Exclusive track from the Adrian Sherwood sessions which produced their recent album #N/A b/w a remix by Chris Carter (Throbbing Gristle).

The original version of #6 is a dub-strafed subway ride through abandoned tunnels, a haunted Philip K. Dick alternate past where Joy Division cut live techno tunes with Scientist. On the flip, Chris Carter adds heavy machine funk and saturated bomb damage FX, re-arranging the component parts into a dancefloor jammer from the death factory.  

http://bit.ly/2aMNIGa

Praise for #N/A:

“The mixing-desk manipulations blow the trio's sound wide open, from two dimensions into three or four. Together, they all sound like exploding clockworks, and even more so when Sherwood lassoes individual sounds and whips them to and fro.” – Pitchfork

“Sees them refine their technique - a rubbery industrial judder” – Uncut

“Their conjurings are irresistible.” - The Quietus

“Some of their most radical music yet” – All Music


Nisennenmondai - #6 b/w Chris Carter Remix preview snippet

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Duppy dubs
Duppy riddims

The Sound of Art to Come Records is a Transylvanian based record label, home of Dub, Electronic and Experimental music outcasts and exploring mavericks.

Deep in the heart of Romania, it transmits from the dimension of The Shape of Dub to Come.

Music work here -----------> https://soundcloud.com/salondapresmidi

Nisennenmondai - #6 b/w Chris Carter Remix preview snippet

On-U Sound Records