Wild  Bohemia Studio is a recording studio based in Tunis, Tunisia, it is the first studio entirely dedicated to the production of electronic music in Tunisia, founded in 2021 by Mehdi Ahmadi, Aka Cali Kula, associated with KMS and Ogra.

The Studio aims to create a synergy between creators and producers of electronic music, also to find new talents.

In 2022, the Label section was created, Wild Bohemia Records. Its vocation is the release of records produced by Wild Bohemia Studio in digital releases and limited-press vinyl editions. The first EP of the label, Modern Phenomenon signed Seriously Sam was released in December 2022.

PAZA MAN

Amine Amri, aka Pazaman, né le 01/05/1986 à Tunis, est un auteur-compositeur et interprète tunisien, il mêle à la fois rap, reggae, ragga et ska. Co-fondateur de l’un des plus révolutionnaires et talentueux groups de la scène alternative tunisienne « Old 9 School » en 2006. En 2013 le premier show case de l’album « Bnadem » dans l’espace culturelle « Villa 78 » est alors la première prestation officielle du groupe. C’est en 2014 et à la cérémonie d’ouverture des Journées Cinématographiques de Carthage (JCC) que le groupe fais parler de lui avec un spectacle légendaire à l’avenue de l’Habib Bourguiba au cœur du capital de la Tunisie, pays en post révolution et dont le peuple réclame plus de liberté d’expression, thème indispensable et fondamental dans les inspirations musicales et textes du groupe. En 2017, Pazaman rejoint le collectif « DEBO » avec lesquels il s’investie cœur et âme dans le projet « mixtape album Debo Fou9’Tawal » avec « Vipa », « Tiga a.k.a Black’Na » et « Massi ». Le chanteur commence alors son projet individuel en collaboration avec « Youstaaz » (DJ) et « Saif Raïs a.k.a Godzy » (beatmaker) et commence la création de son album solo « Khammem Mâaya » qui gagne le Tanit d’Or d’Hip Hop dans le cadre des Journées Musicales de Carthage (JMC) en 2018. En 2019, il remporte le Trophée de la première édition du Carthage Urban Fest remis par le ministre de la culture. En 2020, il rejoint Kais Fenni et Haythem Khemaja afin de revisiter l’album et la création d’un nouvel album acoustique. Ce projet s’est concrétisé et a abouti à un spectacle qui a été joué pour la première fois dans le cadre des Journées Musicales de Carthage (JMC) en 2021 et a été bien accueilli par le public.

OGRA, a.k.a. Haythem Achour studied cinema before he realized sounds were actually more prone to provoke his imagination than films were. He collaborated with Tunisian artists before moving to Paris, where he was granted new electronic horizons. His talent for improvisation and his on-stage energy naturally brought him to free jazz, hip hop, dubstep, electronica, techno... and finally concrete music. The extent of his musical influences is matched only by a sincere curiosity for all music and musicians, with however an underlying admiration for the legendary Miles Davis.

Haythem has given live performances at Lost In Space in Casablanca, at the Fest in Tunis, at the UK-special Protoclip festival in Paris at Nomadic Nights in New York, at lectronic dunes in the Tunisian desert, at Boiler Room Marrakech, …

He has shared the stage with Surgeon, Pantha du Prince, Apparat, Alex Smoke, Octave, Onur Ozer Shackleton… 


In addition to his live performances, he mixes artists and musics he loves, commonly during the evenings organized by the collective Waveform, which he founded in 2011 in the urgency and excitement caused by the January revolution.

Waveform brings together the collective desires of a filmmaker, graphic artists, DJs, and musicians, who thirst for music, discovery and freedom. Together they have launched, in the northern suburbs of Tunis, La Marsa, a series of weekly evenings, mainly electronic and techno (Shut Up & Dance, Alert! Alert!, themed evenings...), that continue to etch people's minds by their boldness and simplicity. Open to all, and ranging from dance-hall to sharp listening sessions, whether focused on the latest trends or on established artists, these evenings promote access to modern music just as they celebrate their historical richness. 

Thus, a venue was born: The Plug. With no equivalent in Tunisia, this alternative club, directed artistically by Haythem Achour of Waveform, provides the local electronic scene with a space for visibility, but also regularly invites international musicians such as Shackleton, Octave, Nekochan, Hausa, Elyas Khan... A place for experimentation, encounters and exchanges, The Plug also has become a breeding ground for new forms and new artists in Tunis, who are as attached to their specificities as they are curious about international aesthetic and trends.
For over two years, The Plug's parties and events have become indispensable in Tunisia's cultural landscape. The French press's interest (Tsugi, Trax magazine, Technikart, Tv5, France 24...), and a compilation of selected pieces by Tunisian musicians edited by Tsugi, have made it the talk of the town. 
Granted with the energy of those who gather and federate, Haythem Achour is a passionate musician, DJ, and Artistic Director whose music is generous and contagious. He believes in people who DO rather than those who merely SAY, and doesn't generally bother with words to promote Tunisian artistic development, which he prefers to defend collectively.
http://soundcloud.com/ogra
http://www.facebook.com/WAVEFORMLAB


Deep Blossoms
A lush blend of eclectic deep sounds — where soulful basslines, jazzy chords, and textured rhythms bloom together in harmony. Curated by KMS and Cali Kula, this mix flows through genres and moods, offering warmth, groove, and a touch of the unexpected.

