can't even get a light off the stove

Dusky-legged guan (Jacu) fighting in the morning

Recorded in Atlantic Forest in Serrinha do Alambari, Sao Paulo, Brazil with ORTF Schoeps in Sound-devices Mixpre-6 in 48kHz 24bits

Thanks to Felix Blume and Gregoire Chauvot for their gear!

Angry Jacu

Tempête Franklin du 20 février 2022 dans une rue de Lille (rue Jean Jaurès) - Avec bonnette CINELA et couple de MKH 8040 en ORTF avec Mixpre6.
Franklin storm of 20 February 2022 in a street in Lille (rue Jean Jaurès) - With CINELA windscreen and a couple of MKH 8040 in ORTF with Mixpre6.

Tempête Franklin à Lille 20 février 2022

Trio AntiquaNova - Distat Terra Festival 2022

Bass Flute: Rosario Castillo
Bass Clarinet: Griselda Giannini 
Contrabass: Edgardo Vizioli

waning (2022)

peau dure, peau douce,éclosion, chrysalide..
son 3D, écoute au casque recommandé

Peaux

“transmission”, for electric guitar and live electronics 
(1996-1999)
By Richard Barrett

Mauricio Galeano - electric guitar 
Santiago Bogacz - live electronics in Csound

Recorded by Gonzalo Varela and Leonardo Croatto on August 19 of 2022 in Facultad de Información y Comunicación, Montevideo, Uruguay

Mixing by Santiago Bogacz 

////////

Este material fue producido en el marco de la Universidad de la República, Unidad Académica Asociada entre la Facultad de Información y comunicación y la Facultad de Artes

Richard Barrett - transmission

A male European nightjar delivers his strange motor like song from one of his favorite song post before moving to the next one, ending his trill by a joyful wing clap.

Lyon countryside, late spring.
2023-06-10, 22h

Lom Usi Pro, Sony PCM M10

Recorded by Grégoire Chauvot & Mélia Roger

Illustration : John Gerrard Keulemans, Public domain, via Wikimedia Commons

European nightjar, Song and wing clap - Mélia Roger & Grégoire Chauvot

Forget Me Not is written for amplified ensemble: saxophone, e-guitar, piano, synth, percussion, and analog electronics

- commissioned by I & I Foundation, written for Ensemble Nikel

Premiere: Klangspuren Festival, September 2022

Forget Me Not (2022) for Ensemble Nikel

Sélection Art sonore

Jeanne Debarsy
Maybe Nothing
14’15, Semi Silent & Babelfish (Roumanie & Belgique)

Que s'est-il passé ? Nul ne le sait exactement. Bien sûr, il y a des ru-meurs, des échos, Mais ce ne sont peut-être que des réminiscences. Le temps et l'espace semblent désaccordés. Les comportements aussi ont changé. Mais malgré tout, le Danube continue de couler.

Ingénieure du son, autrice et réalisatrice radiophonique, Jeanne Debarsy envisage son travail comme un terrain d’exploration sonore où les mondes animaux, végétaux et humains se côtoient joliment.

Jeanne Debarsy_Maybe Nothing

Distorted city-ambience from Abu Dhabi among other things. Recorded with a  Zoom H1n.

Avant-garde rainfall (naviarhaiku510)

Recorded respectfully on the land of the Nuennone people.

The Superb Lyrebird (Menura novaehollandiae victoriae) is not native to Tasmania: it was deliberately introduced there - by an ornithology group. Between 1934 and 1949, 22 Superb Lyrebirds were released at Mt Field National Park in the mid south and at Hastings in the far south. The Lyrebirds flourished, and continue to spread widely. Today, experts estimate that their population must be well over 10,000, if not even higher. The Superb Lyrebird has basically 'gone feral'.  And it's known to be having some negative impacts on forest ecosystems. However, one thing that I haven't yet seen discussed or studied is what negative acoustic-ecological impacts Lyrebirds might be having upon native and especially endemic Tasmanian bird species. Some forest soundscapes are being overwhelmed by multiple Lyrebirds, spread through the forest, simultaneously performing intricate, complex and well-projected mimicry for very long periods of time. Fascinating as this is, it's very hard to believe that the native and endemic bird species can communicate naturally and effectively, as they need to do, when such mayhem is going on.

2023.09.24 Superb Lyrebird Mimicking Other Birds. Dawn. Huon Valley. Early Spring.

Passionné par les sons en général mais avant tout par les sons de la nature. J'ai donc une affection particulière pour l'audionaturalisme mais je suis ouvert aussi au field recording plus largement.

Tempête Franklin à Lille 20 février 2022

Chercheur de sons - Olivier Pichard

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