Belle inspiration... et cette incroyable guitare 🎸💕👍✌️

Bravo, c'est tout à fait mon genre de musique hybride. Une création superbe, avec des aspects d'interprétation et de production très savoureux. Le jeu de guitare est de premier ordre, avec une utilisation élégante (mais sans excès) de l'harmonique mineure. Le morceau de guitare dans la séquence de 4 minutes est vraiment brillant.

Awesome track! Great job, I really like it!

Really massive sounds, solid melodies! Bravo!!!

Related tracks: IknowIknow

First new track out in a good while!  Lots of fun on this one just experimenting with different modulations and filtering.  Spent much more time trying my best at getting a good end result, I'm not great at mastering but tried to get a clean end sound. All feedback welcome!

Konvarische

Collaboration
Check out AnandaTuk's music at: @user-11396379

For Some Strange Reason -With AnandaTuk

Open

Every night at 2:13 a.m., the old carousel at the edge of town begins to turn—slowly, deliberately—though no one is ever seen near it. The fairground was shut down decades ago, fenced off and forgotten, but locals swear they’ve seen the horses rising and falling in the dark, their chipped paint gleaming under moonlight.

There’s no power. No wind. Just movement.

Some say a child vanished there on the fair’s final night. Others whisper that the carousel was built with parts from somewhere… not quite right. It doesn’t thrash or scream. It moves gently, like it remembers how to bring joy—but has no one left to share it with.

It’s not violent. It’s not loud. But it spins, always at 2:13, like it’s waiting for someone to come back.


26/06/2025

The Carousel

Brand new track after a long time ago! Check out this one guys and gals and let me know if you miss my synthwave tracks with my own vocs on it! Share , Support and comment!

Let me know if u really dig it. Cheers and have a great summer y'all!

IknowIknow

2025/6/30

Website

syuppan (出帆)

Special thanks to Cecilia for her a cappella ...of which I modified the tone in order to fit perfectly with my arrangement and atmosphere

EQUALITY FOR ALL.  🎧

Vocals; https://soundcloud.com/specialececilia

Rap; https://soundcloud.com/frawstakwa

Production; https://soundcloud.com/rizlix



cover art created with https://www.canva.com/




Special Cecilia x FRAWSTAKWA x RiZLiX - Make A Little Music

The fourth track of CHEMICAL is BEGINNING 3. 140 BPM. 6m1s. This is avant-garde and lacks any clear scale-based melody. In that sense, this may be similar to Polygon Window QUOTH. Dance music consists only of beats, sound effects, and noise. I guess I just hate common sense and preconceived notions. CHEMICAL Link in Bio!

BEGINNING 3

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, Collings mandolin, Rogue banjo, Roland electric piano, and composition
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken — drums and percussion
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar, Taylor T5z acoustic guitar, production, mix, and mastering
This song began with Josh coming up with it on his electric piano and fretless bass, to which he added some banjo, then mandolin. Once he had a solid basis for the song, he shared it with the rest of Eclectic Collective for them to add their parts. 
  Ken was first up, adding his drums in an such a creative way that matched Josh's bassline perfectly. It was originally recorded to a looper disco beat, but that was blown out of the water by Ken's creative drumming. Tez jumped in next, adding his thrilling guitar to the second half of the song. Not to be outdone, Stephen batted clean up, adding his textural and melodic guitar to the first half. He also added some subtle, but brilliant acoustic guitar to the first half, too. 
  This is a great example of Eclectic Collective coming up with an original band sound out of one of Josh's seeds. We're always pushing boundaries and trying to find fun and exciting ways to build a song. Lots of teamwork in here, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.

The Plot Thickens (Eclectic Collective)

'ghetto falsetto' with Harmful if Followed and sixstring mac 

Isaac and the apple:
Mac: music, lyrics and vocals
Harmful/Shane: lyrics, vocals, backups 

one man verity show:
Scotty: lyrics, vocals, backups, art 

Well the night’s effervescent and I’m on fire
Full of anti depressants to blunt my ire
Well aware of the presence of my desire
It feels very pleasant as I get higher
And I’m clad in a fashion to catch the eye
So why does everyone ignore me as I walk by
It would be a different story for a different guy
But I’ll never find the glory unless I try
So why do I lie so low 
Why don’t I let them know
Let them bask in the glow
Of my ghetto falsetto 

Most are fucked up from the drugs they take,
and don't care to interrupt all the love I make,
but I can't quite erupt so, I'll simply fake,
and make believe
that I have climaxed, because all the noise
that keeps me far from relaxed and trapped in the void, 
I've always had a clean nose but perhaps I'll toy 
with singing in falsetto. 

