Some FAVs - Instrumental / Classical

These Songs Are Made For Listening

SOULS IN THE BORDER OF PLASTIC LOVE

PROFESSORS OF TRULY GOLDEN SOUNDS

Your MegaMix

Shock the Algorithm

Bulbs of Appreciation: Thanks for all your playlists and comments on The Shrike Pt. 1, Pt. 2!

WATCH NEPTUNE FALLING AT DAWN TIME

Sobakka - Jam

We all don't know. And we spend a lot of time thinking about it.
It's important to appreciate the life we have and make the most of it. It's important how we use our time to make sure we live the life we want.

I thank my fellow musicians, especially Marquis, who always takes a look at my quirky projects. This time he even wrote a foreword - I'm grateful for that, after we set the theme.
Furthermore I thank Fabi for his wonderful guitars and Malu for a cool singing session.

---
"My wife and I had just finished creating our “Death Docs” when bitzone reached out and asked if I wanted to work on a new song with him. “Death Docs” are what my wife was calling all the paperwork related to our will and estate planning. When I asked Bitzone what he wanted my lyrics to be about he replied “perhaps about regulating one's own affairs for an uncertain future …” I though this was good timing since this was already on my mind. As I began writing lyrics, I started to ponder what some of my generation (and older) on our death bed would say to the younger generation that will have to live with our mistakes on this planet. Maybe there is still time to fix things. As they say, always leave the campground cleaner than you found it." - Marquis Zane aka Couch King, 2022 Dec.

---
Vocals & Lyrics:
Marquis Zane @couch-king-presents
bitzone @bitzone

Vocals
Malu www.instagram.com/lunartickband/

Guitars
Fabi @theblacksuedeshoes

the other stuff
bitzone @bitzone

---
What if there is nothing at the end of the road?

I leave to you my denied intuition
Kinda saw it coming all along
I leave to you my dark bleak vision
You’re right, guess we had it all wrong
I leave to you my dead optimism
To start it wasn’t really that strong
I leave to you my tired tried mission
And leave it up to you take it on

What if there is nothing at the end of the road?
It counts one by one, all of us!

To you, soon deceased
Despite failed attempts to say the least
To right this impending hell that’s soon to be unleashed
Famine from my feast
With lips and fingers fully greased and grasp that stubbornly refuses to release
I desist and I cease
I lovingly bequeath

What if there is nothing at the end of the road?
It counts one by one, all of us!

Guess I should have told you
A little bit sooner
Maybe thought what I could do
To make things smoother
Planned a little better for my
Inevitable departure
Thought about your future
Instead of just being a consumer
Instead of an over producer
Call me a user
Hope you can be just a little bit truer

End of the road

End of the road #Couch King|Fabi|Malu

Absolutely happy to be able to record with my daughter 

Mia Monterde: transverse flute.
Gaspar Monterde: guitars & keyboards.

impermanence

Video link https://youtu.be/jLB0zbM3dBw

Each winter here in the UK, small birds enact one of natures great spectacles. Each evening flocks ranging from a few hundred to over 100,000 individual Starlings form up into a single flowing entity swirling above their communal roosting sites. 
Why they do this is not fully understood, with theories ranging from a strategy to distract predators, to a grand display designed to draw more birds to the flock for the purpose of maximising the body heat being generated by the mass of the flock in the roost. 
Whatever the purpose of this behaviour it creates a unique and magical aerial display of great beauty.

The track began with the repeating mallet sequence, then the strings and lastly the piano. I'm finding myself increasingly drawn to improvising around basic chord progressions at the moment and this is another product of this approach. I'm  resisting the temptation to quantize or mess around with the midi in post, so it's all as played and of the moment. 

Thanks for listening, it's really appreciated. 

Murmuration

Spring time (Guitar solo)

We did another piece , so maybe we will keep doing it 

Aporia is
Dani Kirby: piano
Bruce Musser: guitar
Dane Renshaw: drums
Mat Ward: electric bass

Aporia #2

This is the second to last track of Fluff's third album 'Down the Rabbit Hole'. https://open.spotify.com/album/4Iq21rBQvgXesED9Hv8GEc

We distract ourselves with meaningless noise, money and a selfish desire for 'me'. We don't realise how the skeletons in our closets, the hate and separation we breed and nurture, slowly erodes togetherness, fairness and community, while at the same time builds up to a big explosion, which probably none of us will get out of alive.

