Hollow City - Minimal Deep Tech Instrumental

Releasing 4 new ones, a collection of recent projects taking inspiration from my time in Dublin. A more ambient side of my music mixed with new electro sounds and groovy drum ideas.

Season 4

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Fire EP

Waterman

Next up on Moodmusic Records, Lorenzo Calvio and Alan Banjo with 'Sirio' and it comes strapped with two delish remixes from Echonomist and FreakMe. Thessaloniki man Echonomist, whose previous works include appearances on the likes of Connoisseur Recordings, New Violence and Motek Music, renders an emotive, chugging rework, showcasing some stellar synth work. We're very excited to present it to the When We Dip family in full premiere today.

Follow: https://soundcloud.com/echonomist // https://soundcloud.com/moodmusicrecords

www.whenwedip.com
www.facebook.com/wwdofficial
@when-we-dip
twitter.com/WhenWeDip
www.mixcloud.com/WhenWeDip/

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Premiere: Lorenzo Calvio & Alan Banjo – Sirio (Echonomist Remix) [Moodmusic Records]

Pole Folder - Gate of the sun (Olderic Remix)
Release date: 2017-05-02
Label: Reworck
Catalog: RW31

Reworck returns for installment 31 of it's burgeoning legacy, with founding member Pole Folder yielding another epic in "Gate of the Sun".
An ode to the sun, the track embodies Pole Folder's vision of stories in sound. As the day encounters night with a sky gorged yet diminishing with a stunning array of colour.
Olderic handles remix duties, the result of sparking the label's interest with his recent work on the respected Connaisseur imprint. The Venetian handles the melodic, stirring elements of the original sympathetically while allowing scope to develop a solid percussive bedrock.
Please enjoy!
Words by Breccia (c) 2017

Gate of the sun

Gate of the sun (Olderic Remix)

Pole Folder - Gate of the sun (Olderic Remix) [Reworck]

<a href="https://theartistunion.com/tracks/602bfc" rel="nofollow">Download for free on The Artist Union</a>

Moona Lisa

Free Download

Moona Lisa (Original Mix)[FREE DOWNLOAD]

Touching Light

Touching Light (Niconé Itzz Luv Remix)

Kostakis - Touching Light (Niconé itzz luv Remix)

Don’t stop moving - this one is shaky and brings a lot of energy for the dark club nights. We have Niconé back on Einmusika with sounds which can fill up the small and the big floor, made in cooperation with Aracil from Ibiza. Mystic and technoid, housy but clear - “Other People“ featuring Jinadu is for sure a smasher. “Consciouness“ is much more dark and heavy. With it’s noises and bleeps it’s bringing a really unique sound. “Campana Retouch“ is the version name of Niconé's edit for „Other People“ with the typical Berlin vibe and slowed down lovely moments.

Veröffentlicht von:
Einmusika Recordings
Veröffentlichungsdatum:
12 Oktober 2018
P-line: ℗ 2018 Einmusika Recordings

Other People EP | Einmusika132

Niconé & Aracil_Other People feat. Jinadu_Niconé Campana Retouch

♫ Read More ♫:
http://www.deephouseamsterdam.com/london/premiere-boys-be-kko-by-ada-atomnation

https://soundcloud.com/boys-be-kko
https://www.facebook.com/Boys-be-kko-810532719291726/

♫ Read More ♫

Premiere: boys be kko - by ada [Atomnation]

'Freddie Frampton makes his debut on Hot Since 82’s acclaimed Knee Deep In Sound imprint with a mighty 3-tracker that follows on from the label boss’ key support for Frampton’s huge ‘Black Betty’. The London producer has a history that stretches back to working alongside legends like Carl Cox at seminal nightclubs in the capital in the early ‘90s, and his resurgent production career is seriously delivering the goods.

Infectious from the word go, ‘When You’re Alone’ kicks off with a loose, shuffling percussive groove punctuated by deft little techy synth notes. Rolling drums create more urgency as a filtered vocal loop slowly eases up. A snippet of a euphoric piano chord refrain gives a taste of what’s to come as the languidly grooving bassline drops in. The first break sees a powerful chord progression play out on the beautifully honed pianos before an unmistakable vocal sample drops in to add more drama. Monotone synth stabs arrive to build the groove further while heavily reverbered hits add atmospheric depths. It’s a big room sound but without being overblown. The pianos and vocals are allowed to take centre stage in the main break before we thrust headfirst back into the stripped-back groove.

'Miss Mouse' kicks off with shaker-style hi-hats and muffled flute notes. A galloping tribal rhythm soon kicks into life, with distorted toms thumping away under heavily swung wooden percussion. Trippy vocal samples arrive to build the atmospherics while throbbing bass note joins the fray. A mini breakdown sees Frampton get busy on his guitar, playing sorrowful chords with an almost flamenco flavour to them. “I’ve had a long love / hate relationship with the guitar throughout my life, and always wanted to fuse the guitar with house. I’ve built a nice little library of seriously old rare vocals which, so after some painstaking audio editing, I took a break, switched to the guitar and the main riff jumped right out at me.” The bluesy vocal reveals itself in ghostly fashion, filtering in and out of focus as the arrangement chops and changes. The haunting feel continues throughout the track as the vocal and guitars combine succinctly, with plenty of space between to let the rhythms flow. “This is the track I’m most proud of” he says. “I think it comes closest to summing up what I’m all about. Where does it fit in today's music scene? I have no idea, and I guess that's another reason why I'm so proud of it.”

Sharp hi-hats and infectious woodblock rhythms start to build the groove on melodic techno track ‘Shine’ before muted, atmospheric sounds and a commanding lead synth cut through the mix. A lead synth unfolds into a slow-burning melodic progression that’s tinged with darkness as tribal percussion builds a meatier groove. Slowly but surely the bass pressure increases as the brooding synth switches to a different pattern and heavenly female wailing takes the track higher. Delicate chord stabs lace the underbelly of the track as we’re plunged into the swirling breakdown, a masterclass in tension and release cuts sharply against the drop.

Hot Since 82 has been pushing Frampton’s sound for a while now, with huge reactions for some of his unreleased material that he dropped in recent sets such as at Cercle’s party in one of the ‘Game Of Thrones’ filming locations. This looks set to be a very fruitful relationship.'

Follow: @freddieframpton // @kneedeepinsound

Premiere: Freddie Frampton - Miss Mouse [Knee Deep In Sound]

Italian DJ and producer based in Venice, half part of Stereocalypse project. Co-founder of Multinotes.