Good composition and arrangement. Very cinematic mood with a good mix and production. Quality.

Stunning, epic and timely... beautifully constructed with heart for the future.

Dark ambient vibes u could bever go wrong with

Excellent work. Great ambience and tension 👌

All my favourite songs of Nibriell. Enjoy them all!

Nibriell - Favourite Songs

Verse 1
The morning comes, glad I'm alive
Roll over, feel the light.
Sweet morning dew, cold mountain chill
Above a golden morning sky

Chorus
And on the air, the feeling came
Picked up my head and took it all in
The forest's song, it carries me
Something about the sunrise sets me free
And when I rise
My soul rejoice

Verse 2
Across the hills, a burning fog
Last ember glows and then it's gone
The smell of grass, swimming in the creek.
Swaying with the trees, the sun is holding me.

Chorus
And on the air, the feeling came
Picked up my head and took it all in
The forest's song, it carries me
Something about the sunrise sets me free
And when I rise
My soul rejoice

Verse 3
I watched in awe, horizon rose, across the sky and earth it bled
Such perfect grace, I stood amazed
My shadow stretched and I was humbled again.

Chorus
And on the air, the feeling came
Picked up my head and took it all in
The forest's song, it carries me
Something about the sunrise sets me free
And when I rise
My soul rejoice

Something About Sunrise

Elysian Waves wraps you in a calm and meditative atmosphere, where electronic rhythms meet acoustic and ethereal nuances. This track blends the subtleties of Electronic music with influences from Downtempo, Nu Jazz, and Trip-Hop, offering a perfect sonic backdrop for moments of relaxation and contemplation.

With rich instrumentation, including acoustic guitar, electric piano, and synthesizers, I aimed to create a melody that captures attention through refined musical details, supported by a mysterious female voice. The sounds intertwine harmoniously, creating a sonic landscape designed to induce a state of tranquillity and introspection.

“Elysian Waves” is ideal for chillout playlists or for those moments when you need an auditory refuge, away from the daily hustle. Let yourself be carried by the rhythms of this piece and discover a corner of inner peace within an elegant and balanced sonic universe.

Echoes And Whispers

Elysian Waves

When I composed "The Andalusian Echoes," I aimed to create a piece that bridges the past and present, blending tradition with modernity. I started with a flamenco guitar solo, which evokes the vast and serene landscapes of the Andalusian plains, rich with history and emotion. These plains are silent witnesses to countless stories that have unfolded over time—tales of passion, melancholy, but also of energy and vitality.

In the opening moments of the track, I sought to capture the essence of these plains through an acid and energetic acoustic guitar solo. I wanted the listener to feel the deep roots of Spanish tradition, yet also be surprised as I layered in modern, electronic sounds. Each new instrumental layer, whether it's a synthesizer, percussion, electric guitar, or trumpet, represents an exploration of the present, a reflection of how the past can be reinterpreted in the context of contemporary electronic music.

The energetic and pulsating rhythm of the percussion was designed to capture the vitality of the Andalusian plains under the scorching sun, where the constant movement of the wind and the vibrant colors of nature seem to dance to their own rhythm. This rhythm, though energetic, is not aggressive; rather, it is an invitation to active contemplation, a beat that allows you to lose yourself in the landscape while also rediscovering your inner energy.

Through "The Andalusian Echoes," I tried to convey to the listener a sense of transition, a journey between old and new, between contemplation and movement. I wanted the music to be more than just a background; I envisioned it as a soundscape that evokes images and emotions, transporting you to the endless plains of Andalusia, to the warm air and the soothing sound of nature, while the rhythm of the track invites your thoughts to dance along to the modern sounds of electronic music.

The Andalusian Echoes

"Echoes of the Roads" is a musical composition that carries you through the depths of tribal rhythms and the peaks of electronic energy, evoking a world where past and present meet in captivating harmony. This piece, blending styles such as techno, trance, EDM, and progressive house, takes us beyond the familiar, into a realm of sounds that feel as ancient as they are modern.

In the opening moments, ambient sounds and tribal rhythms immerse you in a mysterious space, where a female voice, with subtly dark undertones, guides your steps. This voice echoes an ancestral past, a legacy of ancient rituals while intertwining with the electronic textures of the instruments, retaining its freshness and the power to surprise.

