Photo by fabulous Billy&Hells
https://www.billyandhells.com

Into Existence

Unnutz

go with the flow

Anizatoop

Have a Seat in the Magic Tree consists exclusively of processed sounds of the mixtur-trautonium

Have a Seat in the Magic Tree - Electroacoustic Music

MY AURORA  14

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow

Know the Shadows

Disquiet Junto | Know the Shadows - disquiet0622

:::
my contribution
to
Naviar Records
Haiku Challenge 521

my interpretation of a
haiku
by
Issa

.
.
.

basking
in the New Year's sun...
my trashy hut

(orches_tra)shy* ::: naviar haiku 521

Another exploration of Neutone_Gen, with the source material being created from the text of the haiku itself ...

A distant mountain
Seen in the sunlight:
A desolate field

Haiku by Takahama Kyoshi: https://www.gov-online.go.jp/eng/publicity/book/hlj/html/202210/202210_12_en.html

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF seeN [naviarhaiku529]

https://pointless-geometry.bandcamp.com/album/dawno-temu-sacralia

Dawno Temu - Solo project of Agnieszka Bykowska, Polish sound artist and producer. While balancing between ambient, drone and minimalist music, she creates unique sonic sceneries centered around layered synth waves with elements of electroacoustic. Having spent nine years in Bydgoszcz, PL she has crossed paths with the improv scene. Played numerous shows across Poland, including appearances at festivals. Her main sources of inspiration are the notion of time, spirituality and emotional corners of human nature.

linktr.ee/dawnotemu
www.instagram.cwom/davnotemv

SACRALIA is the second LP from Polish sound artist and producer Dawno Temu.

Living within the realms of fast-paced reality we're bypassing the essence of "being fully in the moment". While so much dependent on the notion of time itself, we're sharing a collective fantasy of making the time dependent on us - to pause it, outstretch it, turn it back in order to experience something once again. Dawno Temu approaches that concept with both severity and sensitivity in her compositional process.

Each of six tracks on the album is like a ceremonial object for the performative aspect of careful observation that finds its fulfillment in rapture and emotionality. These objects in their historical meaning have been utilized as a means for establishing or maintaining communication between the sacred (the transcendent, or supernatural) and the profane (the secular, cause and effect). Rather than trying to fit a doctrine Dawno Temu celebrates subjective experience of the individual, points in time and space that are carrying an idiosyncratic, empirical gesture with them: light reflections, moments of pause, sources of pleasure - which are actually common experiences, bound with human nature - and sonically reinterprets them as manifestations of “the sacred” among “the profane”.

The sound of SACRALIA is raw and ascetic; euphoric, but full of reverie. Balancing between wide and dense, Dawno Temu carves her own path in drone and minimalist music. Meditative repetitiveness of structures, slowly evolving and dissolving form the frame of SACRALIA which leaves a room for serenity and reflection in both: herself and the listener. Improv strings ensemble, featuring guest appearance of Antonina Car and Joanna Szczęsnowicz (jablkagruszki) in EVERY PAUSE STRIVES FOR ADMIRANCE, together with synthesizer mimic chanting of a litany where all instruments gently pass each other by and only occasionally synchronize to speak with one voice. In her work process on SACRALIA, Dawno Temu focused on conjuring up certain feelings during long and immersive recording sessions with two synthesizers. This way, slowly forming unique shapes and imagery, she developed a somewhat emotional bond with the instruments, reminding of Éliane Radigue and her composing approach.

Composed and recorded by Dawno Temu (Agnieszka Bykowska) between 2022/2023 in Wrocław and Poznań
Track EVERY PAUSE STRIVES FOR ADMIRANCE composed and recorded by Dawno Temu (synthesizer), Antonina Car (improvisation on violin, baritone violin, cello), and Joanna Szczęsnowicz (improvisation on violin)
Mixed by Dawno Temu
Mastered by Adam Badí Donoval / www.instagram.com/adambdonoval
Artwork: Krzyś Bykowski, Iza Roko
www.instagram.com/krzys418
www.instagram.com/_zulaxo

SACRALIA

Dawno Temu - WHISPERING FRESCOES / POINT#56

Chupacabra -Glimt

Movement 11 from my 2020 exhibition 'La morte mi troverà vivo' (death will find me alive). I dont know where to start or finish with the story of this piece - if you want the long version please go to bandcamp https://nomatesensemble.bandcamp.com/album/la-morte-mi-trover-vivo  there 3 essays on the exhibition in the notes and of course the whole work which is 90 minutes long. This piece for Intonarumori was the starting point for the show, written and recorded to be played at Luigi Russolo's grave as a form of 'calling ' to his spirit. La morte mi troverà vivo is a kind of sonic seance where i composed music as an evocation and used occult number theory to manipulate field recordings to capture what i term an 'imagined response from the spirit world'. The work was made in Italy July/August 2019 and exhibited in Hobart Tasmania in Jan/Feb 2020. I will post visual links and more info at a stage, though of course its a sound installation (i managed to get the whole room to softly rumble with speakers installed out of site in the walls and under the floor)so there isn't heaps to see. :) Thank you all, sorry to ramble !!

(orches_tra)shy* ::: naviar haiku 521

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