts are being made to discredit it in the same way. Rather than standing idly by and hoping for the best, this group of musicians wanted to contribute to a soundtrack which inspires, engages & hopefully motivates listeners from across the spectrum. 

The word “eparapo” means “join forces” in Yoruba, the language of Afrobeat. In troubled times when so many seek to divide us, an expression of unity can be an act of defiance. A call to join forces, come together and fight back. Eparapo is also the title of a track by the late, great Tony Allen - drummer for Afrobeat legend Fela Kuti and lifelong friend and mentor of the UK's “Afrobeat Ambassador”, Dele Sosimi. Not only did Tony help to invent Afrobeat, he always looked for ways to push the boundaries, never content with recreating what had gone before but constantly expanding and developing the genre. This project hopes to pay homage to his legacy, and that of Fela Kuti himself. Its aim is to innovate, fuse and diversify while still retaining the essence of the music. 

Eparapo is led by bassist, composer & producer Suman Joshi. He has been a member of Dele Sosimi’s Afrobeat Orchestra for nearly a decade and has performed on stage with the likes of Tony Allen, Seun Kuti, Ginger Baker & Laura Mvula. He is also bassist with UK jazz ensemble Collocutor and fusion project Cubafrobeat.  Featured vocalist on both tracks is the aforementioned Dele Sosimi - keyboard player and musical director for Fela’s Egypt 80 as well as Wah Wah 45s recording artist on both his solo material and the recent collaboration with house music producer, Medlar. 

The rest of the group comprises of Afrik Bawantu bandleader, Ibibio Sound Machine and Keleketla! percussionist, and Koichi Sakai collaborator, Afla Sackey; highly rated UK jazz vocalist Sahra Gure; saxophonist, composer, producer and bandleader of the renowned & forward thinking jazz outfit Collocutor, Tamar Osborn; keyboard player, producer and front man for Lokkhi Terra and Cubafrobeat, Kishon Khan; one of the UK’s finest and most in demand trumpeters, Graeme Flowers, who has played with Quincy Jones, Gregory Porter and many more; trombonist for Bellowhead and mainstay of Dele’s Afrobeat Orchestra, Justin Thurgur; and finally drummer for Steamdown and Sons of Kemet, as well as the man behind the Nache project, Eddie Wakili Hick. 

Half of  the artist's income for this release will be donated to the NAACP - a civil rights organization in the United States, created for the advancement of black people by means of following judicial policies.

Exclusive Premiere: Eparapo ft. Dele Sosimi "Black Lives Matter" (Forthcoming on Wah Wah 45s)

MIMS is very excited to announce the launch of a brand new sister-label at Olindo Records, Música Infinita, with its inaugural release, ‘The Message’ by Gerry Weil - an overlooked cornerstone of Venezuelan jazz, greatly influenced by ‘Bitches Brew’ era Miles, Hendrix, Tower of Power and fusion of jazz and rock. Listen to the anthemic title track in full here first. Safe to say it’s pretty heavy!

‘The Message’ is packed with raw funk grooves, big band horns, and Gerry’s gravelly Waitsian vocals. Remastered with love by Frank Merritt at The Carvery, this limited edition features brand new artwork and an extensive interview with Gerry. 

In 1969 Miles Davis put the world on notice with “Bitches Brew”; a bold statement that broke every pre-conceived notion people had about jazz and music in general up to that point. Taking this as inspiration, Gerry Weil decided to emulate Miles in 1971, but on Caribbean soil, gathering a dream team of 15 Venezuelan musicians, most of which went on to become renowned bandleaders in their own right, to record an avant-garde album that would later turn into a coveted item amongst record collectors. 

Title track “The Message”, is a sort of funky anthem or mantra that describes Gerry Weil’s attitude towards life. Its lyrics describe the way “squares” reacted against hippies in the 70s when “all we want to give you is a little bit of love”.

Arriving in Venezuela from Austria as a 17 year old in 1957, Gerry has become one of the most influential musicians his adopted country has ever seen. His compositions are now part of the repertoire of Venezuelan jazz standards, but perhaps more importantly, Gerry’s career in music education has seen him impart his music theory and piano teachings to at least three generations of musicians. Still active at the age of 81, Gerry is a living legend and a true testament to perseverance through music. 

‘The Message’ by Gerry Weil will be released on January 15 2021 on Música Infinita, sister-label to Olindo Records, home to Waaju and Raúl Monsalve y los Forajidos, focused on lost gems from Venezuela and beyond. It’s Bandcamp Friday this week, so if you’re feeling this, it’s the best time to support!

Exclusive Premiere: Gerry Weil "The Message" (Forthcoming on Música Infinita)

Butcher Brown - Love Rock
Black Nile - Second Serving
Str4ta - Aspects
Dezron Douglas & Brandee Younger - You Make Me Feel Brand New
Levitation Orchestra - Wave Potentially
Nick Walters & The Paradox Ensemble - The Underdog
Bokani Dyer - Ke Nako
Kaidi Tatham & Andrew Ashong - Eye Mo K
Jeff Bradshaw - Gratitude
Thana Alexa - Ona
Donald Byrd - Loving You
Patrice Rushen - Lets Sing A Song Of Love
Lonnie Liston Smith - Rainbows Of Love
George Duke - Reach Out
Caldera - Sky Islands
Bob James - Touchdown
Dave Valentin - Clove and Cinnamon
Judy Roberts - Never Was Love
Angie Bofill - Share Your Love
The Crusaders - Feel It
Roy Ayers - Turn Me Loose
Donald Byrd - Makin' It

FoldedSpace on Jazz FM w/ Tony Minvielle 6/12/2020

https://www.musicamacondo.com/2021/01/premiere-caravela-mar-pretu/

Premiere: Caravela - Mar Pretu

Oz Echoes: DIY Cassettes and Archives 1980​-​1989 out March 26  http://bit.ly/OzEchoes

Oz Echoes peels away another layer of Australia’s ‘80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psyche-electronics and agitated tape cut-ups.

From the Sydney cassette network, The Horse He's Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age’s pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf - the former’s worn out apparition hails from an instantly deleted 1981 7”, while Mr Knott entrust one of the compilation’s five previously unreleased tracks.

Matt Mawson represents Brisbane music media-printed matter collective ZIP, as Adelaide’s Three D Radio grants access to their vaults of live-to-air recordings and aspiring demo submissions, rescuing the slap-happy punk-funk of The Frenzied Bricks and Jandy Rainbow’s prodigious beginnings in Les Trois Etrangers and Aeroplane Footsteps. Synchronously in Melbourne, Ash Wednesday (Karen Marks, The Metronomes) leads Modern Jazz’ improvised proto-techno and EBM pioneers Shanghai Au Go-Go home record their sardonic synth-wave.

A cherry-picked cast of unusual suspects, Oz Echoes’ unfamed artist and non-band narratives are detailed by track-by-track liner notes with rarely published archival visions and artwork from Video Synth, prompting further rabbit hole ventures into this golden era of creative risk-taking and instant action.

Wrong Kind of Stone Age - Ravi Dubbi (ES018)

You Got to Have Money / Under the Street Lamp

You Got to Have Money

Future Classics & Forgotten Treasures — Selections for the Adventurous Music Listener (Founded in 2007 by Lexis)

Exclusive Premiere: Gerry Weil "The Message" (Forthcoming on Música Infinita)

Music Is My Sanctuary

Recent comments

Jules Brennan

Related tracks