LYRICS:

The day was meaningless 
TV the usual mess
We had our toys and games and
Lots of noise and lots of noise

Do not appreciate 
Don’t give before you take 
What’s in it for me
And where is my money

This is out of control
We are out of control

I deserve
All this is mine
This is meant to be my time
Guilt reflects in our eyes
We didn’t get to say goodbye 

How did it turn so fast
I guess we didn’t last
Filling our closets 
With the ghosts and shadows
From the past

This is out of control
We are out of control

Looming up there all this time 
Pretending to be stars
Those lights now dripping from the sky
Like candle wax held to the fire

Rusty Emergency
Rusty Emergency
Rusty Emergency
Rusty Emergency

Down the Rabbit Hole

Rusty Emergency

13 Rusty Emergency

Full album on bandcamp - mikebenoit.bandcamp.com/album/reconfi…-combinations
Mike Benoit is a wonderful sound artist who reached out to me this year with the idea of taking some raw improv piano playing and reworking them to produce original tracks. This appealed to me because 1 - I ain't the greatest piano player so this was flattering and 2 - I spend so much of my time reworking other peoples sounds it would be awesome to be on the receiving end for a change : ) .The album features 4 tracks, each one originally recorded on a different piano then given the treatments by Mike.

Preview: Mike Benoit & Mat Ward - Reconfigured Combinations

Mixing it up a little again

Thanks as always for your generous time listening, for your comments and for your shares

Trick Or Treat

Get Something Going

This is the lead track from the set of songs that I began with Wou-Wou & the Wormling during the start of the turmoil and chaos brought upon by the pandemic. This is also the first part of four tracks within the album directly based on Wou-Wou’s comic, The Shrike. It has been incredible working with Bitzone and Stricknice throughout the project as well. It is always cool when the everyone in the stag heard works well togehter and brings distinct yet complimentary ideas to the mix. Big thanks also to Weighty Tree for introducing his groovy style of neopsychedelica to the rut! 

May everyone be victorious at their turn during the rut.

Track Credits:
The Weighty Tree: Guitars
https://soundcloud.com/theweightytree
https://theweightytree.bandcamp.com
Stricknice: Intro Guitars, Samples and Sample Work, Keys
https://soundcloud.com/j-nice-6
Bitzone: Drums, Orchestration, Mix, and Master
https://soundcloud.com/bitzone
www.bitzones.net
Wou-Wou & the Wormling: Reverse Guitar, Bass, Mellotron, Synths, Original Demo Track, Song Art
https://soundcloud.com/wouwouandthewormling
wouwouandthewormling.bandcamp.com
www.youtube.com/channel/UCy0rEOgxbaIcWbZZuxAKVmA
the Couch King: Lyrics, Vocals, Ending Samples, Production
https://musiciselation.bandcamp.com

Lyrics

Intro
Several weeks after the events of The Great Scurry, all had returned back to normal in the autumnal forest. Nature has a way of quickly shaking off the traumas of the past and returning to its most basic of desires. You see, all of life yearns to mate and procreate, and while most that experience defeat from the stronger or rejection from those seeking the fitter, muster the determination to get back up again, some take their spurning to heart, as if they were more deserving than nature intended, where it festers and begins to grow a new grotesque life of its own.     

Verse
Word 
Yo
As antlers crashed with the desperation of lust 
And the scent of musk in the air
I couldn’t help but take notice there
Was a sweet smell of autumn 
Carried in the gust 
Of wind  
It is a beautiful time of the year
When the does come into estrus 
And there is only one thing on my mind
I must get some of that behind 
I find
Times like these to be harbingers 
That linger
I could count times like these on my fingers
If I didn’t have hooves 
And wasn’t crashing to the ground 
With the sound of defeated dreams 
Of games of hard to get
And multiple days of getting wet 
I let the overwhelming excitement of rut
Get the best of me 
And now am crest fallen to see
The Doe that I thought was mine
Walk away with the buck that brought me down to the twines
Uh

The Shrike Pt. 1

The Weighty Tree, Stricknice, Bitzone, Wou-Wou & the Couch King - The Shrike Pt. 1

affectionate

https://soundcloud.com/windscaleblues: flute x10; clarinet x6; tenor sax x3; soprano sax x2; alto sax; bamboo flutes x2; oboe; synth; beats (Inspiring original track https://soundcloud.com/windscaleblues/cryptoblues).
RUIZZOIDMAN: lyrics, vocals, guitar.

VENTOSO BLUES A LA PRADERA  /  WINDY BLUES FOR THE PRAIRIE

Pradera, salgo de viaje,  /  Prairie, I go on a trip,
te dejo aquí prisionera.  /  I leave you prisoner here.
Salgo sin prisa, pradera,  /  I leave without hurry, prairie,
seca de hierba salvaje.  /  dry from wild grass.
Dejo este bello paraje,  /  I leave this beautiful place,
este río y su ribera,  /  this river and its bank,
atrapados en la espera  /  trapped in the wait
de recibir su folaje,  /  to receive its foliage,
su frescura y su coraje  /  its freshness and its courage
verde de la primavera.  /  green of the springtime.

