Music concrete - abstract noise - sampler

Reconfiguring the Landscape

Speaking Spaces 2: Surfaces from Graz

Presence / Nærvær

Impossible Moments from Venice 1

Impossible Moments from Venice 2

Remote Sensing on the Beach

Performed by members of Ensemble Intercontemporain
Odile Auboin, viola
Emmanuelle Ophèle, bass flute
Eric-Maria Couturier, cello
Alain Billard, contrabass clarinet
Recorded live at Philharmonie Essen on October 25th, 2015

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We met as Sparks — Diverging Flints
Sent various — scattered ways —
We parted as the Central Flint
Were cloven with an Adze —
Subsisting on the Light We bore
Before We felt the Dark —
A Flint unto this Day — perhaps —
But for that single Spark.

Emily Dickinson

We Met As Sparks (2015) for bass flute, contrabass clarinet, viola and cello

Toxic Colour

Ghosts of the Children

Don Quixote Concerto (2021), Memories of the squire Sancho Panza, for a pianist, his assistant and a large orchestra


Performed by SWR Sinphonieorchester conducted by Brad Lubman
Piano: Christoph Grund - Assistant and percussion: Jochen Schorer
Recorded live at ECLAT Festival in Stuttgart on February 2nd, 2024

Don Quixote Concerto (2021), Memories of the squire Sancho Panza

Reality and Secrets no.2 (2010, 18'45). Extract. From Peat & Polymer CD.

http://users.notam02.no/~natashab/cd_audio_extracts/Peat_Polymer.html

Polymer

Reality and Secrets no.2 extract. Album: Peat & Polymer

Sound Exposure in Peru (2014, 33'00). Extract. From Peat & Polymer CD.

http://users.notam02.no/~natashab/cd_audio_extracts/Peat_Polymer.html

Peat

Sound Exposure in Peru (extract) Album: Peat & Polymer

'A Soundwalk through Shanghai' (2014, 8'35). Extract. From Peat & Polymer CD.

http://users.notam02.no/~natashab/cd_audio_extracts/Peat_Polymer.html

A Soundwalk through Shanghai. Album:  Peat & Polymer

Extract from "He slowly fell and transformed into the terrain". Stereo version from 6th order 3D ambisonics. Still a test (mastering really tricky for this).

Full length on: https://www.sargasso.com/product/natasha-barrett-leap-seconds/

He slowly fell (2016, extract)Full length now released! See info

This is the binaural (headphones) version of 'Optical Tubes'. 'Optical Tubes' is movement 2 from the work 'Hidden Values', composed originally in 7th order 3D higher order ambisonics for the Espace de Projection, IRCAM, France.

http://users.notam02.no/~natashab/cd_audio_extracts/Peat_Polymer.html

Optical Tubes, (binaural). Album 'Peat & Polymer'

I am an artist wearing many hats and hyphens.

As a Filmmaker, I am humbly growing and learning in the collaborative process of the creative arts, the technical crafts and the business of cinematic storytelling. (producer, director, writer, cinematographer, editor, composer, sound designer, actor, marketing and distribution executive, and also getting donuts and coffee.) 

In the music industry, I dive into Songwriting, Composition, Sound Design, DJ(Remix, Dub Artist, and Turntablism/Looper) as well as handle the business of music publishing, marketing and distribution. 

I am a music lover, curator of large libraries of playlists and also a vinyl record collector.

Sound Exposure in Peru (extract) Album: Peat & Polymer

Natasha Barrett

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