“Me costó meterme en el mood ya que llevaba mucho tiempo sin pinchar pero después de unos intentos entré en calor y no encontraba el momento de parar. Al final fueron tres horas. Pensé en hacer un edit y cortar por algún lado pero ya que lo tenía grabado, por qué cortarlo. Os lo comparto tal y como quedó”.  El estilo, el de siempre de Refracted: techno como idea y conducto más que como sonido fácilmente etiquetable. Música de baile en la que los ritmos en capas actúan casi a nivel subepidérmico, neuronal donde los paisajes sonoros en movimiento y evolución adquieren una fisicidad táctil.

Refracted
Para el productor y dj afincado en Berlín, la música electrónica, y el techno en particular, es el medio elegido para encontrar su voz para conectar, más allá de un entretenimiento formulista o una banda sonora para bailar. Ejemplos de esto se pueden encontrar en los lanzamientos de su propio sello Mind Express, y en sellos célebres como PoleGroup o canadiense de ambient/deep-techno Silent Season, además de las cabinas de Tresor, ://about bank o el ahora desaparecido Griessmuehle, en Berlín, además del Contact, Domune en Tokyo o de Paral·lel Festival.
El tracklist incluye temas de air liquide, Ø [Phase], Robert Henke, Primal Code, Jeff Millls, BNJMN, Kevin Gorman, Forest Drive West, Mike Parker, Fumiya Tanaka, Peter Van Hoesen, Optics, Marcelus,,Yugem, SS/S, Company, Stanislav Tolkachev, Forward Strategy Group, Peverelist & Kowton, Gomorra, Ruff Cherry, Mediane, Neel, Architectural, Deadbeat & Fenin, Autechre, UBX127, Leiras, Developer, Dold, Claude Young, Imugem Orihasam, Oisel, Mike David, Ulwhednar, Refracted, Distant Echoes, Rrose, Jasen Loveland, Philus, Jeff Mills, Ulwhednar, Museum, ESHU, Óscar Mulero, Singular Anolamlies, DJ Slip, Tim Taylo, Tnesal, Antigone & Francois X, Z.I.P.P.O, Lewis Fautzi, Steve Bicknell, D_Func, Takaaki Itoh, Surgeon, James Ruskin, Sleeparchive, KS, Company, Dorian Gray & Svart1, Tensal, Optics, Ekserd, Olga+ Jozef, Max Duley, CA2+, Alfredo Mazzilli, Voices From The Lake, Donato Dozzy, The ambient drones of Bill Baxter.

YOU GOT TO GET IN TO GET OUT. El continuo sonoro que nunca se acaba #10 con REFRACTED

The number #29 of our podcast series comes by @monument-podcast's @larapalmer. This is a live recording of her set from february at the MNMT X @cctvsthlm event in Stockholm, alongside @petervanhoesen and @ntogn.

We asked her for 4 words to describe her set:
''simultaneously hazy and danceable'' ;)

Thank you very much Lara !

https://www.instagram.com/larpalmer/

artwork by www.instagram.com/h.tanneberger/

Connwax Selected #029 | Lara Palmer

A person is regarded as a perfect example of a particular quality. Always open to exploring different sounds, you can find him experimenting in between anything from IDM, Ambient to D&B, Deep Techno to Acid & House with high energy.

In May 2020, with his collective friends, launched a podcast series called "Parallel Perception" and they are looking to inspire the people of Tel Aviv. 
A new project with a clear vision to showcase journeys of the experimental side of electronic music, from Atmospheric Deep Techno to Ambient and Drum & Bass.

Follow:
https://soundcloud.com/paragon_ys

Paragon | Periphery Music Session #6

...Live uptake from the Dissipated 001 evening at the Subland club the night of may 24, 2014 in Berlin...

_for live act booking please contact_ fabian.kempe@gmail.com

Korridor Live PA @ Subland, Berlin, Germany 2014

Welcome to the first Outis Podcast Series !
I made a really personal mix in the purpose to exalt a style i growth in time and shared with friends from Prologue & Sonic Groove;
Dark, hypnotic, call it as you want, for me it’s just my world, my way to be and to live the music.
The mixing technique used is a “Hybrid”, as I like to call it, between dj set and Live; I have been playing a Clavia Nord Mdular G2 and a Jomox Mbase 01 kick to make bridges across tracks;

enjoy.

 
1 - Untitled - Dino Sabatini -  Prologue
2 - Bridge 1 - Live
3 - Modulation A - Dino Sabatini - Outis Music
4 - Bridge 2 - Live
5 - Mooger - Modern Heads - Prologue
6 - Bridge 3 - Live
7 - Scylla - Dino Sabatini - Prologue
8 - Perseus - Dino Sabatini - Prologue
9 - Bridge 4 - Live 
10 - Step 3 - Dino Sabatini - Sonic Groove
11 - Ceto - Dino Sabatini - Prologue
12 - Tethys - Dino Sabatini - Prologue
13 - Modulation B - Dino Sabatini - Outis Music

OutisPodcastSeries01 - Dino Sabatini

Before his upcoming set at @https://soundcloud.com/paral-lel-festival
@https://soundcloud.com/semantica-records boss Svreca took the time to answer a few questions to compliment his contribution to the Inchmix series. 

