Neu und angesagt: Alternative Rock

Released February 14, 2024

Ryan Work - Songwriter, Vocal, Guitar, Keys
Leah Lavigne - Background Vocals
Tim Lappin - Bass
Chris Egan - Drums

Abe Seiferth - Production, Mixing
Joe Lambert - Mastering
Rita Iovine - Artwork

Recorded Summer '21 at Transmitter Park Studios

© Hatchet Head 2024

I Want You, Babe

Felt Like Dancing

All songs written by Raz

Lyrics by Anjali Nair and Raz on "Dream"

Artwork by Anjali Nair

Mixing & Mastering - Collinwood Records

Each Morning

Dream

Picture

All songs by Dog In A Man Suit:
Anjali Nair - Vocals, Guitars
Billie Seeland - Vocals, Guitars
Chris Seeland - Bass

Featuring Garret Manyoky on Drums

Fat Face

Mixed & Mastered by SICKHEART

You had a dream
I laid my bones right next to yours
But I had a dream too
And you're the only thing that I can see
The miss that I can't pretend 
And the aching when I'm not around 
But I had a dream 
And you're the only thing I wanna see
Hold me when I'm at my low
Love me when my eyes are cold
Cradle me when my chest is burning 
And the moonlight glows 

You had a dream
I laid my bones right next to yours
But I had a dream too
And you're the only thing that I can see
The miss that I can't pretend 
And the aching when I'm not around 
But I had a dream 
And you're the only thing I wanna see
Hold me when I'm at my low
Love me when my eyes are cold
Cradle me when my chest is burning 
And the moonlight glows

Moonlight (prod. Biv)

Merry Christmas 

Prod. @audio_crisis & @romanceplanet
mix&mastering: @romanceplanet

Wishlist ft. AC

feel like i'm being eaten alive
nevermind, that's a thought i should keep to myself
dead men roaming, food to the flies
go inside where the climate is under control

the noise, the noise, the noise bothers me
your voice, your voice, your voice unsettles me
all i see is animosity
i want more out of this violence, violence

do i know you from somewhere old fashioned?
your personality's plastered on a tiny tv
but i guess you're just a ghost of a friend who ghosted me

the noise, the noise, the noise bothers me
your voice, your voice, your voice unsettles me
all i see is animosity
i want more out of this violence, violence, violence, violence

the noise, the noise, the noise bothers me
your voice, your voice, your voice unsettles me
i want out of mediocrity
i want more out of this violence, violence, violence, violence ah

more violence (live demo)

Recorded by Jordan Valeriote @ Hardcore Music Studio
Mixed and Mastered by Alessandro Tavano @ Escape Room Records

Truth Of My Youth - Bad Motivator

"They Don´t Seem To Know" by Michael Plesa

loud punk music recorded  in the summer of 2019
about a fucking stupid town

LEERE STRASSEN

Are you afraid of where this song is going?
 
Collective listening, as a ritual, alleviates some of the absurdity of the acoustics of the everyday in a world obsessed with machines and mechanical communication. For Black Hauntology, Harmony Holiday explored the intimacy of conversation built on listening closely and communally to Black music and archives. In keeping with the season, she focused on the thin border between the tangible and shadow worlds that are evoked this time of the year, which listening helps us to cross. She played recordings of music and speech that haunt listeners, render them mute, or prevent them from coming up with words in response, because they’re afraid of where those words might lead, because unconditional love for the music discourages them from considering how they’re programmed by songs and language.
 
Holiday drew on her recent book, A Jazz Funeral for Uncle Tom (Birds LLC, 2019), as well as an essay on Black song and catatonia to be published in the forthcoming issue of Triple Canopy. Holiday suggested that the equivalent of the Day of the Dead for the African diaspora is the jazz funeral, the New Orleans ritual of a procession accompanied by an exuberant brass band. Black Hauntology examined that tradition in the context of speechlessness. Listening situates us between the haunted and the ecstatic, enables us to speak to spirits and hear their guidance. How have changes in the ways in which we listen enhanced or compromised our access to the “other worlds,” in Sun Ra’s words, “that wish to speak to us?” And how do we get back in touch?
 
Holiday selected recordings from her personal jazz poetics archive of rare and out-of-print sounds. She asked listeners to allow themselves to be spooked by other worlds, which are actually just other frequencies and unfamiliar approaches to composition. Where Black sound tends to celebrate and liberate our most haunting experiences, no one place can confine it. She was joined in the listening, discussion, and ritual by the writer Ben Ratliff and other friends.
 
Black Hauntology was presented at Triple Canopy on October 30, 2019. https://www.canopycanopycanopy.com/contents/black-hauntology

Harmony Holiday is a writer, dancer, and archivist. Learn more at: https://www.canopycanopycanopy.com/contributors/h#harmony_holiday
 
Ben Ratliff was a pop and jazz critic at the New York Times for twenty years and now teaches at New York University’s Gallatin School of Individualized Study. Learn more at: https://www.canopycanopycanopy.com/contributors/r#ben-ratliff

Harmony Holiday and Ben Ratliff: Black Hauntology

Channel

i have no electric instruments or band now (thanks corona) and this is a lil diddy i've been singing to sooth myself, i hope you find it soothing too.

recorded with an h2n field recorder, accompanied by rain, animals and thunder.

more violence (live demo)

navel grazr

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