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#ShowLoveSpreadLove

<3 GRiZ

i like to play

see also:
Dusty's Delights (my kitty's record label) 
freqshift timeband (rumored)
the worm (w/ naughty wood)
noface (w/ 500internal + Oliver Grudem + Nathan Gilbert)

releases on:
Dusty's Delights | Kajunga | Always Human Tapes | Great Circles | Electric Music Foundation
Intellephunk resident

San Francisco DJ Nikola Baytala has become a crucial component of the minimal-techno collective known as Kontrol. But don't typecast him as a one-dimensional droid with a M-nus Records logo tattoo. He's been exploring the upper echelons of the techno/house continuum since the early '90s (including the last 10 years at The Top, a weekly event hosted by S.W.A.T., aka Special Weapons and Tactics), gaining a reputation as a DJ's DJ, with acclaim coming from house-music legends like Derrick Carter and Doc Martin. Moreover, Baytala's list of musical influences and loves is vast, eclectic, and impeccable. The following roll call just scratches the surface: dub/reggae (Lee "Scratch" Perry), jazz (Pharoah Sanders), world (Ravi Shankar, Mulatu Astatke), funk (Cymande), soul (Bill Withers), hiphop (Gang Starr), Krautrock (Can), electro (Egyptian Lover, Kraftwerk), disco (DJ Harvey), Latin (Tito Puente), soundtrack/new age (Vangelis), rock (Steely Dan), post-punk (ESG, Liquid Liquid), and post-rock (Outhud). As for his bread and butter, Baytala similarly displays excellent judgment, with a heavy preference for quality-pushers like Jeff Mills, Gas, Monolake, Robert Hood, Theo Parrish, and Mr. Fingers. When you see a DJ possess such wide-ranging, outstanding taste, it instills confidence that he/she will rarely, if ever, veer into wackness. Baytala clearly has put many hours of study into his craft, and it's paid off with smooth mixes and world-class track selection. Besides his formidable technical skills and profound knowledge, Baytala reportedly exudes a lot of personality and passion behind the decks, which must have served him well while opening for acts like Jane's Addiction. Everything I've heard by Baytala suggests that his sets avoid the supposed pitfalls of minimal dance music. They're kinetic and dynamic.

DJ RESIDENCIES
THE END UP
[KONTROL]
BLASTHAUS
222 HYDE
BIONIC
DHP
RECORD STORE
TWEEKIN
BPM
SOUNDWORKS
HOUSEWARES
IN HOUSE
PRODUCTION
S.W.A.T.
UTENSIL RECORDINGS
JR BOYS OWN
LARGE RECORDS
ROBSOUL RECORDINGS
SOUL FOOD
NIGHTSHIFT
CAMOUFLAGE
AURALISM

MGMT 💎   david@kompassmg.com
AGENT  💎   maxx.lesnick@roamartists.com
General  💎   superfuturedj@gmail.com
Merch 💎  https://www.superfuturedj.co/merch
Demos  💎   https://discord.com/invite/66BKZznt6n

@odyzeymusic
@hypnovizion
@spinninrecords
@sskwanofficial
@morflorecords
@bassrush
@allgoodrecs
@subcarbon

From one of the most musically-rich cities of the USA, you’ll find artist Nick Rowland, an integral player in the Detroit electronic music scene, shining with the vibrant look and sounds of his alias, Super Future. His style is a diverse combination of experimental bass, beautiful melodies, bright future-style synths, and hard-hitting dance beats all complimented by the occasional virtuosic guitar solo. With all of the genres his art blends, his range and originality are creating a larger and more impressive musical statement with each coming year. Having a range of major tastemakers like Zeds Dead, Subtronics, Tape B, GRiZ, Rezz, CloZee, Of The Trees, and LSDREAM all supporting his music, this Future is always looking more Super.

It’s easy to hear that Rowland’s musical inclination was harnessed early, when he was shredding classics on guitar. His music today has echoes of his early love for live instrumentation, with elements of various guitar and percussion types underneath the forward-thinking experimental and contemporary dance sounds. Super Future can just as easily bring the nostalgia of 2010 melodic dubstep as he can wield the most unheard-of experimental bass nuances in the same live experience. In the middle of all that, Rowland can invoke powerful emotion with his downtempo and have you throwing ass five minutes later! Catch him on tour near you to see why Super Future is thought to be one of the most musically diverse, and most prolific sound design engineers of his EDM generation.

Writer, DJ, lapsed producer. 
Bylines in Pitchfork, NYT, and others.
Weekly newsletter: futurismrestated.substack.com
Mixes ranging from techno to ambient to who knows what.

Who are TBS?.. The Bass Society is a music promotion channel sharing with you some of the newest UK Garage & Drum & Bass.

Our aim is to give our viewers content from lower/not as well known artists, which produce high end, all round quality music.

For enquiries or track submission contact - thebasssocietyy@gmail.com

@NIGHTSLUGS  |  @AP_LIFE

inquiries:
nico@einhundert.net

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