誰にも祈られぬ礼拝堂。
崩れ落ちた祭壇に、かつての信仰の残響だけが漂う。

09. 忘れられた礼拝堂 | The Forgotten Chapel

“Echoes of Eternia” continues the saga begun in "Legends Beyond the Stars", carrying the listener through gates forgotten, crowns fallen, and dawns reborn. From the epic force of Ashes of Eternity to the reflective calm of Aurora’s Path, each track feels like a chapter in a roleplaying adventure.

The journey ends with Epilogue: The Gates of Eternia — but as in every legend, there are many ways a story can close. Two alternate epilogues, the Twilight Version and the Alternate Ending, reveal other possible destinies, leaving Eternia shrouded in mystery even as the gates open wide.*



Epilogue - The Gates of Eternia

the angel cloaked in annihilation

Gnossienne No 2, Erik Satie

Dark and Ethereal Contemporary Classical Music
https://neoclassicalmusicartists.wordpress.com/
Tracklist:
Antonymes - a light from the heavens
Abandoned Toys - The witch's garden
Ryan Teague - Rounds
Hauschka - stromness
Lisa Gerrard - I asked for love
Michel Avannier - La Rencontre
Chica and the folder - Para Bien (Ginko Free)
Sylvain Chauveau - Un autre decembre
Library Tapes - Fading lights and distant memories
Danny Norbury - The evening star
David Emanuel Brunzel - Maison dans l'arbre



Dark and Ethereal Contemporary Classical Music

12 Tchaikovsky - The Nutcracker Suite, Op. 71a - Arabian Dance (Coffee)

Although the “Kreutzer” Sonata, Op. 47, is dedicated to Rodolphe Kreutzer, the original dedication was to George P. Bridgetower (1779-1860), for whom the piece was written. Bridgetower, an African-Polish violinist who lived in London.
Rodolphe Kreutzer (1766-1831) was a French violinist of great renown whom Beethoven met in Vienna in 1798.

Beethoven’s decision to dedicate the sonata to Kreutzer instead of Bridgetower was probably related to his intended move to Paris and a wish to ingratiate himself with French musical luminaries. Legend has it that Beethoven changed the dedication because he and Bridgetower quarreled over a woman. Kreutzer most likely never knew of the dedication, and it is almost certain that he never played the piece.

The “Kreutzer” Sonata was published in 1805. Beethoven described the piece as “written in a very concertante style, like that of a concerto,” explaining the internal conflict generally associated with his larger works.

Beethoven’s “new path” is everywhere evident in the first movement of the “Kreutzer” Sonata. The only slow introduction Beethoven ever wrote for a violin sonata is actually the only portion of the movement in A major, which gives way to A minor at the beginning of the Presto sonata-form section. Development of the first theme does not occur until the lengthy, weighty coda, which is much more symphonic than chamber-style in conception.

Ludwig van Beethoven. Sonata No. 9 "Kreutzer" for violin and piano, op. 47

YouTube: Trumpeter Choi

https://youtube.com/user/TrumpeterCHOI

Schubert Serenade-Trumpeter Choi

JAPANESE FLUTE

Chopin: Nocturne in C Sharp Minor, Op. 27, No. 1

Chopin: Prelude No. 15 in D-flat Major
Recorded at WGBH studios, Boston, May 2012. 
Produced by Dan Gurin
Photo: Winchester, after Nemo Blizzard Feb. 2012

Dark and Ethereal Contemporary Classical Music

Neoclassical Darkwave Music

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