As the melody progresses, somewhere along the journey, new sounds emerge. Wind instruments, some electronically synthesized, wrap the tribal rhythm in a Balkan veil, creating an exotic atmosphere, full of life and mystery. These sounds seem to invite you into a ritualistic dance, where every beat and every note draws you closer to an inner revelation.

Towards the end, the female voice takes on a ritualistic strength, transforming into a tribal chant that deeply resonates with the pulsating rhythms of the drums and electronic beats. In these final moments, "Echoes of the Roads" becomes more than just a melody; it becomes an invocation, a call to the spirits of the past, a celebration of our connection to the earth and its primordial rhythms.

This piece is more than a simple sonic experience; it is a journey of discovery into a world where modern sounds intertwine with the echoes of a distant past, inviting you to dance between two worlds, with an open heart and a free spirit.

Echoes Of The Roads

A song with dark indiedance&electropop hues, called "moviedance" by E.V.Y., which alternates "dirtyelectropop" verses with a musical carpet that opens in the bridge with synth&piano to provide a psychedelic relax@tion.

Smile To Waves

ON SPOTIFY

"Requiem Of The Chanting Steel" is a sonic meditation on the devastating effects of war, the relentless pursuit of technological development, and the pollution that suffocates our planet. I composed this piece with the intention of drawing attention to how aggressive industrialization and global conflicts can erode not only the environment but also the very essence of humanity.

From the opening chords, the anthemic rhythm, present throughout the composition, evokes a grave and dramatic sense, symbolizing the ineluctable march toward destruction. It is a march of steel, of heavy machinery dominating battlefields and industrialized cities, but also of a humanity losing control. The rhythm becomes a call — a call for all of us to reflect on the path we are heading down. It is a lament for the loss of balance, a testimony to how technology has supplanted nature, and how unchecked development drives us toward a tragic end.

As the melody progresses, the weighty, intense tones of metal and synthesizers intertwine with more organic motifs, such as nature's roots beginning to wrap around the metal structures, symbolizing a return to a primordial state, a need to reconnect with nature. It is a story of resilience, of how nature reclaims its place despite technological advancement, but also of the inevitable decline of industrial civilization.

At the conclusion of the piece, male voices solemnly intone "Hora es" – a song of awakening, a call to action. This chant symbolizes the final moment of awareness. "The time has come" for us to awaken, to cease escalating global conflicts, and to stop destroying the planet in the name of false industrial progress. It is a plea to take action, in the twelfth hour, to save what remains of nature, of ourselves, and of our future.

This piece is meant to serve not only as a requiem for the world we are on the verge of losing but also as a manifesto for the necessary change. It is time to acknowledge the devastating effects of war and pollution and to return to balance before it is too late.

Requiem Of The Chanting Steel

The Re - Emergence Of The Sneaky Gremlins

"Amore Mio" is a composition born out of a desire to pay homage to the African continent and the rich culture that inspired it. With this song, I aimed to create a musical dialogue between African tradition and modern influences, blending styles like Afro House, Pop, and R&B. Every musical and lyrical element was carefully chosen to convey a warm, romantic, and sensual atmosphere that accompanies the central theme of the song: love.

The structure of the lyrics is a journey through various African languages, symbolizing the unity and diversity of this continent. In the first verse, written in Swahili, I wanted to capture the solar energy and vibrant spirit of East Africa, inviting listeners on a journey filled with light and love. The second verse, in Xhosa, brings dance and movement, evoking the power and grace of South African culture, with a vibe that celebrates life. The third verse, in Zulu, continues this energy, delivering a message of joy and unity, reflecting the communal spirit that defines African life.

The repetitive chorus, “Amore Mio,” serves as a leitmotif, a universal declaration of love, connecting the song's heart with a sense of passion and romance. Whether it's love for a person or for Africa itself, this simple and catchy refrain carries a deep message: love transcends boundaries and is expressed through the universal language of music.

Instrumentally, I chose a combination of acoustic guitar and percussion, which are present throughout the composition, maintaining an organic and authentic sound, close to African roots. Adding synthesizers, electronic drums, and modern R&B and Pop influences brings a contemporary touch, creating a perfect balance between tradition and modernity. 

The overall mood of the song is chill, relaxing, and positive, with a romantic energy, designed to evoke a sense of well-being, peace, and joy. I wanted listeners to feel transported to a warm and welcoming world, one where love and African culture blend seamlessly.

