This week my guest is Adrian Sherwood, the legendary dub producer from the south of England behind the On-U label and so many groundbreaking music projects. We talk a lot about those early days when Adrian was first immersing himself in music and about what it's like to release, distribute & hustle music as well as his work with unforgettable artists like Prince Far-I & Bim Sherman .. Adrian is a great guy with a unique perspective on music so sit back and enjoy his musical journey !

www.lifeindub.com
www.vibronics.co.uk/
www.instagram.com/vibronicsdub

LIFE IN DUB PODCAST #35 ADRIAN SHERWOOD hosted by Steve Vibronics

THE OFFICIAL version.
Dub plate by Adrian Sherwood, Album : compilation women reggae "Dub No Frontiers" on "On-U-Sound" Records.
حرب

إلى أن نرى الفكر الذي يضع عرقا كأعلى و آخر كأقلّ شأنا، 
أخيرا يُنبَذ و أبدا يُهجَر، في كلّ مكان حرب، أقول الحرب 

و إلى أن لا نرى مواطنا أوّل و آخرثاني في أية أمّة 
و إلى أن يصبح لون أيّ كان لا يزيد أهمّية عن لون العيون، 
أقول الحرب

إن حتّى حقوق الإنسان الأساسيّة تُكفَل بالتّساوي للجميع، 
بغضّ النّظر عن العرق، أقول الحرب

إلى أن نرى ذاك اليوم، حلم السّلام الدّائم، 
إنسان آبن العالم، و سيادة الأخلاق الدولية 
سيضل وهما خاطفا يُنَشد أبدا يُدرَك
الحرب ،أقول الحرب

و حتّى نرى الأنظمة الخسيسة المستبدّة بإخواننا 
في زمبابوي، في فلسطين، في العراق، 
لا إنسانيّة العبوديّة و قد أطيح بها و دُمِّرَت كلّيا، 
في كل مكان حرب، أقول الحرب

حرب في الشرق، حرب في الغرب، 
حرب في الشمال، حرب في الجنوب، 
حرب حرب، شائعات الحرب

و حتّى نرى ذاك اليوم، نحن العالم الثالث
سنحارب، لا من حياد، سنحارب، 
و نحن واثقن من النّصر، نصر الخير على الشرّ، 
واثقون من النّصر. 

هايله سـِلاسي

حرب (War, Bob Marley cover)

African Head Charge is a legendary psychedelic dub outfit who have recently returned to their home label On-U Sound with A Trip To Bolgatanga, their first new album in 12 years. As always it finds the peerless Adrian Sherwood at the controls and joins the dots between what the collective has done before and what they are doing now, all with a distinctly Ghanian twist. The signature drums and chants remain at the core of the album of course, as well as plenty of other thrilling new sonic concoctions on keys, guitar, percussion, strings, vocals, kologo and more. It's the latest chapter in a fascinating story that has already seen them release some 16 albums since its inception in 1981. 

This week's mix is a deep dive into the uniquely melon-twisting sounds of African Head Charge. Sherwood's mastery at the controls means sound is twisted and contorted, dubbed out and reverb-rich from start to finish. Traditional dub sounds melt away into ghoulish vocal passages, unhinged instrumentals come and go and the collective's signature sense of dark soul and mystic ritual holds the whole thing together in a spellbinding fashion.

Dekmantel Podcast

Dekmantel Podcast 445 - Adrian Sherwood/African Head Charge

Explore the many different strains of good music that make up Ross Allen's collection.  
https://www.nts.live/shows/soup-to-nuts-ross-allen/episodes/soup-to-nuts-ross-allen-jalen-ngonda-15th-february-2024

Soup To Nuts w/ Ross Allen & Adrian Sherwood - Foundation Music Special  150224

Full tracklist: https://bleep.com/bleep-mix-307-on-u-sound

The versatility of On-U Sound shines in this generous mix from the label crew, “90 minutes of deep cuts, lost classics and non-label Sherwood productions, recorded using two turntables and a stack of original vinyl.” There’s the classic fluttering horns, hot sticky bass and guitars, from the likes of Lee ‘Scratch’ Perry and Dub Syndicate, and then there’s the leftfield grooves of African Head Charge with whirring, rattling, thunking drums and percussion, the drilling industrial soundscape of Mark Stewart & The Maffia. Sitting in between are the psychedelic jazz dub fusions of Playgroup with slick dextrous bassline and ricocheting drums, the reggae inflected synth funk of Shara Nelson, and Little Annie’s sensual spoken word drowning in idiosyncratic desire.

Bleep Mix #307 - On-U Sound

Expansive dub vibrations from the On-U Sound maestro.

Adrian Sherwood has spent nearly five decades reshaping how dub is heard and felt. From absorbing reggae and funk as a teenager at the Newlands Club in High Wycombe to cofounding On-U Sound in 1979, he’s been a restless force in British sound system culture. His debut production, Dub From Creation, signalled his instinct to twist the Jamaican form into bold, experimental directions.

That spirit defined On-U Sound, where reggae collided with post-punk, industrial and synth pop to forge a catalogue still unlike anything else. Sherwood became a crucial bridge, producing for legends like Prince Far I, Bim Sherman and Lee “Scratch” Perry, while also working with Depeche Mode, Nine Inch Nails and Sinéad O’Connor.

His  RA Mix (yes, you read that right) arrives at a moment of renewal—RA.1001 is the first in a new era for the series. (After 1,000 editions of the RA Podcast, we're updating the name to better reflect what it's become.) 

