📧 bb@momentnyc.club | just vinyl :] 
Spaghetti Strap
The Lot Radio | Soho Radio | Club Moment NYC

Pour retrouver toutes mes pièces sonores c'est ici : www.sophieberger.com

Cam Deas is a London-based musician and sound artist.

Myriam Pruvot is a vocalist, a sound artist and a performer. She's graduated in a master degree in fine arts in France, and then she has been teaching print during severals years. She is also trained in improvisation, vocal techniques and radio creation. She has collaborated as an author and a performer on various projects for radio (for Alessandro Bosetti, laviemanifeste, Anne-Laure Pigache), music (Sylvain Chauveau, label Wild Silence) and choreography (with playwright Céline Cartillier, Groupenfonction, national Chilean ballet El Banch, Matthias Varenne in Festival Actoral) in Europe, South America and Canada. Following a journey in Chile, she has released in 2013 an album wich combines field recording and improvised music entitled Niebla. She will continue the existence of this album in concert under the name of Monte Isola in Belgium, France and Portugal. In 2015 she joined Prototype II, a research program in choreographic composition at the Abbaye de Royaumont, as a composer. In 2017 she is awarded a fellowship in ACSR and will be in residence on the island of Comacina (Italy) as part of the Wallonie Brussels International Federation. Singing, orality and soundscapes are her main subjects of exploration.

Babelfish est un collectif d'artistes Belges dédié à la production, la réalisation et l’édition de projets artistiques, aussi bien dans les pratiques sonores que visuels. 
Contact : www.babelfishasbl.com  -  babelfishasbl(at)gmail.com  -    facebook.com/babelfishasbl

Antoine Läng
voice + electronics from Geneva//Switzerland

A preoccupied mind may look at the name Monolithe Noir and see a fairly basic reference to key figures in futuristic worlds born from the classic equation that equates sci-fi with synthesisers. But that would mean forgetting that, unlike heartless machines like robots, androids and other Replicants doomed to copy the Earthlings they barely understand, Kubrick's monolith in 2001, which inspired Antoine Pasqualini with the name, is a far more subtle proposition. The opaque totem balancing in the midst of burgeoning humanity is both the concrete embodiment of the outer reaches mystery and the dark mirror of our animality. It's freezing and boiling, edgy and organic, extraterrestrial and terribly familiar. These points of friction and powerful paradoxes run through Monolithe Noir's new LP too. They take us on an endless winding road weaving between synthetic severity, experimental achievements and acoustic jolts that run, pile and collide into each other with no apologies for not choosing just one of these worlds.

Structure d’accueil bruxelloise aux auteur·es, réa­li­sa­teur·rices, opé­ra­teurs, créa­teur·rices inté­res­sé·es par la radio depuis 1996.

myriam p is following