naviarhaiku497 – The gate shuts
The gate shuts
with a loud groan
The temple sleeps

(Tr. Alex Fyffe)

Hōsai graduated from the Tokyo Imperial University, where he studied law. He got off to a good start but decided to give up his home, family, and business to jump from one militant religion of Japan to the other.

Just like Taneda Santoka, Hōsai abandoned the traditional verse form of his time and mostly looked at the austere confines of his life for inspiration.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

 

Deadline: 19th July 2023

Haiku by Hosai Ozaki https://allpoetry.com/Hosai-Ozaki

Picture by Julia Karl https://unsplash.com/photos/DzPZD5atXPc

The Gate Shuts/ The Temple Sleeps (naviarhaiku497)

YouTube: 
https://youtube.com/@niktoisnot?feature=shared

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



My music asks listeners to be like dreamers uncovering hidden patterns in passing clouds. Support me @ patreon.com/blisterpop

Tea-Snuggery Show #63 w/ Threeemoji (*Landau) - 23-Jul-24 | Threads

"The majority of the ordinary population does not understand what is really happening. And they don't even understand that they don't understand!"
-Noam Chomsky-

Welcome to Tea-Snuggery #63 with a psychedelic-influenced krautrock mix that will send us tumbling but tasty into the apocalypse! Listen with care! q:

Playing tracks by Jac Berrocal + David Fenech + Vincent Epplay feat Cosey Fanni Tutti and Jah Wobble, Famous Forgotten Artist, Meridian Brothers, DJ Koze, Shackleton & Six Organs of Admittance, Mary Ocher, DJ Linus, Die Wilde Jagd and much more.

For more show: @threadsradio ~ Listen live: www.threadsradio.com

https://soundcloud.com/tea-snuggery

https://www.instagram.com/tea_snuggery/

-------------------------------------------------
Weird and wonderful is the name of the game - a musical journey out from the Tea-Snuggery - way off mainstream: impulsive, spontaneous, demanding - hopefully never boring!

:(:/:) aka ThreeEmoji, is Tom Bossert. Born in 1976, his musical journey quickly led him to electronics. From Kraut Rock and bands like Cluster, Can and Kraftwerk in his youth, to the early 90’s with the start of the techno movement and club culture in Germany. His sets have always pulled on this progression, never purely one thing or the other.
One of his major influences is DJ Marcelle from Amsterdam, and her way of breaking conventions. Music is a world phenomenon and so its output should reflect this. Just like a nervous Zen master on tenterhooks, waiting for the very last sound, impulsive but deeply circumspect, it should bring together everything in a Jackson Pollock-like manner. For Tom, spontaneity and improvisation are always more important than perfection.

The Tea-Snuggery wants to invite the listeners to discover new music and artists from all over the world – enjoy and listen with care! q:
email: t.bossert@gmx.de

Listen to & support:

https://threadsradio.com/
https://soundcloud.com/inrgdfriendsthreads
https://soundcloud.com/199radio
soundcloud.com/those-that-cant
https://soundcloud.com/loose-lips123
https://soundcloud.com/joan-sala-1
https://soundcloud.com/famous-forgotten-artists
https://soundcloud.com/justajok
https://soundcloud.com/jonathanmalikmorel
https://soundcloud.com/h-artmann-1
https://soundcloud.com/charlie-hartmann-1
https://soundcloud.com/myrhyum
https://soundcloud.com/inrgd
https://soundcloud.com/ois-agver
https://soundcloud.com/agitationphi
https://soundcloud.com/agnoria-zottos
https://soundcloud.com/marcelle
https://soundcloud.com/schamoni-musik
https://soundcloud.com/themagneticdogsisters
https://soundcloud.com/helenswambo
https://soundcloud.com/lesbianhorse
https://soundcloud.com/xnschuss
https://soundcloud.com/ugliestman
soundcloud.com/housemaid-the-fear
https://soundcloud.com/first-earth-records
https://soundcloud.com/tur-cois

Kurios und lustig, vielleicht nicht das, was mancher unter großer Kunst versteht, aber wer immer nur große Dinge haben will, muss sich wohl oder übel in eine Mücke verwandeln. Das wars für heute, schönen Abend und auf Wiedersehen!

Google translated ;) ...

Étrange et drôle, peut-être pas ce que certains moyenne par grand art, mais qui veut avoir seulement de grandes choses doivent se transformer en un moustique bon gré mal gré. C'est tout pour aujourd'hui, bonne soirée et à bientôt!

Strange and funny, maybe not what some mean by great art, but who wants to have only great things must transform into a mosquito willy-nilly. That's it for today, nice evening and goodbye!

奇怪而有趣的，也许不是有些意思了伟大的艺术，但谁愿意只有伟大的事情必须转变成蚊无可奈何。这就是它的今天，美好的夜晚，再见！

Vheissu77 is a German electronic artist focused on ambient and melodic electronica. He has been producing music since 2003 and releasing his own works regularly since 2020. His soundscapes are mostly digital – playful, atmospheric, and image-rich.
“The path to a finished piece of music is often far more important than the result.”

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Nicolas A/ noksidam
Geneva Switzerland /Thailand 
Electronic Experimental music, ambient. 
(1st account: https://soundcloud.com/user-302613679)