I don't understand the language, but I can feel the passion and emotion based on the performance and the production. This is catchy and passionate! Great work

Very moving song, becomes super epic when that electric guitar kicks in

lovely melodies great production acoustic guitar cuts in great into the mix

I knew the moment the vocals kicked in that is was an instant fan.  Nice work here!

Good vocals, great song, but the mix is pretty muddy

Really like acoustic guitar sound, and your vocals are clear and have a good tone

This is excellent love the arrangement and atmosphere

Excellent kind of art rock. Nicely melodic with pro production. I added the track into Spotify playlist of Artists and tracks I liked on Soundcloud: IN & OUT (https://open.spotify.com/playlist/4JXNilvaz7fglBughvrBW4?si=38ef513b0bfa4eae)

J'adore. Les tensions, le doublage des voix, je me reconnais bien dans ce que tu fais. Belle découverte

MNEMO SCAN

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - V. Collage

I Dream Of Shorty

Solar Collapse

strange arrival

Cheyenne  (maquette intro) 2020

maquette intro 2 (le reste sur youtube) 

N'hésitez pas a me laisser des commentaires afin de m'améliorer !!

Chrono Crash 2 Intro

threshold of faith - points of contact

◆ Bandcamp: thresholdfaith.bandcamp.com/album/linelife
◆ Spotify:  open.spotify.com/album/6DPdGnBBKRf3LTbjW0cu04?si=yObPI8VyQOC8tZW2EcrXtw
◆ iTunes:  music.apple.com/ru/album/linelife/1545434175?ls

Musical project from St. Petersburg, Russia that creates experimental rock music, intricatel mixing the genres of guitar music and electronic music in the most unexpected combinations

☛ Follow threshold of faith
facebook.com//threshold0ffaith
youtube.com/channel/UC62QnpgCYtb-S-wzSD4wBug
twitter.com/threshold0faith
instagram.com/threshold_of_faith

lINElIFE

points of contact

Chrono Crash

Humanité

🎧 Stream / ⬇Download

Innocence (maquette 3 Intro)

A synthwave demo, using Vital, Monark and Linn Drum Samples. Tell me if I should keep working on it!

Takedown

Produced by Emma Garriott. Guitar, Jackson Presseau

So Much Anger

threshold of faith - lINElIFE

◆ Bandcamp: thresholdfaith.bandcamp.com/album/linelife
◆ Spotify:  open.spotify.com/album/6DPdGnBBKRf3LTbjW0cu04?si=yObPI8VyQOC8tZW2EcrXtw
◆ iTunes:  music.apple.com/ru/album/linelife/1545434175?ls

Musical project from St. Petersburg, Russia that creates experimental rock music, intricatel mixing the genres of guitar music and electronic music in the most unexpected combinations

☛ Follow threshold of faith
facebook.com//threshold0ffaith
youtube.com/channel/UC62QnpgCYtb-S-wzSD4wBug
twitter.com/threshold0faith
instagram.com/threshold_of_faith

A quick Piano & Strings piece written in Studio One!

A Short Journey

A nice little slow jam I came up with a couple days ago, go ahead and pop it into your deck and see how your eardrums react to it.

BRING SOME LIGHT IN FROM THE DARKNESS

The title track for my upcoming album "Civilization Soundscape," which is featured in the epic teaser trailer here: https://www.youtube.com/watch?v=WwwH8h91FUU

Artifex (noun - Latin): practitioner of an art, craftsman, creator

This track acts as a small case study, epitomizing both my sound and what I try to achieve with my music. I start with a blank canvas and employ the simplest of motifs, a pulse on a single tone. With each subsequent layer I try to add intrigue and detail, giving a direction to the piece and painting a picture for the listener. Each layer is treated analogously to how an engineer would make use of a fundamental principle in their trade, ultimately arriving at something comprised of much greater complexity.  Finally, a simple harmonic structure is introduced, rich and vibrant in tonality, which I attempt to complement through the continued use of driving percussive elements. I intended the final product to feel built from the ground up like a group of architects beginning construction on a monument, only with the brick and mortar and mathematical axioms substituted by sonic motifs.

I hope you enjoy :) please comment with your thoughts and any critiques!

Artifex

créateur de son, auteur, compositeur, interprète, membre SACEM, électro, pop, world music, tout ce qui est inspirant dans ce monde musical en géneral,  i'm back..! et j éspere que mes nouvelles compos vous plairont ! 

contacts: mnemoscanprod@gmail.com

https://www.facebook.com/settings?tab=account&section=name

liens: https://www.youtube.com/channel/UCOiB_-b1ipLzHhkKxDPiF4g/

Humanité

Odela

Recent comments

Lien

move 37

Ladat

Andrew LB Smith

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