I'm going to be playing some of my favorite ambient, downtempo, and left field dance tunes for a Friday afternoon :)

IG: @purelink_tommy

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Tommy (Purelink) @ The Lot Radio 06 - 03 - 2022

archive of the november edition of aa aa on @radio-relativa

aa aa - 11.23

Voyage onirique enregistré dans la forêt de Firone avec @paulmrq invité par  @viiiviiie.

Tracklist : 

Up Goes The Green Flare - Sonmi541
วิญญาณ (Feat Chucheewa) - Khun Fluff
Smyyre Myyrgu - Sangre Voss
Mastermind (Brainless Dub) - Full Circle
Matrix Perseids - Florian T M Zeisig
La Psychedelia - Leuven Works
Being Yourself - Toki Fuko
Rellonos de Oro - Digge Shim
Dance Of The Satyrs - Tassilo Vanhoefen
megafauna - RAMZi
floating in the swamp - Maara
Sentier - Maquis Son Sistèm
Cucina Povera - Liikaa liimaa 
22 Tear Drops - Gi Gi
Ofiodaimon - Anatolian Weapons
Treeworld - Zara
Nymphal Sanctuary - Glamourie
Golden Bells - Ma​̊​rble
Brain Dance - COLA REN

Âmes Sensibles : Vivie invite Poulbot (19.07.24)

"Soundscapes reveal a lot about how people think and behave." The field recordist and musician talks about listening culture, repatriating African sounds and his new album with The Bug.

Today's conversation moves away from the dance floor, focusing instead on the soft, ambient soundscapes of the Berlin-based musician Joseph Kamaru—AKA KMRU—whose work has been featured at festivals like CTM, Mutek, Atonal, Horst Music and Arts, Dekmantel, and Unsound; concert halls like The Barbican; and major galleries and site-specific installations around the world.

Kamaru moved to Europe from Nairobi, where he first became interested in music production, and field recordings specifically. As a graduate student in the sonic arts, he learned that the majority of the discourse around sound art practices is specific to Western Eurocentric or occidental ways of thinking. He's since embarked on a mission to use field recording as a means of repatriating African identities that are often left out of institutional archives and grapple with the legacy of colonialism.

In this RA Exchange, Kamaru reflects on the sociopolitical angle of his work, and his observation that listening, by its very nature, is never neutral. He also talks about how civilisation and technology has changed our collective listening habits; how sound sources beyond the human hearing range make their way into his work with the use of electromagnetic microphones; and his new album, Disconnect, made with the musician Kevin Richard Martin (AKA The Bug). Listen to the episode in full.

EX.723 KMRU

The Oklahoma City-based label @fixedrhythms’ motto is “electronic music curated by intuition and love,” which is one way to make it clear that it is not a by-the-books techno imprint. The label, which Taylor McKenzie and Stewart Whitmarsh started in 2018, is a thoughtful collection of electronic music that spans multiple styles. And Fixed Rhythms uses their middle American location as an asset, not a liability—from their OKC perch, they can make moves that sidestep (or not) big city conversations around genre conventions in underground music. 

Collect the mix for free on Nina: https://www.ninaprotocol.com/releases/fixed-rhythms-nina-label-mix-022

Fixed Rhythms - Label Mix 022

Fixed Rhythms - Nina Label Mix 022

http://www.instagram.com/csarrafha

@stone-float

#Superimpositions with Cyrus: the Prog Side of Hawkwind (Part 2) @ The Lot Radio 08-26-2024

80's Rampwalk delivers an hour of cold wave, minimal synth, industrial, post-punk and music made in Berlin basements. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/80srampwalk/episodes/80srampwalk-28th-august-2024