Producer-Art-Guitar-videographer  Texmex Shamans
lyrics vocals- StonerJazz

check out The vldeo     youtu.be/vYRrSahKHng
'"Disclaimer"

"Any similarity to real or imagined events ls probably not a coincidence
No TOADS were injured or molested ln any way during the making of this song--

The headwaters of this song came from Stephens rendition of that Toad ln our New Mexico song's cover art-- We were discussing that toad and lt's significance  to the riders on the bus--as the conversation became more Hilarious We resolved to write a song about that toad and that ls what we did--😎- Huge respect and gratitude to Stephen for hls Production and art skills and of course his amazing guitar Play and his Excellent Friendship--- Welcome to those of you who find your way to this tune We hope you enjoy lt!!

THE TOAD
l was flying down state 95
just ten miles East of Blyth
Hot Rod Lincoln blaring on the radio
My ole pickup truck lt overheated
l had to stop and find some shade
underneath a Palo Verde tree
a blg ole Toad There he spoke to me
He sald "Why don't you give me just a little lick Right here, Right behind my ear

Now you may think lt's a little funny, but l can guarantee
You will thank me ln the end my Friend--

Not wanting to disappoint my new found friend
l took a little tiny lick
and washed lt down with a Beer
After Frothin at the mouth for a little blt
my Consciousness lt took a hit
and headed south ln a flood of light

There are no word that can describe what happened next-
but l can say for sure without a doubt, unequivocally
My brand new Paradigm got tangled up with my Epiphany!!

Shit kickin Toad lickin with TexMex Shaman

The painting is ‘The Course of Empire’ by Thomas Cole (1801 – 1848).

Say a prayer and don’t despair about the cost of living crisis 
Cos life’s not fair and they don’t care about the rising prices 
The millionaires and billionaires wield their wicked powers
they own the shares, they don’t pay the fares, they’re not working longer hours

  They contaminate, discriminate, and revel in their sleaze 
  the permafrost is lost, but we still have the wage freeze 

the bankers are all bigots, experts in exploitation 
oil tankers and their frigates reeking eco-devastation
while we reimburse the nurses with the joy of food banks 
and the curse of empty purses and our hollow huge thanks

  You’ll find that it’s impossible to get paid any less
  can’t save no money saving lives for the NHS

The CEOs who freely chose to bolster their careers 
They’re mosquitoes in tuxedos bloodsucking profiteers 
who smoke cigars with glowing hearts, toasting market forces  
They’re Oligarchs, they’re greedy sharks, they’re feeding on the corpses

  The ambulance abandoned us, so now we need a hearse
  Yes the times they are a-changing… but they’re changing for the worse

I blame the vloggers and the bloggers, I don’t “like” and I don’t “subscribe”
All that scrolling and a trolling, through soundbites and diatribes
and we fixate on the clickbait that seems to be hell-bent 
on dictating that the content fuels our discontent 

        All the species being ghosted, wiped out like dinosaurs
        While we’re busy being offended, and fighting culture wars

Shopaholic fashionistas with their selfies and their memes 
And reams of influencers beat us senseless by extremes
it’s a trash-bag full of hashtags, rubbish flowing in our streams
algorithms causing schisms and addiction to our screens

        We’re the masters of our destiny, but it isn’t as it seems 
        Who’s pushing who’s buttons? Are we slaves to the machines?

Narcissistic mystics with their conspiracy theories
Going viral in a spiral of Netflix mini series
And woeful social media, where profiles are a deepfake
It’s a form of schizophrenia, like a hollywood remake

      We make a virtue of our vanity, embracing the absurd
      with virtual reality, to replace the real world

Cost Of Living Crisis

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

-How nice to go back !

-Comme c'est agréable d'y retourner !