Este tren que con seguro  /  This train that with confident
traqueteo de ti me lleva;  /  rattling takes me away from you;
surge el humo de su cueva  /  the smoke arises from his cave
ensuciando tu aire puro.  /  polluting your pure air.
Ya la vía, acero oscuro,  /  So the railway, dark steel,
ya la vía es la prueba,  /  so the railway is the proof,
ya la vía, nieve o llueva,  /  so the railway, may it snow or rain,
debil tú, el acero duro,  /  weak you, the steel hard,
tú la brisa, él el muro,  /  you the breeze, it the wall,
tú la suave, mi pradera.  /  you the soft, my prairie.

De tus flores, la frescura,  /  From your flowers, the freshness,
quieren apagar el fuego  /  they want to extinguish the fire
de la marcha, y así luego  /  of the pace, and so then
mantener fragancia pura,  /  maintain pure fragrance,
mas es tal tu desventura,  /  but your misfortune is such,
tal fuerza del enclavado  /  such strength of the interlocked
metal, que te ha fallado  /  metal, that has failed you
tuya la verde dulzura  /  yours the green sweetness
bajo la realidad dura  /  under the harsh reality
de los rieles plateados.  /  of the silvery rails.


Pic from https://www.thoughtco.com

Ventoso Blues A La Pradera (with The Windscale Blues Experiment)

Taken from our upcoming debut album "Rock and Roll Kills" (mid-2024).
Youtube link: https://youtu.be/kWZJiztgoXU (like & subscribe:))
---------------------------
lyrics:
And then i ask my self, is there a way out, could i be heard loud?
And then i ask my self, could it be?

And then i turn my head, up in the sky and wondering why?
could i turn back time or live it again?

Chances are thrown away, anothers have won not gone astray
but that's a blessing not a curse so thank you!

You think is over...over now, just shake your head and face now
face the truth and all the greatness around

Don't need nothing else, i got everything that completes me
all the rest is just a dusty grain of sand

(p) & (c),all rights reserved, STA 2024.

Rock and Roll Kills

Dusty Grain of Sand

Taken from the upcoming debut full length album (planned to be released mid-2024 - "Rock and Roll Kills").
(p) & (c), 2024.
Youtube link: https://www.youtube.com/watch?v=EVDW2mi4i0g
-----------------------------------------------------------------
Explicit lyrics:
Felt like almost dead, would you carry me home, would you lay me down?
Felt like shit again, would you bring my pills? do you know how it feels?

i don't know where to go...is this the end? i don't know!
From the tip of my head...till my toes, is this hell and heaven's above?

is there a free ride or a lottary prize? to win to lose on an XL size?
crappy or not, time will show...all i know is heaven's above!

I don't wanna buy a lotta food
i don't wanna get rid the booze
i don't wanna buy an SUV
i don't wanna get fatold and get peed

i don't wanna watch the news
i don't wanna get dirty with tools
i don't wanna smell your farts
i don't wanna mess around with you fatfucks!

Heaven's above?

  Thanks to Francesco (@francescocartocci)
for the wonderful interpretation of the guitar part ( this brought life to my initial digital sketch),  and for the skillful mix.
Our other collaborations:
@soundcloud.com/rosindust/sets/grazie-francesco


Summer Tram - with Francesco Cartocci

I Washed My Hands In Muddy Waters

Waves, then goodbye
I live in a wafer-thin dream

I, I can cry
You know that time, time's not kind

But I remember the way we were
Slow, slow sad love

I wonder do you miss my love
I know you can't
It's just a wave passing over me

What are these waves?
They're coming over me
It must be my destiny

Waves, coming by
Goodbye, goodbye 

What are these waves?
They're coming over me
It must be my destiny

Lyrics © Universal Music Publishing Group

Waves

Love

#BlackOctopusSounds #HybridTrapEssentials  #BandLab #Preset/ #FX #Kingz #Trend #Trending #Fork #ForkIt #Forkable #HipHop #HipHopBeat #Trap #TrapBeat #Woodrumma81 #Phill3 #WoodsBeats

Combined

Vocals + lyrics: She's Excited! (https://soundcloud.com/she-s-excited)
Keys, bass + initial backing track: Greg (https://soundcloud.com/g-c-ess)
Aleatoric method, guitar, beat + production: Wou-Wou & The Wormling

Chords, tempo, time signature and lyric themes were all picked out at random using dice, coin flips and pulling prompts from a hat.