Recorded at his Ramsgate studio, the 76-minute mix folds in cuts from <i>The Collapse Of Everything<i> alongside material from across the On-U Sound universe, plus collaborations with Panda Bear, Sonic Boom, Coldcut and Spoon. It's Sherwood doing what he's always done: stretching dub into endless new shapes.

Find the interview and tracklist at ra.co/podcast/1019

RA.1001 Adrian Sherwood

Exclusive track from the Adrian Sherwood sessions which produced their recent album #N/A b/w a remix by Chris Carter (Throbbing Gristle).

The original version of #6 is a dub-strafed subway ride through abandoned tunnels, a haunted Philip K. Dick alternate past where Joy Division cut live techno tunes with Scientist. On the flip, Chris Carter adds heavy machine funk and saturated bomb damage FX, re-arranging the component parts into a dancefloor jammer from the death factory.  

http://bit.ly/2aMNIGa

Praise for #N/A:

“The mixing-desk manipulations blow the trio's sound wide open, from two dimensions into three or four. Together, they all sound like exploding clockworks, and even more so when Sherwood lassoes individual sounds and whips them to and fro.” – Pitchfork

“Sees them refine their technique - a rubbery industrial judder” – Uncut

“Their conjurings are irresistible.” - The Quietus

“Some of their most radical music yet” – All Music


Nisennenmondai - #6 b/w Chris Carter Remix preview snippet

More Info & Download: https://www.xlr8r.com/podcasts/2016/07/podcast-446-sherwood-x-nisennenmondai/

Adrian Sherwood and Nisennenmondai serve up 90 minutes of noise, new-wave, techno, hip house, rock, acid, and plenty more.


Download

XLR8R Podcast 446:  Sherwood X Nisennenmondai

- PLAYGROUP
- PREVIOUSLY UNRELEASED
- 30 TRACKS
- 9 VINYL ONLY E.PS
- 9 WEEKS
- EP 4 RELEASED 1T2H AUGUST

--------------------------

EP4

- A. WHAT'S HAPPENING
- B1. SHADOWPLAY DUB#2
- B2. TOTAL COLLAPSE

--------------------------

- LIMITED EDITON OF 250
- YES WAVE RECORDS
- 2016

- PRE-ORDER:

www.phonicarecords.com/product/playg…s-wave/138760
www.piccadillyrecords.com/prod/Playgro…-110484.html
www.juno.co.uk/products/playgrou…d-ep-1/620117-01/
www.roughtrade.com/albums/105634

After the success of last year’s multi-edition album release ‘F O R M A T’ via The Vinyl Factory, the critical acclaim of his ‘Science Fiction Dancehall Classics’ On-U Sound compilation and the ‘Metal Dance’ series for Strut, Trevor Jackson is back in 2016 with the long-awaited return of his much loved PLAYGROUP project.

“Inspired by the hedonistic early days of house, disco, post punk, electro and dub, these tracks reflect a unique moment in time”, explains Trevor. “The emergence of underground club culture in New York, London, Chicago, Paris and Northern Italy was driven by pioneering DJ’s playing a wildly diverse soundtrack to a passionate, dance driven and open minded audience. It was a sensory overload of chemicals, bass, smoke, sweat, sex and danger; a testament to the non-air conditioned, non-i-Phone infested and non- corporate clubbing days of yore.”

Targeted directly at the modern dance floor, many of the tracks were freshly re-edited and tweaked with the assistance of Sasha Crnobrnja from In Flagranti. Ed DMX lends a helping hand on one track, two feature the vocals of Mike Z from the seminal new wave band Crash Course In Science, and a young Kieran Hebden (AKA Four Tet) plays guitar on the final EP’s lead track.

Released as series of 9 limited edition vinyl-only EPs over a period of 9 weeks, the 30 tracks featured are a collection of reworked demos and unreleased recordings. Still sounding as relevant today as they did when initially created during the writing process of the debut PLAYGROUP album from 1997-2001. 
Packaged in a collection of 9 individual sleeves that, as a full set, combine to make a single image featuring a photo by legendary photographer Bill Bernstein, they’re as much a testament to Trevor Jackson’s visual ability as his musical one.

Mastered by Frederic Stader at MusicMatters Mastering

Playgroup - Shadowplay - Dub #2 - EP#4

GENERAL ECHO is a monthly reggae disco in Walthamstow, North London, playing dub, dancehall, roots, rockers and other bass transmissions on two turntables and a space echo. The night is named in tribute to Jamaican MC Earl Anthony Robinson who had deejay hits with "Drunken Master" and other classic tracks.

For our first birthday party on 16th November we've compiled this hour long mix of some favourite tunes played at the night. This will be available as a limited edition cassette on the night, and includes selections from Billy Boyo, Papa Levi, Vibronics and more. Dubbed up with FX and subliminal MC interjections by Lt. Echo & Private Sunshine.

“You ‘ear the advice come through the speaker, and 
the sound is sweeter with an echo chamber” - Papa Levi

https://www.facebook.com/events/699627380193770/
http://generalechoes.tumblr.com/
https://www.facebook.com/groups/1026216090742296/
https://twitter.com/gen_echo_echo

Echo Lives!

Dub rhythms from a musical pioneer.

Download & tracklisting: https://www.xlr8r.com/podcasts/podcast-589-lee-scratch-perry

Nisennenmondai - #6 b/w Chris Carter Remix preview snippet

On-U Sound Records