Produced, arranged, mix and master by hLo(@hLo-64)
Music, Lyrics & Vocals: Hervé Louradour
French lyrics and English traduction below...

Cela fait dix ans que cette chanson sommeille dans un carton,
Un fragment de pensée, une esquisse d’émotion.
Aujourd’hui, je la sors de son cocon,
Pour lui donner des ailes, enfin, après tant d’attente.

Certaines paroles n’ont pas besoin de sens,
Elles viennent, comme un souffle, comme un instant.
Tout est parti d’une phrase, une seule, qui me hantait :
« Le Temps qui passe n’efface pas
Les traces, de l’absence des cadences,
Ni l’enfance.
Endormis, impuissants que nous sommes,
Nous, les Hommes. »

Les Papillons…
Ils me fascinent.
De la chenille fragile et prisonnière,
Émerge un être libre,
Qui craque sa chrysalide,
Déploie ses ailes et s’envole.

Leur vie est brève, à peine 15 jours,
De l’œuf à la lumière,
Un parallèle troublant,
Avec nos existences fragiles et fugaces.
Nous aussi,
Nous sommes des Papillons.

Lyrics ---------------------
COMME DES PAPILLONS:
Le temps qui passe
 N’efface pas les traces 
De l’absence des cadences 
Ni l’enfance
 Endormis impuissants que nous sommes 
Nous les Hommes (X2)

Le temps qui passe
 N’élimine pas les âmes 
Ni les blâmes 
Etonnés par les ombres que nous sommes 
Nous les Hommes (X2)

Refrain (X2):
 Alors nous nous serrons
 Comme des papillons
 Qui attendent leur tour
 A l’orée du jour

Le temps qui passe
 N’efface pas les traces
 Des désirs si tenaces
 Qui nous lassent
 Emportés par les vagues qui nous assomment 
Nous les Hommes (X2)

Le temps qui passe
 N’empêche pas l’errance
 De nos rêves 
Qui s’achèvent
 Décimés par nos guerres imbéciles  
Nous les Hommes (X2)

Alors nous nous serrons
 Comme des papillons
 Qui attendent leur tour
 A l’Orée du jour

--------------------------------------------------
Ten years ago, this song lay dormant in a drawer,
A fragment of thought, a sketch of emotion.
Today, I release it from its cocoon,
To finally give it wings, after so much waiting.

Some words don’t need meaning,
They come like a breath, like a fleeting moment.
It all began with a single phrase, one that haunted me:
"Time goes by
Doesnt’ erase the traces
Of the absence of rhythms
Nor of childhood
Drowsy and powerless as we are
We Humans"

Butterflies…
They fascinate me.
From a fragile, imprisoned caterpillar,
Emerges a free being,
Breaking its chrysalis,
Unfurling its wings, and taking flight.

Their lives are brief, barely 15 days,
From egg to light,
A troubling parallel,
With our fragile, fleeting existences.
We too,
Are butterflies.

Lyrics ---------------------
LIKE BUTTERFLIES 
Time goes by
Doesnt’ erase the traces 
Of the absence of rhythms
Nor of childhood
Drowsy and powerless as we are
We Humans

Time goes by
Doesn’t obliterate the souls
Nor the blames
Stunned as we are by our shadowy figures
We Humans

Refrain. 
 We then stick together
Like butterflies  waiting for their turn
At the break of day

Time goes by
Doesn’t erase the traces 
Of stubborn desires
That wear us down
Benumbed  as we are by rolling waves 
We humans

Time goes by
And our dreams keep wandering
So close to their end
Wiped out by our domestic feuds
We Humans

Then we stick together
Like butterflies  waiting for their turn
At the break of day

Traduction par Gérard Hugues

Comme des Papillons

Don't Be Cruel Elvis Presley cover

Characteristics of the experiment

The left side of the headphones receives ONLY the sound of EW Pianos Platinum Steinway D (Pf1), the right side of the headphones receives ONLY the sound of EW Pianos Platinum Bechstein (Pf2), both inserted via the Vst3 Opus in Finale 27.

First Movement of the Sonata: The pianos are both tuned to 432 Hz (first part of the experiment)

Second Movement of the Sonata: Left Pf tuned to 435 Hz - Right Pf tuned to 429 Hz

Third Movement of the Sonata: Left Pf tuned to 434 Hz - Right Pf tuned to 430 Hz

In the second and third movements the average frequency  (f1+f2):2  it is always 432 Hz

EXPERIMENT on the effects of sounds on the human mind and body:
1)	Effects on physical health of music, with A tuned at 432 Hz (*)
2)	 Resonant sound effects perceived by the human brain that receives sounds WITHOUT the propagation of sound waves in the air (**)
3)	Are there any links with “binaural” music?  (I know very LITTLE about it)

(*) “in ARMONIA” by Emiliano Toso (A journey to discover the surprising link between music and our cells) “As a scientist, I started to read up and soon discovered that biology and music, my two great passions, could integrate as different perspectives of the same reality: our health", Mondadori

(**) In the presentation image of the EXPERIMENT (page 282 of the text "FISICA GENERALE" by Prof. Sergio Rosati, Ambrosiana Publishing House) there is a graphic illustration of a well-known interference phenomenon, the BEATS, which are determined in the air when two sound sources, whose waves differ slightly in frequency, combine, producing beats. In this experiment the sound sources are introduced into the human ear via headphones the left ear perceives the first source exclusively, the right ear perceives the second source exclusively, without the intermediation of the air. The interference between the two is now a product of the human brain, without the intermediation of the air, the medium in which sound waves propagate. THIS IS THE INTERESTING SIDE OF THE QUESTION.
Since each brain perceives and processes sounds differently both from person to person and from age to age, a possible comparison could be interesting!

