PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
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Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
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First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
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A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

AVANT GARDE | GUTTER PROG | GARAGE JAZZ

Some of our art is made on computers, some of it is made by hand. We are particularly interested in that gray area in between where you cant really tell. All of what we create here is one work laid out in segments, all connected. The Mystic Tape Deck universe is vast and explores all manner of adding meaning to our lives, while pondering meaninglessness.

Please consider supporting our project and helping us complete the work. We make books and cds that go with them. We also have a graphic novel and a custom oracle deck in the works. All part of the story.

A Multimedia Puzzle-Story Of An Immortal Being's Struggle To Define And Exert Their Will Upon A Wholly Deterministic And Ambivalent Multiverse, And The Strange Cult Who Loves Them.

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Greetings to you: readers, beaders, seekers, wanderers, wonderers, outsiders, rebels, fantasy gamers, freaks, mythologists, philosophers, appreciators, creators, perpetuators of beauty, coveters of mysterious objects, collectors of counter culture, the curious, the questioners, the unusual, the unique, the star children, the light workers, shadow integrators, diviners, alchemists, hermits, monks and popes, the saviors and prophets, the builders and destroyers of worlds, the old ones, the young ones, the rollers of boulders, the sun orbiters, the morning star dewdrops and twinkle toed dreamers of dreams, you mystic shining beacons, you crossers and denizens of the void, reality shapers, universe makers and underworld freaks.

"A prominent feature of avant-garde music is to break through various rules and regulations of traditional culture, in order to transcend established creative principles and appreciation habits. Avant-garde music pursues novelty in musical form and style, insisting that art is above everything else; thus, it creates a transcendental and mysterious sound world. Hint, metaphor, symbol, association, imagery, synesthesia and perception are widely used in avant-garde music techniques to excavate the mystery of human heart and the flow of consciousness, so that many seemingly unrelated but essentially very important events interweave into multi-level structures and forms."

Original music written & produced by The Day Afters 
-=Oceanside, CA=-
& Previously Unreleased Material from Baltimore's Soma Holiday
(Bob Maddox, Chuong Pham, Ian Wilhelm, Amit Trivedi)
Featuring @ZenGazer on Bass

Musicians who don't give a crap about public or music industry approval write lyrics like these! I've been anti-establishment all my life, unlike the phoney, pretentious, preachy, I’m your saviour, Bono types out there with their MORAL POSTURING and STRATEGIC SURVIVAL tactics! No fame, no fortune, no recognition, but we’ll leave this world with our truth to power authenticity and integrity intact!

Music for people that are not one of four people.......

Love many kinds of music, try myself to bring out some spiritual and soulful tunes to reflect or simply to have fun in producing. Doing nightshifts so sometimes if I can focus and "enjoy" and when its a silent night I can listen halfway carefully or in the morning I repeat and hear via headphones without interrupt and in a very relaxed mood, often till my handy fell on my face 

„a style of Doom blending from destructive energy to a own creative dominance“

Epic Down is a duo from Leipzig, Germany dedicated to the sluggish grooves and lumbering riffs of sludge & doom, started in 2021 by Mitzschi (guitar(s)/bass) and Fabian (drums/vocals).
Influenced by primal doom, drone and stoner, the sound of Epic Down is mainly characterized by solid downtempo grooves and rolling walls of guitars, complemented by slightly melancholic vocals.

With the release of their first EP "Equinox Pt1" and it’s sequel "Equinox Pt2" in 2023, the band stepped into the light of publicity.
After signing to Argonauta Records the band was able to celebrate the release of „days of oblivion“ as their debut album in fall 2024.

Follow us & stay tuned:

Sanity’s boring, truth is a joke,
I built my throne out of everything broke.

This is blues exorcism for cursed souls. Heavy psych riffs dragged through ash. Basement doom jams that sound like they’re melting from the inside.

It’s not good music. It’s honest noise. 
Unfuckable, unmarketable, undeniable.

If you get it — welcome. If not, you were never meant to...   haha, guitar go brrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr

My Youtube page: https://www.youtube.com/channel/UCr_CyQX6saWECnFHOAMeybQ

Autodidacta.
Do you want to collaborate with me?

Os dejo enlaces de videos con mi música.
https://www.youtube.com/watch?v=-683SRkYYC4
https://www.youtube.com/watch?v=w6sdvyWwUEg
https://www.youtube.com/watch?v=jbaHTYM5578&lc=UgwJuZBUZtukNRwRh1F4AaABAg

Riley Robinson - Lyrics
Ryan Bulliner - Music