🌸 Deep, warm, and unpredictable
🎧 For curious ears and open hearts
🌍 Inspired by global grooves & underground currents

Mariam KMS is a Tunisian artist passionate about blending musical genres and creating unique sonic worlds. With expertise rooted in electronic music, jazz, neo-soul, and acid jazz, Mariam stands out for her eclectic and avant-garde approach to music production.

As the Artistic Director and Music Programmer at Whale City Radio, she is dedicated to promoting the Tunisian alternative music scene while supporting local artists through bold projects and international collaborations. She continually explores new musical horizons, merging global influences with deep roots in the musical traditions of the MENA region.

Her career has been shaped by rich experiences in music project management and radio production, particularly at Radio Misk, where she coordinated shows focused on electronic music and alternative culture. Mariam also co-founded Wild Bohemia Records, a platform dedicated to nurturing emerging talent in Tunisia's vibrant music scene.

On SoundCloud, Mariam KMS invites you to explore her original creations, exclusive mixes, and collaborations with artists from both the local and international scenes. Her musical style is fueled by a love for sonic diversity and a desire to push the boundaries of contemporary electronic music.

:: Ancient :: Wisdom :: Availing :: Resonant :: Equilibrium ::

Born from the creative synergy of dear friends, AWARË is the musical odyssey that transcends the conventional boundaries of sound. 
Through silence and stillness, intertwined harmonies, and converged instruments, AWARË creates a captivating and immersive atmosphere, inviting listeners to embark as co-creators on a soul-stirring experience. 

Vivacious rhythms begin to gradually awaken the senses, energy rises into a cheerful dance, and culminates in a collective celebration of life through the universal language of music. 
AWARË's music serves as a powerful catalyst to step into a realm of oneness, where hearts unite and spirits soar.

Gigs, News, reviews, interviews and the freshest tunes from across the Middle East.

For bookings please contact Laura Callegaro laura@elitemm.co.uk
mobile: +44 7966614990
office phone: +44 (0) 1273 55 40 22

• Soundarchitect • Composer • DJ

Cio D’Or is an artist, composer and DJ who seamlessly bridges the worlds of techno, art and composi,on. Her artistic drive and creative process begins with an idea that emerges from silence and aims to convey something inexpressible and indescribable. Her work testifies to the timeless possibilities of music and movement.
Cio D’Or’s sound is characterised by attention to detail, weaving together ethereal textures, subtle rhythmic complexity and an undeniable emotional depth, creating a balance between architectural precision and fluid, cinematic immersion. Each element is placed with intention and shaped by a keen awareness of structure and space.
Her releases on Semantica, Prologue and Kynant are timeless expressions of her minimalist and cinematic approach to electronic music.
Known for her dramaturgically structured DJ sets and cinematic productions, she has performed at Berghain, Dekmantel, Bassiani, De School and festivals worldwide.
Cio D’Or’s sound blends architectural precision with immersive atmospheres, informed by influences from Eno to Vainiø, from Bach to Stravinsky, and rooted in decades of sonic exploration. Her music continues to evolve. Her lifelong study of music does, too.

Artist Curriculum Vita 
Education
1977–82 first piano lessons, autodidactic learning of xylophone, congas, kalimba, guitar,
1982–85 Private school for contemporary dance, Martha Graham technique, Berlin  
1999–today Studies in music production, sound creation, composition, dramaturgy, video scoring, photography and visual media. Skills include vinyl mixing, electronic music techniques, MPC 2000 sampling, field recordings, synthesizers, keyboards and music software – developed both on journeys and in the studio.

 Career [Selection]
1976 Conga performer in a jazz band
1981–87 Choreographies modern Ballet, Graham technique in Hanover, Berlin
1983–85 Teacher in modern dance, choreography and gymnastics at VHS Berlin
1984-86 Modern Ballet for André Heller [Fire theatre “Sturz durch Träume“] by L.A. Ellis, as well as in the cinema film by John Frankenheimer„The Holcroft Covenant“
Dance theatre by B. Seidel
2015-today Visual artist for her music: shooting and editing music videos, photographing covers, developing visual concepts
Publications [2000-today]  Musical theatre, 2 films, 3 albums, 14 EPs, international podcasts, various national/international interviews. Labels, among others: Prologue and Semantica

Stage [1999-today]  Over 400 national/international dramaturgical hybrid DJ and ambient performances 