Through this composition, "Amore Mio" becomes an ode to African culture, a celebration of this extraordinary continent's beauty, diversity, and emotional richness. Africa is my source of inspiration, and through this music, I want to pay tribute to its places, languages, and vibrant soul.

Verse 1 (Swahili)

Jua linawaka, twende pamoja
The sun is shining, let’s go together

Sauti ya muziki, furaha ya moyo
The sound of music, joy of the heart

Verse 2 (Xhosa)

Ukukhanya kwelanga, masidanse
The light of the sun, let’s dance

Intliziyo yam iyaphakama, siyathanda
My heart is rising, we are in love

Verse 3 (Zulu)

Siyajabula, hamba nami
We are happy, walk with me

Ingoma yethu, siyathandana
Our song, we love each other

Amore Mio

The words here come from the chapter describing a Samhain shamanic ceremony in my book The Dragon Whisperer's Son, and as ever, @APi_ZZ has come up with the most perfect, and moving, music to accompany them. The Bird Mother was the most ancient goddess of the Caucasian races, in acknowledgement of the vital role of the birds in fertilising the lands. 

Words, spoken vocals and cover art by Annie Dieu-Le-Veut
© Copyright Annie Dieu-Le-Veut, October 2024 

Music and cover titling by APi_ZZ 
© Copyright APi_ZZ (Andreas Pirner) October 2024 


Words: 

Samhain began, as it did every year, on the stroke of midnight when the bright star of Antares was directly over the Fairy Stone. The Fairy Stone was a huge, white obelisk and it was covered with tiny inscribed sigils that were barely visible under the thickly-encrusted green moss of ages. 

No human alive could remember how the Fairy Stone came to be there – and quite probably no-one who was dead either. It was only the dragons of the misty black Mountains of Memory who kept that knowledge safe from prying ears.

A cold breeze was gusting around the crowds of locals milling there amidst the blue, smokey fragrance from the bonfires. The flaming pine logs were dripping with sweet aromatic resins as they fired crackling sparks of brilliant orange into the dark-clouded skies. 

Scarlet elf cap mushrooms peeped through a damp carpet of gold, russet and bronze leaves covering the hard, muddy ground. The trees they had fallen from were now standing bare and shivering, entirely naked, but bravely ready to face the first gales of winter.  Frosted cobwebs, stretching between their branches, twinkled under a full silver moon.  An owl hooted.

In front of the Fairy Stone stood a large wooden platform. It had been charred black, and then scored with white Xs, Vs and spirals to turn it into an altar, carved in the shape of an eagle so gigantic that it was as if the constellation of Aquila had fallen from the star-studded vaults above. Standing astride the altar was a giant effigy of a woman. She had a pointed head and the beaked face of a bird of prey. Her breasts were huge and egg-shaped, as were her protruding buttocks.  Her arms, outstretched as if in flight, were entwined with wriggling serpents. It was the Bird Mother. 

Each family was going forward, one at a time, to the Bird Mother's altar with their offerings of lit candles for the Naming of the Dead ceremony. Tears glistened in their eyes as the recited with gratitude the names of all those who had before come them.  It wasn't long before there were so many candles jostling together that the altar began to mirror the glittering blackness of the night skies. 

Afterwards, hearts were so full and heavy with remembrance that each preferred to just sit silently with their own thoughts, their solemn faces upturned towards the stars to watch Orion, the Lord of Winter, arise from his watery Underworld to reclaim his rulership over that half of the year. 

Then they were content in their hearts that throughout the cold dark days to come, new starseeds would be nurtured in the warmth of the womb of Earth; that the silver spindle connecting their revolving seasons to the starry mills slowly grinding above would hold firm with their prayers and offerings; that eventually new stargates would open like vast glittering palaces, and that the end of the beginning was done so that life could become and spiral on forevermore.

From The Dragon Whisperer's Son by Annie Dieu-Le-Veut,  ISBN 978-1-9163795-6-5. Buy it on Amazon: https://tinyurl.com/yss89t58

Samhain

Haunted Manor Resurrect (Dark World Orchestral Music Soundtrack & Classical Halloween Music 2024)

Para escuchar la versión con Manuel Palomino  https://soundcloud.com/juan-fco-bueno/madre-a-ti-te-cantamos-feat-manuel-palomino

Para escuchar la versión original https://soundcloud.com/juan-fco-bueno/madre-a-ti-te-cantamos

Madre a ti te cantamos (instrumental)

Tonight I'll come home

Illusion - Part Four

TL Premiere #1989 (2025.09.02) : Doline - Flutina [Grid]

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For this 148th Premiere of 2025, we have a track from French producer Doline (@doline) titled ‘Flutina’ from his forthcoming LP "Threnody of Moaning Sparks" on the record label run by french artist Clad (@Clad-fr) : Grid.