Artwork by Wou-Wou & The Wormling (https://www.instagram.com/wouwouandthewormling)

0304: Plastic or Steel (feat. She's Excited! & Greg)

Sometimes we think about the past! Sometimes we think in future. But the best love might be in history.

The Love Of Yesterday

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Time stopped in Santa Cruz.

===============================

I created this composition, like others, between 2014 and 2016.

I finished work and went with my iPad to create music.

The center of all this time was the neighborhood of Santa Cruz, in the center of Seville, my city.

Anyone who visits my city will inevitably pass by there.

Some of my favorite tapas places are there.

The terraces of some hotels have spectacular views from which you can enjoy the city while having a drink, a coffee, a wine, or whatever you prefer. I know them all.

The small squares full of tranquility, the murmur of water from some fountains, the sensation of feeling history as a pure essence! or the smell of orange blossom, which permeates everything around this time of year, make me enjoy something special that, in some way, I need. It's hard to explain, but that's how it is.

And there it seems that time stops.



12 tracks from Music Studio 2 with original instruments and from the Xewton forum.

1 Track with Sunrizer synthesizer
1 Track with Kv331 Synthmaster 
1 Track with X pad.


DAW. MS2
Hardware. ipad

Mix. My car. 🚘

Thank you for your listening and comments

Paco.

Time Stopped In Santa Cruz ( Nv 2024)

Sunny Day / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering 
BPM 77
A7 Em7 Gbm Dm7
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Sunny Day - Paploviante Open Collab Offer

THE BORDER EXPRESS
Written by Mike from UNGUIDED EXPRESS (Bass & Drums) and
ANDREW BORDERICK (Guitars &  Keys) 
Mixed & Mastered by Andrew Borderick Copyright 2024 AB Music
Special thanks to Mike Gabriel for the invite to this amaxing track.

INFINITY

THE BORDER EXPRESS

THE BORDER EXPRESS - Collab with UNGUIDED EXPRESS

Scott Tumino ~ Original Composition / Live Guitars ~ Vox ~ Drums
Chris Dargay ~ Additional Comp. / Bass / Production / Mix / Master ...

Soul Quivers

True Love

maybe that´s the way it´s meant to be!
"Red Sound" Electronic music with vocals and guitar

Red Sound

That's right, I have a new axe...a Schecter. I never even considered one before. But, I saw great reviews(and it cost 1/3 the price my Les Paul) so I picked one up. I wrote this epic instrumental to give it a test drive. I cut the drum loops (and gave them that big 80s feel), used my LPs for the rhythm guitars, played bass, layered harmonies of the Schecter's sweet, singing tone for the chorus and let 'er rip on some lead and Floyd Rose dive bombs. Such a fun guitar to play!

Dawn of a New Blade

Approaching Neptune

Music : Janne Hennie & PJ Project
Lyrics & vocals : Janne Hennie

I thought it would be easy to love
That it would only be good
We have distance
We're close, we touch...
I hate you!
But I love you so much..

Chorus:
You can fall from a hill
You can fall from a mountain
But the hardest you ever fall
Is in love..

Chorus...

Lots of ups and downs
One moment we're high up
The next on the ground..
Oh, I have fallen so many times
But never as hard
As falling for you..

Chorus..

One moment we're yelling at each other
The next we're making love..
Oh Baby, don't stop telling me
That I am the one..

Chorus..

You make me laugh
You make me cry
Many times you make me wonder: why?
But I love you so much, Baby
I keep falling, and falling for you...

Chorus...

Falling W/ Janne Hennie

Once I wrote a longer description here: a love song in 7/4 ¿or 14/8?

Silvia II (Lo que siento por ti) /  Silvia II (What I feel for you)

Es de difícil clasificación  /  It is difficult to be classified
dentro de las variedades del amor  /  among all varieties of love
lo que siento por ti, lo que siento…  /  what I feel for you, what I feel …

Sólo sé que no puedo vivir sin ti,  /  I only know I can’t live without you,
no puedo ver sentido a mi vida si no estás aquí.  /  I can’t find sense to my life if you are not here.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando todo va bien  /  When everything goes fine
lo que me une a ti es tu forma de ser,  /  what joins me to you is your way of being,
es muy fácil ver  /  it is very easy to see
todos tus encantos de mujer.  /  all your woman's charms.

