All submissions are here: https://www.naviarrecords.com/naviarhaiku591-steady-spring-rains/

To participate in the Haiku Music challenge:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

more info here: www.naviarrecords.com/about/naviar-haiku

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): https://www.naviarrecords.com/membership-and-services/#membership

haiku #591: steady spring rains... / both dream and reality / Mount Yoshino!

shut up shut down

0521 31 Lv 1 Crsh Arg 1 (egress)

Curtain Seller

steady spring rains...
both dream and reality
Mount Yoshino! 

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Haiku by Ōshima Ryōta: https://thepoetryhour.com/poets/oshima-ryota/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF realitY [naviarhaiku591]

This track was created for the Naviar Haiku group.
591
https://www.naviarrecords.com/naviarhaiku591-steady-spring-rains/

2025-05-01

steady spring rains... (Naviarhaiku 591)

Recorded, mixed & mastered on 29 Oct 2005 & 30 Apr 2025 by Jim Lemanowicz at Stockhausen Sound & Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, augmented piano, voice & effects.

This original version of "Let's Leave Steady Divided" was submitted as part of Naviar Haiku 591: Dreadful The Stream.

steady spring rains...
both dream and reality
Mount Yoshino!

by: Ōshima Ryōta

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Photography - Jim Lemanowicz, 07 Aug 2016, Massapequa, NY, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge

Let's Leave Steady Divided (naviarhaiku591)

Seven ronroco tracks
Infra bass
Orchestral Samples

Composed and recorded by Daniel Diaz, 1st May 2025

for this haiku:

Steady spring rains...
both dream and reality
Mount Yoshino!


Haiku by Ōshima Ryōta
Photo by DD, Iceland  2024


@naviar-records

dream and reality (naviarhaiku591)

A hopefully peaceful track composed for the 591st Naviar Haiku challenge: https://www.naviarrecords.com/naviarhaiku591-steady-spring-rains/

Haiku:
steady spring rains...
both dream and reality
Mount Yoshino!
— Ōshima Ryōta

Photo by: Soubhagya Ranjan (https://unsplash.com/photos/a-tree-with-green-leaves-YqFqYd_WQHU)

The rain field recording felt inevitable as a starting point—once in place, the chimes followed naturally. Two measures of gentle drones and a few understated piano notes later, and the piece settled into a safe haven. Nothing more felt necessary.

Steady spring rains (naviarhaiku591)

Ambient Concrete Music.  Reaktor Rhythm Loop. Collateral sounds.

AdUn CertoMetro (naviarhaiku591)

see description of Star-shaped Biscuit, scene 1.

Star-shaped Biscuit: scene 2- Curiosity

032218001 TASCAM 0284 MD

Purchase: bit.ly/35jLaxx
Catalog #: GN63
October 1, 2020
2xCASS+DIGI

The midnight hour crept unto thee with hasty caution, revealing 'A Little Night Music: Aural Apparitions from the Geographic North', our third putrid prowl into Halloween-inspired sounds to torment and tantalize throughout the season. For this bout of distinguished dementia, we culled 31 brand new tracks of haunted hysteria conjured by some of the most alluring ambientists and outer auteurs from around the world. 

Spanning over two hours across two cassettes, 'A Little Night Music…’ unfurls itself in a literary horror structure, appearing and disappearing through a stirring Prologue and Epilogue by London-based cellist Oliver Coates, with each side of the cassettes introducing its Chapter with a chilling dirge courtesy of the inscrutable Geographic North House Band.  

What fills the ensuing pages is a mirthful tale concocted by an assembly exploring a realm all at once mournful and fatalist at its core. Entries from Clarice Jensen, Malibu, and the collaboration of Like a Villain and Christina Vantzou bring about endless glacial landscapes accented by pitch-grey skies. Conversely, transmissions from Michael Valentine West, M. Sage, Gregg Kowalsky, and Austrian ambient stalwart Fennesz explore richly textured mines of foreboding glee. 

Suspicion is the word when considering Zelienople’s eerie horse-carriage clip-clop, Nick Malkin’s neon-lit noir-jazz, or Carmen Villain’s gripping dub excursion. Elsewhere Ki Oni, Takagi Masakatsu, and Mary Lattimore (joined here by Paul Sukeena) provide glimmers of warmth amidst a tortured chill. 

Notable is the resurrection of Lotus Plaza and his solemnly hopeful piano composition, while barren hallucinations courtesy of Alex Zhang Hungtai, Ilyas Ahmed, and Danny Paul Grody set the stage for a third act confrontation from Atlantans Fit of Body and Algiers, providing a one-two serving of sensual unrest and cautionary homily.  

With hope and resolve shimmering through the final moments of our journey, know that all proceeds from the digital and cassette editions go directly toward Feminist Women's Health Center, an Atlanta-based nonprofit providing safe, accessible, and compassionate abortion and gynecological care to all those who need it without judgement.

feministcenter.org

AdUn CertoMetro (naviarhaiku591)

Ostacoli Sonori