More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696/

11 samples created from looping short sections taken from a pre-existing piece entitled 'Narrative' [ https://soundcloud.com/xiiixxi/narrative ]. The volume of each continuously sounding loop is auto-faded in and out using a pair of linked oscillators in addition to being shaped to bring each to the front once at least once throughout the duration of the piece.

Disquiet Junto | Chain of Layers - disquiet0696

Whesovea

sound art for disquiet0696.

More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696/

hendecad cascade (disquiet0696)

Ambient Concrete Music.  Reaktor Rhythm Loop. Collateral sounds.

AdUn CertoMetro (naviarhaiku591)

Vocal Sample - Patricia Edwards - I Do - Today Is The Day [
https://www.looperman.com/acapellas/detail/14802/i-do-today-is-the-day-by-patriciaedwards-128bpm-house-acapella ]

Re- Sequencing - X I I I X X I via XiiixxiQ 
Tempo : 120bpm.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Disquiet Junto | First Third - disquiet0697

I wanted to create something simple and circular that could stand alone for this first part of the @disquiet trio project. Using the Silver Age piano preset on Logic Pro with no effects, I repeat the note sequence D, G, D, A, F# eight times, sometimes letting the D and A overlap. There is no bpm to this and the only alterations I made when listening to this several times after recording this sequence, was to reduce the velocity on many of the notes to evoke an almost 'not really playing' quality to the piece.

Looking forward to hearing if anyone takes this further.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Hole Third (disquiet0697)

I'm really taken with last week's Disquiet Junto track by audiosnafu and alanblip: https://soundcloud.com/audiosnafu/disquiet0698 and I was drawn to add a cheeky third part - hope I didn't ruin it!

Check out my wonderful collaborators:
https://soundcloud.com/audiosnafu
https://soundcloud.com/alanblip

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at disquiet.com/0698/

more halF unusuaL

halF shortdronE [disquiet0699] with audiosnafu and alanblip

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Homage E.R ."
credit : ipad9,plug data

Support us at :

trampelfad.bandcamp.com

date: 2.07.2025
more science music test :
https://www.youtube.com/watch?v=QyvZDELhwkc

Live 2025
https://www.youtube.com/watch?v=u4dRn8-kbCU

Rutherford  Gold 2

odyssey

In spring sunlight
the rows of tea bushes
ripple like waves

by: Tōge Morita

Tōge Morita (1924-2013) was a Japanese teacher and poet from Osaka. In the early 50s, he started publishing his poems in the Katsuragi 葛城 magazine, later becoming its editor-in-chief and, in 1990, its editor.

Haiku by Tōge Morita

Picture by Kyle Bushnell

Join The Naviar Haiku Music Challenge
This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page. https://www.naviarrecords.com/naviarhaiku604-in-spring-sunlight/

AdUn CertoMetro (naviarhaiku591)

Ostacoli Sonori