London based DJ, Producer and Label owner at @abovethestormrecords
📥Message me for bookings.
💵Tracks available here:
https://www.beatport.com/artist/alfonso-muchacho/317869

Booking: bookings@mayromusic.com
Promos: mayromusic@gmail.com

Owner Label: Traful
https://soundcloud.com/trafulmusic

www.facebook.com/MayroMusic
www.instagram.com/MayroMusic/

Multifaceted, eclectic, disruptive, and always full of energy—this is Mayro, an Argentine DJ and producer who has carved out his place in the scene with a unique ability to blend genres like Progressive House, Electro, Techno, Psy, Trance, and more. His unmistakable and vibrant sound translates seamlessly onto the dancefloor and into his productions.
Mayro’s music has earned recognition from industry heavyweights such as Hernán Cattáneo, Nick Warren, Tony McGuinness (Above & Beyond), Eelke Kleijn, Einmusik, Space Motion, Miss Monique, Armen Miran, D-Nox, Mariano Mellino, and many others.
His style is a distinctive blend: fun, powerful, and occasionally tinged with dark, emotional undertones. The way he merges different genres in his compositions showcases boundless creativity, delivering sets that are both intelligent and profound. Every performance is a crafted experience designed to entertain, with Mayro’s versatility enabling him to captivate audiences in ways that are both unexpected and thrilling.
His own label, “Traful”, is a space where music follows no rules, exploring creative freedom as its core essence.
Mayro has shared his art in countries such as the Netherlands, Sweden, Poland, Spain, Australia, Malta, UK, Norway, Hungary, Sri Lanka, the United States, Mexico, Uruguay, Brazil, Chile, and of course, his homeland, Argentina.

Chilean-born DJ/Producer SIMPLY CITY began his music career embedded in clubs and raves in his native city of Santiago under the alias Cesar “Bass” Romero. After developing a reputation as one of the most in-demand DJ’s in his home country, Cesar left Chile to begin touring across Latin America, Asia, Europe, and North America in the pursuit of launching his DJ career. 

Cesar then spent many years traveling and touring the world internationally as a DJ. It was Montreal, however, where he decided to root himself after much time abroad. Here, he gained a coveted spot as a resident at Montreal's world famous Stereo Afterhours, where he’s been engaging crowds and developing his sound for over 10 years. 

Stereo’s globally recognized sound system, acoustic space, and dedicated club-goers gave Cesar the opportunity not only to apply his breadth of experience as a career DJ, but also to explore a variety of new musical territories. At Stereo, Cesar never fails to flex his mixing skills to an audience of “stereo-heads”; always taking them on truly sonic and atmospheric journeys through his music. Whether opening up the room for some of the biggest names in electronic music or taking over the space for an “all night long” set, Cesar’s mastery of tight mixing and careful track selection have garnered him respect both locally and internationally. 

Outside of DJing, Cesar has released several tracks on some of the most well-renowned progressive house labels; ultimately putting himself on the map as one Montreal’s most recognized progressive house producers. SIMPLY CITY continues to play his music beyond Canada’s borders, and consistently delivers his infectious Stereo flare to audiences across the world.

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


A fusion of trance, house and progressive, it's an effective showcase of what Freegrant's record label does best (Mixmag)

send your demo to our demobox ONLY!
http://bit.ly/fgdemobox

Cosmonaut was one of the first electronic music artists who has been successfully pulling in big crowds all over Eastern Europe. 
His DJ and production career started in early 90s followed by several releases and a global success of the tracks "Plasma" and "Boctok5" (Transient rec. UK, 1997) secured leading positions in the TOP 10 of the Paul Oakenfold's chart (DJ Mag's #1 1998-1999). 
In the meantime, Cosmonaut gained worldwide recognition with his dj and live sets and has performed on many events, including big festivals such as Love Parade and KaZantip, sharing stage with many leading artists such as The Prodigy, Underworld, Paul Van Dyk, Mark Knight, Oliver Huntemann. 
Currently, Cosmonaut is well-known for his quality sound production and top-selling releases on Stellar Fountain, Outta Limits, SkyTop, JOOF, Kitchen, Univack, and other labels. He is also known as the host of MegaBeat radio show/podcast and as a hero of progressive techno movement in Goa.
Every Cosmonaut's set is an explosive for the dance floor. He uses modern tools for real-time music making and remixing, creatively combining loops, tunes, synths and fx to build his unique impulsive sound.

Follow me on Twitch for live dj sets on every TUESDAY and THURSDAY - 5 PM CET / 11 AM ET 📺 https://twitch.tv/retroidmusic 

Full schedule: https://www.retroidmusic.com/events

General inquiries and booking request: 
info@retroidmusic.com

Budapest based passionate music producer and dj in various genres of dark melodic electronic music. Owner and A&R of two record labels https://soundcloud.com/morphosisrecords and https://soundcloud.com/egoshotrecordings.

Henry Saiz, Kevin Di Serna 'Technicolour Atemporal'
https://orcd.co/lnoe186

Send demos to: demos@lnoearth.com

‘Last Night On Earth’ is Sasha’s home for supporting exciting new electronic music talent and his new solo productions.

Ornocko is following