These streets are full of cackles and high pitched screams
A ghetto manifesto haunting my dreams
Monotone narration to a story I know
A baritone ending won’t leave me alone
I’m not crazy it’s the world around me
I’ll deal with the shit eventually 
Then get past the truth I know
That I’m too low for ghetto falsetto 

But it don’t mater how high or how low 
Unless you mean it nobody will know
All you need is the seed and the get go
Let go of the ghetto falsetto

ghetto falsetto (with Harmful if Followed and sixstring mac)

Bonjour j'ai le plaisir de partager avec vous
Le nouveau titre de M'Z qui est une adaptation d'un morceau initialement joué avec Adelphya
'La ruée vers le numérique'
Composé comme une BO de western ramen (alternative au spaguettis) 2025, 
Ça sort aujourd'hui 01/08/25 !!​

Les styles oscillent entre Hip-Hop Electro Jazz Fusion et Prog
Tous les liens à ici :
https://music.imusician.pro/a/y8GUkCtd
https://matzizrecords.bandcamp.com/album/la-ru-e-vers-le-num-rique

La ruée vers le numérique

Mac , music , lyrics ,vocals
Scotty , lyrics and vocals
Shane , lyrics and vocals

Jimmy really should have learned how to drive 
But he thought he was the last of the lads alive
He never knew his signals or emergency stops
Took a blind side right with his headlights off
And that was the end of that 
But there’s always some daft twat
Who dabbles in disaster for a silly laugh
Perhaps it’s apt 
But Christ it’s proper sad
He was probably an arsehole but someone’s little lad
And it makes em mad in the daily mail
When every little jimmy fails
“They should be building bigger jails , these criminals shall not prevail”
Fuck off Doris ,I’ve got news for you 
You can climb down off that high horse
Cos it ain’t fit for glue

Those with glass minds throwing rocks tonight
Knowing that they never lived a day in their lives

Well, Linda sits upon her porch 
with cigarettes and beer,
waitin' for her cheque and askin'
the mailman each time he's near.
She lives with other women,
who are very much the same.
Seven babies from eight daddies.
Makin' them is just a game
for them to live in ignorance,
sit and do nothing, 
but complain about the immigrants 
that make them quite insane,
even though they're working difficult, shit jobs 
that they're too proud to do.
Entitlement based on their skin
colour and where it was they grew.

There’s two sides to a coin
When judgement calls
Those opinions are the shovel that will bury us all
And that’s all 
X

Fit for glue

Roots Machine

DESERT DESSERT 2

Can't Get Bayou (But I Can't Get By Without You Either)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

M'Z, is a solo project shaped by a wide variety of music :
Canterbury, Progressive, Rock in opposition, Metal, Electronica, Space rock, Noise, Jazz, free-rock, Ambient, Psyche, Heavy, Punk, Drum'n bass...

My name is Mathieu Torres and I am also a guitarist and composer in various artistic projects:
La théorie des cordes / Zhorhann / The diogenes / Matziz / Dirt in the wind / Urban BallShit / Inland Motel / Collectif La Barraque / Aux arts etc / Dirt and Cpu / no Skeletons / composer of music for the image...

The driving idea of ​​this particular project is to create parallels between poetic or philosophical concepts and music, without setting aesthetic barriers.

Born from the vital need to create, at the end of 2017, M'Z has since performed around fifty dates (Streets/Markets/Café-concerts (Cave a rock - L'usine à musique - Le Maquis - Red turtle café...)/Festivals (Résistance/Semaine jaune...)Off /Marciac - Bourges / Various support concerts...)
and released 4 albums, 1 EP and 2 singles which received very good press
(Diego Pinheiro Review - ProfilProg - Athos di MAT2020 - Autopoeitican - COREandCO webzine - AM: Plified - areARock - Mazik - Plus PROG de Vous - Eternal Terror - L'oreille à l'envers - Exposé . org - DPRP . net - The Elite Extremophile - Litzic...)

"Prisme" the first album, made the link between Colors, feelings and Music,

"L'autopsie du dogme" the second, attacked the music industry while working to analyze dogma in general and psychoanalyzing the members of M'Z in this quagmire in passing,

"Cool is watching you" (EP) was interested in demolishing, in music and lyrics, the idea of ​​the "Cool" posture that seems to be a norm in the era of social networks and the "start-upized" world

"La Nef" (single) as for it, tried to extract a source, more or less healthy, of the need for human spirituality, when it is freed from religious doctrines
"Hympécita" (single) paid tribute to an animal friend.

"La Civilisation de la Graine" the third was a musical reflection on the essence of our patriarchal organizations and our tendency to organize ourselves into civilizations, certainly elegant but undeniably unjust, ephemeral, violent and rickety. 8 pieces to try to analyze these phenomena.

And finally 'Emancipés du Vides ?'(emancipated from the void?) The fourth album, is a melancholic reflection on our emotional abysses, on the difficulty of extricating ourselves from our various attractions for nothingness, our inability to look at the mental waste that we produce without going through the guilt box, a critique of normalization, of the conformism of the hollow positivism praised by our overly marketed minds in search of the fastest path to "A Meaning". Finally, it symbolizes the vital necessity of finding our lost naivety.

La ruée vers le numérique

MZ

Recent comments

takechee

Palatinus

55stars

Siamak Sarmadian

Related tracks