A rhythmic field-recording of a downspout in Helsinki serves as the basis for this track, inspired by the Disquiet Junto Projet 0581 (details see below).

Somehow Helsinki immediately  triggered thoughts of Aki Kaurismäki and his many beautiful films. Especially https://en.wikipedia.org/wiki/Drifting_Clouds_(film) came to mind and gave the track its title.
I hope the track does it justice. Since it was created rather technically it is a result of the versatility of randomness and the power of art.

I proceeded as follows: First, low-pass and high-pass filtered versions of the field-recording were created. Then hit-points and midi-notes were extracted from these three variants. These were assigned to different instruments.
Two variants of the field-recording created with PaulXStretch are also included.

More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Kauas pilvet karkaavat (Disquiet0581)

I wanted to keep things simple by strictly using the original source material without any synthesis or fancy resynthesis. So I put the original recording in reaper and then sent various filtered versions of it through various effects. I want to create something like a bass drum from the track, but I didn't want to 'cheat' by doing pitch modulation / using a self resonating filter on it. That said, I ended up using a self resonating filter for the bassline like thing, and I used paulstretch to extract some tonal content. The best intentions.. I manually adjusted the clip so that it stayed roughly synchronised for the bulk of the track, but then mixed in the original recording at the end so that there was some syncopation.

I find it a bit heavy on the drudgery of the march, and if I were doing it again I think I would try to escape that drudgery by transitioning to more of a drone, but I'm not about to start from scratch now :)

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More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/ 24

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

shifty pipe [disquiet0581-helsinkidownspout]

for Disquiet Junto Project 0326: Wave Turntable
In collaboration with composer Danny Clay, make music for his exhibit with artist Jon Fischer using only sine waves and turntable surface noise.

Assignment: Compose a short piece of music using only sine waves and the surface sounds of vinyl played on a turntable. 

Process: I had a look at the work of the artists mentioned above. I saw the point and wondered how can I make sine waves that are played by unusually surfaced records? Some time ago, I got an old turntable on the flea market because I wanted to somehow listen to tiny records that I found on my mom's attic. They were from a speaking toy parrot, that had a little toy record player inside. This however, was lost. With a diameter of about 5cm only, the mini records were of course not suited for a regular record player. anyway I tried to play them and recorded the noises, which were very scary. At the end, the records were just skipping and these parts I took out of the recordings (to leave out the scary parrot voices) and glued 4 of them together to a 1 minute wav file. This I used instead of an impulse response for processing in convolution reverb. I fed short sine waves of different frequency into the convolution reverb and let the reverb bounce about as it pleased. I EQd it so that the record noise is still audible as well. 


More on this 326th weekly Disquiet Junto project (Wave Turntable: In collaboration with composer Danny Clay, make music for his exhibit with artist Jon Fischer using only sine waves and turntable surface noise) at:

https://disquiet.com/0326/

More on Clay and Fischer at:

http://dclaymusic.com
http://feather2pixels.com

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0326-wave-turntable/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by artist Jon Fischer from his exhibit with Danny Clay.

scratching and spinning [disquiet0326]

I use this profile for disquiet junto projects. 
For all other stuff see soundcloud.com/random-coil


scratching and spinning [disquiet0326]

name constant junto projects