Super 8

Super 8 (Original M!X)

Back with Pinner with some new jazz fusion - Above The Clouds.  Love what Stephan does.  Again and again.  Follow his wonderful playing here on Soundcloud:  https://soundcloud.com/pinner

And for a playlist of now 120 tunes we have recorded together!:  https://soundcloud.com/jamie-rhind/sets/smokin-with-stephan-stephan

Thanks as always for your generous time listening, for your comments and for your shares

Jamie

Above The Clouds - Stephan Lipinski / Jamie Rhind

noxpox - automatic lover

MrDjBigHouse and The DeadMen Under
Vocals by Morgan Benny

You’re all gray (ft Morgan Benny-The DeadMen Under)

Fernando Honorato, the acclaimed singer and songwriter of Swedish post-punk band Principe Valiente, will release his debut solo album "Center of Your World" on June 13th. Released under the new moniker Fernando's Eyes, the album will be available digitally as well as on CD and vinyl via Aenaos Records (Germany) and Icy Cold Records (France).

“Center of Your World" finds Honorato venturing into a deeply introspective and emotionally stripped-down sound. Drawing on his early musical influences, the album blends elements of dark pop, post-punk and cinematic textures to explore themes of vulnerability, personal growth and the complexity of human experience.

The album's second single - and title track - released on May 2nd captured the longing and desire to be part of a loved one's world, expressed in a classically romantic tone. With its lullaby-like quality, the track navigates the struggle of not quite breaking through - but does so with striking beauty and optimism. This track showcases the warmer, more organic side of the album, while the first single 'A Million Times' offered a more delicate, electronic-based production and introduced listeners to the album's introspective tone.

"I am very excited about this new chapter in my artistic journey and experimenting with new ways of writing music", says Honorato. Center of Your World promises to be an immersive listening experience that invites listeners to reflect on the beauty and fragility of human connection. 

Lady In Black

Con estos temas buco transmitir la sensación del duelo entre soltar y aprender a vivir una nueva etapa de la vida, espero les guste.

Depuración

Darrell Vernum covering more of OK Computer

No Surprises

01 - SA - Labs - Amplified Cello Quartet - Chatter
02 - SA - WE - My Preset 01
03 - SA - Labs - Dulcimer - Fingered

A Circular Path [Demo]

AVANT GARDE | GUTTER PROG | GARAGE JAZZ

Some of our art is made on computers, some of it is made by hand. We are particularly interested in that gray area in between where you cant really tell. All of what we create here is one work laid out in segments, all connected. The Mystic Tape Deck universe is vast and explores all manner of adding meaning to our lives, while pondering meaninglessness.

Please consider supporting our project and helping us complete the work. We make books and cds that go with them. We also have a graphic novel and a custom oracle deck in the works. All part of the story.

A Multimedia Puzzle-Story Of An Immortal Being's Struggle To Define And Exert Their Will Upon A Wholly Deterministic And Ambivalent Multiverse, And The Strange Cult Who Loves Them.

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Greetings to you: readers, beaders, seekers, wanderers, wonderers, outsiders, rebels, fantasy gamers, freaks, mythologists, philosophers, appreciators, creators, perpetuators of beauty, coveters of mysterious objects, collectors of counter culture, the curious, the questioners, the unusual, the unique, the star children, the light workers, shadow integrators, diviners, alchemists, hermits, monks and popes, the saviors and prophets, the builders and destroyers of worlds, the old ones, the young ones, the rollers of boulders, the sun orbiters, the morning star dewdrops and twinkle toed dreamers of dreams, you mystic shining beacons, you crossers and denizens of the void, reality shapers, universe makers and underworld freaks.

"A prominent feature of avant-garde music is to break through various rules and regulations of traditional culture, in order to transcend established creative principles and appreciation habits. Avant-garde music pursues novelty in musical form and style, insisting that art is above everything else; thus, it creates a transcendental and mysterious sound world. Hint, metaphor, symbol, association, imagery, synesthesia and perception are widely used in avant-garde music techniques to excavate the mystery of human heart and the flow of consciousness, so that many seemingly unrelated but essentially very important events interweave into multi-level structures and forms."