Artwork fom 'The Work Of Robert Fludd'
Interview: https://bytheinch.co/2016/08/09/inchmix026-svreca/ 
More about Paral-lel Festival: http://parallelfestival.com/

INCHMIX026: Svreca 'Dissonance, Tension, Disorientation And Their Opposites'

He’s just as focussed on musical dynamics; with expansive chords but intimate effects, and how sounds move about in the club as well as in your head. He makes soundscapes rather than tracks, where euphoric moods and thunderous basslines can coexist, and where minute little details capture your mind’s eye while punchy drum work makes an immediate physical impact. He explores the rough and the smooth, the loud and the quiet, the cerebral and the visceral in aquatic and naturalistic worlds where electro, techno, dub and ambient are blurred into one. 

This means that as both a producer and comprehensive live act, the Dutchman can take you from the furthest reaches of outer space to the depths of an oceanic abyss via crackling and frozen tundras. He does so under three aliases—VC-118A, Mohlao, Multicast Dynamics, but all are interconnected and related, with a modular approach to making and performing music meaning that a pumping breakbeat live-set can easily be transformed into an abstract sonic landscape by reducing and modifying elements, playing with textures and reworking structures. 

“I’m always searching for a duality, something that marries dance floor functionality with an end of the world melodrama that gets deep inside your head,” says the artist. “My process is intuitive and unplanned, so I can start with sound design and atmospherics first, or get lost in rhythms.” This understanding of narrative, as well as groove, means that whatever alias he assumes, he can pump out a peak time festival set, twist you inside out with an intimate session in a cosy club or play an experimental soundscape set in more thought provoking settings with his own avant garde visuals. Dancers at cult places like Tresor, Denovali Festival and a Boiler Room showcase in Nijmegen have all experienced this in the recent past. 

Known by electronic music obsessives as one of electro’s shining lights, the last decade has seen van Dijk excel in both EP and LP format. His achingly beautiful melancholic moods and roomy, absorbing grooves are so fully realised that they work well beyond the club context and have come on top labels like Delsin, Frustrated Funk and Silent Season amongst others. They include highlights like the tension between raw machine sounds and ethereal pads that were explored on VC-118A’s underground classic Vaxna; Shift Register, which was made from largely one-take hardware jams with an instinctive and lo-fi finish, and the slow burning techno of Mohlao’s Landforms LP. Of course, his Multicast Dynamics album quadrilogy on Denovali also laid out immersive ambient worlds in truly escapist ways. 

The future will bring more multi-layered interplay between these varied but related projects on both solo and collaborative releases. This exploration of opposing forces will continue in the live arena, too, where van Dijk can arrest your attention with thrilling sets of guttural and gritty techno, take you into the future with his electro or zone you out with cathartic ambient. Whatever he does, dance floor experiences are rarely as immersive and emotional as those crafted by this multifaceted artist.

INVEINS \ Podcast \ 058 \ Mohlao

MNMT Podcast 257 gets deep and intimate with Dj Red as she takes us on a long, windy and mysterious trip. 
Read more: https://mnmt.no/?p=12122

MNMT 257: DJ Red

☽ ◯ ☾ MAGICK SPELLCAST #10 NESS X MENTAL MODERN

Acronym [ Dimensional Exploration ] Sweden 

http://soundcloud.com/4cr0nym

www.smkmachine.com 
www.facebook.com/SmokeMachineOfficial

Smoke Machine Podcast 081 Acronym

LVT is a well loved DJ and event organizer from Canada's West Coast, often representing music in the deeper veins of techno. As a DJ she is motivated by the emotional forces found within soundscapes, either in dance music, ambient or the places one floats between genres. Join for a ride, eith LVT behind the wheel of Black Wave podcast no. 31.

Whiteness is dazzling – an immediate response would be to cover the face and close your eyes. Yet the body is at a standstill. The world here is at a standstill too. Or this is how it seems. The vision clears from sunbeam reflections to see a monumental wall of ice – white glacier joins the sea. Constantly moving, constantly changing, forever trapped and liberated in its impermanence.

Check our other podcasts: bit.ly/Black-Wave-podcasts
follow Black Wave: www.facebook.com/blackwave.lt/
follow @blackwavelt
follow @lolavutru

Black Wave 031 - LVT

OYTIΣ was used as a pseudonym by the Homeric hero Odysseus, when he fought Polyphemus Cyclops, and had put out the monster’s eye. Polyphemus shouted in pain to the other Cyclopes of the island that “Nobody” was trying to kill him, so no one came to his rescue. The story of the Cyclops can be found in the song of the Odyssey.
“Cyclops, you asked my noble name, and I will tell it; but do you give the stranger’s gift, just as you promised.
“My name is Nobody. Nobody I am called by mother, father, and by all my comrades.”
I feel inspired by this Greek character OYTIΣ (nobody)and  this label is named after him.
A sonic representation of the sensations I like to be possessed by.
This is exactly how I love techno and electronic music to sound like, this is what I love to dance to.

Dino Sabatini (2011)

OutisPodcastSeries01 - Dino Sabatini

Outis Music

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