▶︎ The EP will be available from September 26, 2025 in digital on Bandcamp : https://gridrecords.bandcamp.com/album/threnody-of-moaning-sparks

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Release Info :

Doline - Threnody of Moaning Sparks [Grid // GRID018]

Snippets : soundcloud.com/grid-records/doline-threnody-of-moaning-sparks-grid018

Doline is back with his sophomore album !
A one-of-a kind experimental and bassy release where stars meet hearts in the deepness of the universe. Thirteen tracks exploring emotions, from sorrow to happiness, from fear to serenity. A rich path into the unique and colourful world of the French producer, always evolving over his music researches.
This LP is another milestone for Grid, the fourth release from Doline and maybe his best piece of work so far.

The album opens on Earth, Under Starry Dawn, linked to the last track of the previous LP, to take off straight to the hyperspace. Then Flutina continues the story, with suspens and discovery in weightlessness, floating towards a new world. Janus Complex is a post-trance track with Y2K vibes, like humans explaining their origins to someone new. Sensunreal and its deep synths shows Doline's groove before Through The Stellar Foam lost us into a thick fog trying to find a way out : Chœur, our wormhole to distant stars, where then Etherrestrial Xo suggest the joy and relief to find them, an emotional mood as Doline has the secret. Cockcrow will softly awake us with its AFX-like lo-fi tickling loop and his synth melodies, before Oniromance makes our heads shaking with its thin and unpredictable bass groove. For the last part of the album Carolus Ex-Lament, probably an unknown space conqueror, brings back trancy synths and melodies, while Before What's Beyond choose to show Doline oddness and his speaky synths again, reminding his 'Dompte Regard' era. Star Funeral, a tribute to his loved ones, shows once again Doline's talent for emo-pop melodies. Phœnix too, a brilliant closing track telling us there are always other new worlds to discover : it's already time to fly away!

Tracklist :
01. Under Starry Dawn
02. Flutina
03. Janus Complex
04. Sensunreal
05. Through The Stellar Foam
06. Chœur
07. Etherrestrial Xo
08. Cockcrow
09. Oniromance
10. Carolus Ex-Lament
11. About What's Beyond
12. Star Funeral
13. Phœnix

All tracks produced and mixed by Maxime Prieur
Mastered by Vincenzo de Marinis
Artwork by Unité Services (https://www.instagram.com/uniteservices_____)

releases September 26, 2025

GRID018

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Follow Doline : 
Discogs : www.discogs.com/artist/4207000-Doline
Facebook : www.facebook.com/Dolinemusic
RA : https://fr.ra.co/dj/doline
SoundCloud : https://soundcloud.com/doline
X : https://x.com/clearDoline

Follow Grid :
Bandcamp : www.gridrecords.bandcamp.com
Discogs : www.discogs.com/label/2205553-Grid-6
Facebook : www.facebook.com/gridrecord
Instagram : https://www.instagram.com/gridrec
RA : www.ra.co/labels/18537
SoundCloud : www.soundcloud.com/grid-records
Twitter : www.twitter.com/GRID_Records

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▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via paypal.me/tracklistings

Threnody of Moaning Sparks

Flutina

TL PREMIERE : Doline - Flutina [Grid]

3. The Task

Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.

✨ Hi, I’m a girl with a passion for adventure, music, and my fluffy cat Luna. 🌍🎶 I love exploring new places, whether it’s through travel or the stories I find in the songs I listen to. Every trip, every new experience has its own soundtrack, and I’m always searching for the perfect tune to match the mood.

Music is my escape, my companion on long journeys and quiet nights. From indie vibes to electrifying beats, I’m always discovering something new to fall in love with. 🎧✨ Luna is always curled up beside me, purring along as we dive into the world of sound together. 🌙🐾

Let’s share our love for music and take this adventure together! 🎶

Requiem Of The Chanting Steel

Nibriell

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