2005 Affiliated member GEMA
2010 Resident Advisor Top 100 DJ worldwide [64th ranking]
2013 Composition „Distanz“ for the Taschenopernfestival in Salzburg
2013 Lecturer Landesmusikrat NRW: “Rmx. Regendered Workshop”
2013 Dommune TV–Tokyo, Japan
2014 PULSA:RE with Brigitta Muntendorf; premiere: Deutschlandfunk
2015 Goethe Institut Sweden„Grammophon“
2015 Lecturer „Loop–A Summit for Music Makers/Ableton“
2015 Film score Ataraxya [1st prize Int.Dig.Animation Nagoya,Japan]   Man on Mars filmmusic
2015 Music for the Haute Couture CHANEL Show Fall-Winter 2015/16 & Karl Lagerfeld Interview   
2016 Dave-Festival, Dresden: Music/Dramaturgy for 2 modern-dancers with visuals in a cinema, assignment Dresden
2020 Extraordinary member of GEMA [composer]

2020–2024 Advanced studies in classical music theory and piano (including fugues). Conceptual and dramaturgical development of projects combining classical and contemporary music worlds, integrating new sound developments, followed by project planning supported by consecutive scholarships. Scholarships: 2× Ministry of Culture and Science NRW, 3× Musikfonds, GEMA
• 60-minute live act with instruments for EU festivals : dramaturgy & composition
• Piano compositions [52 minutes] for film and European stage productions
• Electronic–orchestral interplay [Polar Q, Kynant Records 019, vinyl & digital]
• Music trilogy [Clavier | Orchestral | Ambient, 3 CDs] for publication and stage
• Music portrait of a homeless person
2024 Music for the Haute Couture Show LOEWE Spring-Summer 2025 2025 On behalf of Francisco Tavoni for the exhibition The Source – Astral Projections at the Lindberg Galleries, Melbourne, she created a 40‑minute mix for the sound installation with her sounds and music, including binaural tracks at 4 Hz and 7.5 Hz.
2026 Guest Curator for Electronic Music at the Art Festival Hanover Herrenhausen, Germany

Press Comments [Selection]
n.n.
Minimal Collective (Text: Brent van den Elshout)
In a world driven by volume and spectacle, Cio D’Or stands apart, mastering the power of the barely perceptible. This editorial explores her philosophy of sonic minimalism—where silence, restraint, and nuance challenge conventional ideas of presence in music. Through her creative process, live performances, and the balance between macro and micro perspectives, we uncover how Cio D’Or transforms the ‘power of less’ into a profound, intentional form of presence.

Orb Mag (Text: Cédric Finkbeiner) 
Designer of an instantly recognizable sound, she produces warm and deep complex structures, constantly on a fence between light and dark cliffs, noises and silences, cinematic settings and authentic presence. Part of a family of intricated sounds brought by artists such as Aleksi Perälä, Alva Noto, and Ryuichi Sakamoto, she’s a high representative of the minimal movement. She honors painter and pioneer Frank Stella’s quote “The aim of art is to create space,” she does through deep refined electronic music compositions and stripped piano pieces, delicate yet substantial.
Intriguing and engaging, her musical minimalism invites the listeners to bridge gaps with their thoughts, making them active in the artistic process and, therefore, contributing to the immersive effect. The mental activity is yet effortless for them: minimalism allows a focus on the essentials, by eliminating the dispensable sonic excesses and by creating space. Such a process brings mental freedom to the listeners, by breaking through the wall that a too-dense track would normally build. On the contrary, Cio D’Or’s music is open, and inviting, with an exquisite balance between artistic depth and hopeful, melancholic intelligence.

Monument Podcast (Text: Joe Mayberry)
What’s better than a mix from electronic music royalty Cio D’Or? Two mixes. This week we present something very special, a tale told across two chapters. As a mainstay of techno for over two decades, Cio D'Or has consistently pushed boundaries, gracing the decks of revered institutions worldwide and crafting a legendary discography with releases on Prologue, Semantica, Hypnus, Time to Express and more.
Across both mixes you will hear Cio’s unparalleled ability for sculpting minimalism and sonic architecture, masterfully recontextualizing familiar and obscure tracks alike, breathing new life into them and unveiling hidden dimensions. She dissects, reassembles and creates intricate connections between disparate sounds, all flawlessly executed with an alchemist’s touch.
Prisma 33 starts at a slower tempo, delicately building into an eruption of psychedelic minimalism. Dada grows with kinetic energy, with Cio sculpting sounds and textures into a deep trip where time seems to bend and dissolve, finishing with an unexpected wildcard that only a master selector could make work.

These are my personal rules based on experience and love for music, promoters and audiences:
Set: 2 hours main time, 3 hours at the beginning of a night***
1 hour live (hopefully from Mid 2026)
Live recording:  
a) I love mixes that I perfect at home for an hour, because the idea, dramaturgy and a mix should, ideally, express something and be timeless.
b) there are far too many mixes online ( I prefer quality over quantity ).. 
Deeply thank you for your understanding! Love, Cio ~∆*

Ogra is following