i’m interested in the synergetic exchange of experience and in processes dealing with improvisation, listening, nature and philosophical/social/political questions; implementing the interaction with space(s), using synthetic and acoustic sound sources and field recordings.

Now in Moscow

22.03.2023 - Urban Club
10.03.2023 - Enthusiast bar, Moscow
04.03.2023 - Dom Kultur, Moscow
17.02.2023 - Botafogo Bar, Moscow
11.02.2023 - Nazlo mame, Moscow
20.01.2023 - Profsouz bar, Moscow
14.01.2023 - MOST, Pole, Moscow

30.12.2022 - Esthetic Joys Embassy, Yerevan
25.12.2022 - Test FM, Yerevan
16.12.2022 - Esthetic Joys Embassy, Yerevan
19.11.2022 - Esthetic Joys Embassy, Yerevan
08.09.2022 - Simona Bar, Yerevan
27.08.2022 - Esthetic Joys Embassy, Yerevan
20.08.2022 - Test FM, Pole, Moscow
06.08.2022 - Powerhouse, Moscow
23.07.2022 - Nazlo mame, Mutabor, Moscow
16.07.2022 - Blanc, Moscow
15.07.2022 - Deep Fried Friends, Moscow
04.06.2022 - Golova Bar, Moscow
03.06.2022 - Blanc, Moscow
27.05.2022 - Strelka Bar, Moscow
13.05.2022 - Rex Bar, Moscow
07.05.2022 - Rovesnik, Moscow
01.04.2022 - Simach, Moscow
29.01.2022 - Esthetic Joys, Rovesnik, Moscow

26.12.2021 - VEU, Esthetic Joys, Moscow
06.11.2021 - MOST, Moscow
22.10.2021 - Dom Kultur, Moscow
17.10.2021 - Test FM, Present Perfect Festival, Moscow
15.10.2021 - Stu.dio250, Moscow
04.09.2021 - Stu.dio250, Moscow
28.08.2021 - Dom Kultur, Moscow
22.08.2021 - Signal Festival, Nikola Lenivets
14.08.2021 - Botanica, Ufa
07.08.2021 - Esthetic Joys, Strelka Bar, Moscow
20.06.2021 - Dom Kultur, Moscow
16.05.2021 - Esthetic Joys, Mutabor, Moscow
26.03.2021 - Esthetic Joys, Rovesnik, Moscow
12.03.2021 - Stu.dio250, Moscow

International digital Music Label and Live Cast serie, Art and music events organizer/in situ projects conceptor working on the relationship between architecture and live music. Odesa-UA based project, active worldwide. We work against the GATEKEEPERS in the music scene and industry and give space to newcomers, unheard and forward thinking music.

Daughter of darkness
@strandedfm > 
@radiotemponaopara >
@echoboxradio >
@redlightradio >


Loma Doom is the moniker of Femke Dekker, listening artist, educator and broadcaster.

Bookings: info@mylittleunderground.com

Dmitry Burtsev (b. 1992) is a composer, sound artist, and improviser.
His artistic research unfolds between two complementary poles. The first is personal, exploring memory and forgetting, subjective topographies of place, and the oscillation between speech and silence. The second pole is collective, focused on culture and language, critically rethinking traditions and their clichés. At the intersection of these areas, Burtsev develops a distinctive approach to music. Composing becomes both a form of self-expression and an encounter with the material as the "other."

Dmitry’s music consistently highlights the social aspect of sound. For him, composition is not only the creation of autonomous works, but also a question: How can sound express the pressing issues of society? This approach has resulted in projects in the fields of chamber music, sound art, performative works, and theatre.

Dmitry graduated from the Moscow State Tchaikovsky Conservatory in 2017, where he studied composition under Vladimir Tarnopolsky. Since then, he has worked as an assistant to composer Sergej Newski, gaining valuable professional experience. At the same time, he was active as an accordionist in Moscow’s free improvisation scene, performing at experimental festivals such as RichterFest and Noise and Fury.

The environments in which Burtsev lived have played a central role in his music. For over a decade, he resided on the grounds of a former forestry estate outside Moscow, moving between the urban soundscape and the forest. This duality sharpened his reflection on how environments shape perception, leading to several works with field recordings. Among them are the performative composition “Symphony for Urbanites” (Moscow Urban Forum, 2019) and the performance “Personal Experience” (Sidur Museum, 2019). In the latter, Burtsev improvised with his own archival recordings in a Max/MSP patch.

From 2018, he collaborated with politically engaged theatre, composing for works addressing collective trauma, such as “Schitalka” (on the Georgian-Abkhaz War of 1991, longlisted for the Golden Mask Award) and “Govorit Moskva” (on Stalinist terror, premiered in 2022).

Following the outbreak of the war in Ukraine, Burtsev emigrated to Azerbaijan, where he became active in the Baku Contemporary Music Society and engaged with local traditions. In 2024, he began the master’s program at the Robert Schumann Hochschule Düsseldorf under José María Sánchez-Verdú.

His music has been performed by ensembles such as Studio for New Music, MCME, and Kymatic, and by soloists including Sergey Tchirkov, Natalia Pshenichnikova, Pavlos Antoniadis, and Leonard Dering. It has been featured at festivals such as Another Space, Territory, Moscow Forum, ISCM PAN Music Festival in Seoul, ReMusik, Baku Contemporary Music Days, and Voices Berlin. He has received numerous awards and scholarships, including the Open Space Laboratory (2017, Grand Prix), Russian Music 2.0 (2020, laureate), and the DAAD Scholarship (2025).

Schizoph is following