Una idea que no puedo soportar  /  An idea that I cannot bear
es verte en brazos de otro, en otro lugar.  /  is seeing you in other one’s arms, in another place.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

No puedo imaginar  /  I cannot imagine
tu voz susurrando a otro compás.  /  your voice whispering to another compass.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando algo va mal,  /  When something goes wrong,
puedo contemplar tus defectos con claridad.  /  I can behold  your faults with clarity.
Cuando algo va mal,  /  When something goes wrong,
sólo quiero escapar a otro lugar.  /  only I want to escape to another place.

Grab it !!

Silvia II (Lo que siento por ti)

Recalling some tequila, love words and more with them in that Ibiza bar, I wondered: “What if Pink Floyd met the spirit of Camarón de la Isla… in my bedroom?” I used lots of guitars, basses, etc. on a 12/8 beat, to enclose 3/4, 6/4 & 8/8 rhythms along.
> Pic: ruined well at hometown countryside

Letra / Translated Lyrics: EL POZO DE TU AMOR  /  THE WELL OF YOUR LOVE

Fui a abrir el grifo, estaba sediento,  /  I turned on the tap, I was thirsty,
fui a abrir el grifo de tu amor.  /  I turned on the tap of your love.
Fui a abrir el grifo, necesitaba hacerlo,  /  I turned on the tap, I needed to do it,
fui a abrir el grifo de tu amor.  /  I turned on the tap of your love.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el grifo de tu amor.  /  I needed the trap of your love.

Fui a bajar al pozo, me estaba muriendo,  /  I was going into the well, I was dying,
fui a bajar al pozo de tu amor.  /  I was going into the well of your love.
Fui a bajar al pozo, y me caí dentro,  /  I was going into the well, and fell inside,
fui a bajar al pozo de tu amor.  /  I was going into the well of your love.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el pozo de tu amor.  /  I needed the well of your love.

Por bajar al pozo, yo me caí dentro  /  Because of going into the well, I fell inside
y no quiero que nadie llore por mis lamentos  /  and I don’t want anybody to cry for my laments

Caí… por ti.  /  I fell … for you.
Caí… caí… caí por ti.  /  I fell … fell … fell for you.
Caí… a tu pozo, caí por ti.  /  I fell … into your well, fell for you.
Caí… caí… caí… caí a tu pozo por ti.  /  I fell … fell … fell … fell into your well for you.
Caí.  /  I fell.

Me he caído al pozo, y ahora que estoy dentro  /  I have fallen into the well, and now I’m inside
veo que se ha secado nuestro amor.  /  I see our love has dried up.
Vine a beber al pozo, pero el pozo está seco,  /  I came to drink at the well, but the well is dry,
veo que se ha secado nuestro amor.  /  I see our love has dried up.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el pozo de tu amor.  /  I needed the well of your love.

ER30HC9 ©1995 ®2015

El pozo de tu amor (Caí por ti)

Exciting electronic cinematic instrumental by Jordan E. Spivack!

Elektraconical

Fast Lane

AVANT GARDE | GUTTER PROG | GARAGE JAZZ

Some of our art is made on computers, some of it is made by hand. We are particularly interested in that gray area in between where you cant really tell. All of what we create here is one work laid out in segments, all connected. The Mystic Tape Deck universe is vast and explores all manner of adding meaning to our lives, while pondering meaninglessness.

Please consider supporting our project and helping us complete the work. We make books and cds that go with them. We also have a graphic novel and a custom oracle deck in the works. All part of the story.

A Multimedia Puzzle-Story Of An Immortal Being's Struggle To Define And Exert Their Will Upon A Wholly Deterministic And Ambivalent Multiverse, And The Strange Cult Who Loves Them.

--------

Greetings to you: readers, beaders, seekers, wanderers, wonderers, outsiders, rebels, fantasy gamers, freaks, mythologists, philosophers, appreciators, creators, perpetuators of beauty, coveters of mysterious objects, collectors of counter culture, the curious, the questioners, the unusual, the unique, the star children, the light workers, shadow integrators, diviners, alchemists, hermits, monks and popes, the saviors and prophets, the builders and destroyers of worlds, the old ones, the young ones, the rollers of boulders, the sun orbiters, the morning star dewdrops and twinkle toed dreamers of dreams, you mystic shining beacons, you crossers and denizens of the void, reality shapers, universe makers and underworld freaks.

"A prominent feature of avant-garde music is to break through various rules and regulations of traditional culture, in order to transcend established creative principles and appreciation habits. Avant-garde music pursues novelty in musical form and style, insisting that art is above everything else; thus, it creates a transcendental and mysterious sound world. Hint, metaphor, symbol, association, imagery, synesthesia and perception are widely used in avant-garde music techniques to excavate the mystery of human heart and the flow of consciousness, so that many seemingly unrelated but essentially very important events interweave into multi-level structures and forms."