Sonata delle Melodie EXPERIMENTAL

Love You - (Acoustic)

Coincidence (Instrumental) (2007) – Meeting somebody unreliable
Coincidence is a quirky and upbeat piano pop song that captures the chaotic thrill of meeting somebody unreliable. With its catchy rhythm and playful melodies, the song tells the story of a charming but unreliable person, who appears out of nowhere. Listen to this song with its irresistible energy and catchy chorus.

Nadine de Macedo: composition, arrangement, piano, synthesizer, production

You can find this song on all streaming portals and Bandcamp:
https://too.fm/ndm-coincidence
https://nadinedemacedo.bandcamp.com/album/coincidence

This song is part of my 2nd studio album "When The Sun Goes Down"
https://too.fm/ndm-when-the-sun-goes-down
https://nadinedemacedo.bandcamp.com/album/when-the-sun-goes-down

Where to find us:
https://www.youtube.com/@nadinedemacedo
https://nadinedemacedo.bandcamp.com

Coincidence

Coincidence (Instrumental) [feat. Robert Lindl & Melanie]

Needless (2008) – Dealing with self-pity and doubts
Driven by an electric piano, Needless is an indie pop ballad that explores a silent heartbreak. Self-doubt can destroy the best relationship, especially when you feel inferior to your partner. Dreamy synthesizers meet picked acoustic guitars, an anthem for anyone who ever felt too small to be loved and chose to disappear.

Nadine de Macedo: composition, arrangement, lyrics, piano, synthesizer, production
Robot Recordings: vocals, guitars

You can find this song on all streaming portals and Bandcamp:
https://too.fm/ndm-needless
https://nadinedemacedo.bandcamp.com/album/needless

This song is part of my b-side album "Electro Static"
https://too.fm/ndm-electro-static
https://nadinedemacedo.bandcamp.com/album/electro-static

Where to find us:
https://www.youtube.com/@nadinedemacedo
https://nadinedemacedo.bandcamp.com

Needless

Needless (feat. Robot Recordings)

Pre Save: https://ffm.to/4qmbapg
.
.
"Il Sogno e l'Estasi" si fondono in un abbraccio,
tra luci soffuse e ombre di speranza,
una melodia eterna che vibra nei cuori,
un inno all'anima, al desiderio che mai si stanca.

Il Sogno e L'Estasi

2025

timeblind

Para escuchar la versión con MV  https://soundcloud.com/juan-fco-bueno/tarde-de-lluvia-rainy-afternoon
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/tarde-de-lluvia

Tarde de lluvia

Hoy la tarde se viste de gris                          
y la lluvia susurra al cristal                            
una canción que da serena paz.

Cada gota aporta su elixir
y la tierra invita con su olor                                              
a disfrutar de esa sensación.
   
Estribillo

Pero del bulevar se esfumó el calor
de la reunión y de la amistad.
Todos van en tropel a buscar protección
y poder sentir la seguridad.

-------------------

En el bar se ve la agitación
y la gente opina sin parar
del temporal y de qué pasará.

Todavía hay nubes de carbón 
que el viento quiere disipar
para volver a ver el sol brillar.

Estribillo

Rainy Afternoon

Today the afternoon turns gray
and the rain whispers to the glass
a song that brings serene peace.

Each drop brings its elixir
and the earth invites with its scent
to enjoy that sensation.

Chorus

But the warmth
of reunion and friendship has vanished from the boulevard.
Everyone rushes in, seeking protection
and a sense of security.

-------------------

The commotion in the bar is evident
and people constantly discuss
the storm and what will happen.

There are still coal clouds
that the wind wants to dissipate
so they can see the sun shine again.

Chorus

Tarde de lluvia AC

This song came from a place of emotional conflict, where love and ambition kind of collide. I was in this space where everything around me felt blurry... all these people, all this noise, all this movement, but then there's that one person who still has this quiet hold on you. And yet, even in that connection, we keep spinning in circles, never really landing anywhere.

I wanted to capture what it feels like to choose your passion, your stage, your voice, your art, over a relationship that’s lost its clarity. That line, ‘I’d rather work a microphone than work on us,’ is really personal. Because when I’m on that stage, or in the studio, I feel seen. I feel loved in a way I don’t always get in real life. There’s a kind of euphoria in being heard by strangers that sometimes feels more real than intimacy with someone who’s grown distant.

The second verse dives deeper, waking up to noise, to expectations, to people calling your name, but the one name you want to hold onto is already slipping. And you’re left asking yourself: why are we still running if we’ve both already let go?

It's bittersweet, it’s raw, and it’s real. This isn’t a breakup song in the traditional sense, it’s more like... a confession. Of choosing yourself, even if it hurts.

Tasha- Microphone [ Demo]

Collaboration with french song writer Gary Lawrence

The Moon's Blue Waltz

Multi-genre composer and producer. I write full band rock, metal, pop and blues arrangements to collaborate with vocalists and instrumentalists. My music is free from AI and always will be.

⚠️Technical issues
My distributor's contract with SoundCloud only offers uploads for 30 countries. There is not much I can do about that, because I need their services for my complex collab situation. If you can't play my songs here, please follow me on any other streaming platform. Just follow the buy link of the individual song.

🎵June 2025
Still working down my pile of unfinished projects and re-releasing older songs. Feel free to comment and repost. As a rule of thumb, electronic music is old. I don't have the capacity for collaborations and remixes.